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    Hot Girls Wanted: Turned On—The Subjects

    By
    Holly Marie
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    I want to believe with all my heart that material can be made about sex workers that doesn’t demonize or belittle us. I want to get the same feeling chefs get while watching Chopped or car enthusiasts feel watching Top Gear UK. Hot Girls Wanted: Turned On is not that feel-good series—there is no perspective through which it is not problematic.

    The show eases you into the material in the first episode with living legend producers Suze Randall and her daughter Holly working on photoshoots and erotic film. The episode focuses on their business practices, how they treat the talent, and their issues with male producers. This segment is the only redeeming portion of the show. Savor the mother-daughter bonding and camaraderie; no warm and fuzzy feelings lie ahead.

    I could give you a blow-by-blow of the other five episodes, but to be perfectly frank, it’s a waste of time. This docu-series is even more harmful than its predecessor, 2015 documentary film Hot Girls Wanted, which covered amateur porn. Creator Rashida Jones and the other people behind this film are not sex workers. In fact, Jones has a long Twitter history of belittling women and out-right slut shaming other celebrities.

     

    The show creators have no experience in sex work and aren’t even close to anyone who uses the sex industry as their main source of income. They use adult film star Lisa Ann as their poster girl, but she has never dealt with stigma the same way transgender performers or performers who are people of color do. In fact, she is apathetic about the plight of more marginalized sex workers.

    The series features screen caps of people surfing cam girl sites. Though these cam performers signed up to be on those platforms, they did not sign up to have their identities exposed on a Netflix documentary. When sex workers on Twitter saw this, they exploded in response, and soon tweets by other sex workers roped into the project revealed further outrages: Not only did HGW:TO reveal screen caps; they showed the legal names of other performers; interviewed workers and agents under false pretenses, insisting the material wasn’t for Hot Girls Wanted; and even used interview footage of someone who’d changed their mind about being involved. Lisa Ann has been less than sympathetic about this, stating on Twitter:

     

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    .XXX Domain Ads: Creepy “Porn Is Moving to .XXX” Print Campaign

    By
    Bubbles
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    The .xxx domain is nothing more than an efficient means for domain registrars to extort money from businesses and organizations afraid that their names will be bought and used by porn sites, and from adult site operators who must purchase their .coms in .xxx format, lest someone else do so and hijack traffic. They basically said as much themselves with the “Can You Afford Not To?” video ad campaign. You have to give them credit: When they finally approved the .xxx domain, ICANN created worth out of thin air by allowing domain registrars to run what is essentially a protection scam: “That’s a nice brand you have there. It’d be a real shame if it redirected to a porn site.”

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    Hot Girls Wanted: Turned On—The Production

    By
    Mikey Way
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    The creators of Hot Girls Wanted and Hot Girls Wanted: Turned On— Jill Bauer, Rashida Jones, and Ronna Gradus. (Still from Youtube)

    I first heard that a sequel to Hot Girls Wanted was being made about three months ago. A performer I followed posted about being approached for filming. He rejected the offer immediately. I shared his discomfort.

    The first Hot Girls Wanted was a documentary film carefully designed to manipulate the viewer into feeling disgust towards the porn industry. It followed a household of porn models, predominantly new to the industry, for several months as they journeyed into what Hot Girls Wanted creator Rashida Jones referred to as “pro-amateur porn.” While the filmmakers claimed a totally unbiased approach, I watched the documentary taking note of each carefully placed, mid-sentence cut designed to de-contextualize industry critiques; each depressing tone played at low volumes creating emotionally charged responses to a comment; each unsourced statistic and each citation from disreputable websites.

    Porn performers responded harshly yet appropriately to the documentary. They aimed their critiques primarily at the film’s producer, actress Rashida Jones. With the announcement of a sequel came promises of an improved, non-stigmatizing, and nuanced discussion of the porn industry.

    It was not delivered.

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    I’m The Sex Worker Who Was Outed As Hugo Schwyzer’s Sexting Partner

    By
    suzyhooker
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    This post was removed at the author’s request.

    The Short Life of “Feminist” Tube Site Bellesa

    By
    Arabelle Raphael
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    Bellesa CEO Michelle Shnaidman.

    How can you talk about ethics when your company is posting stolen content from producers and sex workers?

    A tube site aimed at women did just that this month. Recently launched, Bellesa claimed it created a safe atmosphere for its users, which, unlike other tube sites, was supposedly free of “degrading” porn. However, like all tube sites, their collection of videos was largely acquired through piracy. While boasting “safe space” and “ethical porn for women,” Bellesa perpetuated the same exploitative practices the sleaziest tube sites do.

    Their hypocrisy caused a stir in the porn industry. The site claimed to be empowering while simultaneously exploiting people’s sexual labor. At least some other tube sites let performers upload their content and get paid for it—it’s a way to make your money back on already pirated content. Bellesa also perpetuated sex positive feminism’s voyeuristic and conditional obsession with sex work, that is, the idea that it is only valid as long as it’s empowering—a standard other jobs are not held to. What this attitude ultimately demonstrates is a complete disregard for those who work in the sex industry.

    To add insult to injury, Bellesa’s marketing campaign used Twitter to blast videos full of this kind of rhetoric, feeding a  liberal sex positive audience hungry for it. Feminist sex writer Suzannah Wess profiled their CEO Michelle Shnaidman at Bustle, opening her piece with, “It’s hard enough to find porn that isn’t totally degrading to women. And then, when you finally come across porn for women, it’s usually behind a paywall. There’s a good reason for this: It’s hard to produce porn ethically without charging customers. But Michelle Shnaidman, founder of Bellesa, has found a way to bring women porn they’ll actually enjoy without draining their bank accounts.”

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