Strippers

Home Strippers

I Partied With The Robot Strippers Before The CES

Human strippers with robot strippers. (photo via The Busty Bruiser)

When hypnotizing videos of robot strippers went viral recently, the internet was abuzz. (At least it was in my circles, comprised primarily of current/former sex workers and horny writers who never miss an opportunity to crack a Philip K. Dick joke.) People marveled and hypothesized about the potential implications these gyrating mannequins might have on the strip club landscape: Were these robots here to replace ladies who dance for a living? Were men actually like, into this? Should your friendly neighborhood strippers start worrying about being usurped by rechargeable batteries and knees that will never need replacement? It seemed that everyone who encountered this quirky bit of tech-lore was either mesmerized, amused, or vaguely hostile to the idea; but was anyone actually turned on? (Turns out, the answer to all of these questions is basically: not really.)

An old friend with tech media connections was able to score an invite to an exclusive media-only event being held at Sapphire, a major pillar of the Vegas strip club scene. We were lucky enough to check out the robots up close and personal before they make their debut on the CES Expo floor later this week. I spoke with the robots’ creator, Giles Walker, about their inception and how they came to be the most buzzed-about attraction at the biggest tech event of the year.

Despite all of the jokes and speculation about emotionally-stunted nerds in basements building girlfriends for themselves, Walker doesn’t even come close to the socially-awkward engineer I had envisioned. In fact, he’s a British sculptor with deep roots in the London punk and art scenes. With his spiked ear-gauges and cheeky fedora, Walker looks more like the guy who wants to sell you rare Japanese Sex Pistols b-sides on eBay, not the Dr. Frankenstein of sexy late-stage capitalism. An active member of art collective, The Mutoid Waste Company, which erects guerrilla-art installations all over Europe, Walker first began incorporating motors into his found-object sculptures in the mid-1990s using scavenged parts from junkyards. “When I first started I was just a broke punk, you know? I didn’t have $10 in my pocket, so I had to use whatever I could find on the street.” Today, the robots are constructed using mannequin limbs, windshield-wiper motors, a gate-opening motor, and CCTV cameras.

The dancing fembot concept first began to take shape for Walker after the broadcast of an infamous “sexed up” report on British television convincing the nation to go to war in Iraq.At the time, Walker says, “I started noticing these CCTV surveillance cameras on every single street corner in London, it was nuts. And those things are total garbage! They don’t even protect people, they only protect f*ckin’ property!” 

Today in Questionable Strip Club Advertising: Recruiting High Schoolers

Emperor’s Palm Beach is advertising that they’re taking applications from soon-to-be high school graduates. Seems like a questionable strategy, since another location operated by the same owners was sued for allowing an underage dancer to work. It sounds like the club might be a nice stop for traveling (legal) dancers, though. An article in the Broward-Palm Beach New Times points out that the club’s website offers hotel accommodations and “guaranteed funds.” Of one thing we can be sure: This sign undoubtedly reached more Reddit readers than potential strippers.

Two VICE Writers Walk Into A Bar

I try not to let the positions of the sun, moon, and other planetary objects dictate how I go about my daily life. That being said, there are two things I really try to avoid when there is a full moon: using public transportation and working at the strip club. People get weird. Hipster girls on lesbianic friend dates find their way into the club, act like assholes, and then blog about it.

I’ve never been to Pumps myself, but I can visualize a strip club with the lights on and the music off, the bartender counting out the till, the bouncer placing stools on the bar, and the dancers getting dressed. On a busy Friday night, this might be the first time they’ve all been in the same place at the same time. They can finally ask each other “what was up with those really drunk bitches?” and “did you see when they got kicked out and one of them screamed that she left her scarf and that we’re mean? It was amazing.” And then someone will note that maybe the supermoon brought out such bad behavior from a pair of women who didn’t look like they would be jerks. Some of them would give the two the benefit of the doubt and agree that they are probably nicer people when they’re not doing shots underneath a 14% bigger, 30% brighter moon.

Naked Music Monday: Cardi B’s “Bodak Yellow”

Born in the Bronx to a Dominican father and Trinidadian mother, Cardi B, a natural born hustler, has clawed her way out of poverty with stiletto shaped manicured nails and unwavering determination. In an interview with VladTV.com, Cardi says that being a stripper saved her life. At the age of 19, she turned to exotic dancing as a way to financially escape her abusive boyfriend. She made a promise to herself that she would retire from dancing by the age of 25. At 23 years old, Cardi B quit her job as a stripper and took the internet by storm via Instagram with hilarious, relatable, and opinionated videos on topics like sex work, sexism, and slut shaming.

Cardi’s brand of feminism is just what the world needs. In one of her infamous IG videos, Cardi B explains that feminism is not just for women who have college degrees: “If you believe in equal rights for man and woman that makes you a feminist. I don’t understand how you bitches feel like being a feminist is a woman who that has an education, that have a degree—that is not a feminist.”  Cardi’s inclusive style of feminism gives a voice to marginalized groups including black and Afro-Latina women and sex workers. 

A Judge’s Notes: The Fourth Annual Vagina Beauty Pageant

943658_10151812837405485_194116338_n
DJ Dick Hennessy with Miss Beautiful Vagina 2013, Jordan

I was dressed modestly in a knee-length black dress, white Converse, and a denim jacket, and felt as comfortable as any stripper can when behaving as a civilian at a strip club event. Although Portland is home to about 45 strip clubs, its downtown entertainment district only has five, but on this Thursday evening, Club Rouge was already thumping with activity. I proudly displayed my black and pink VIP pass to the door attendant, feeling like vaginal royalty. About three dozen women of various ethnicities and body types strutted and mingled.

The judging panel was comprised of local Portland celebrities and industry folks: Tres Shannon, the delightfully eccentric owner of Voodoo Donuts, heavily bearded Jedediah Aaker, promoter of Tonic Lounge, who sports a leather thong in IFC’s Portlandia, traveling drag performer Miss Sasha Scarlette, an owner of a marijuana dispensary who wished to remain anonymous, and the unnamed owner of the upscale Stars clubs, who looked like a slightly more heterosexual John Waters. I was the only judge with an actual vagina. “I feel a lot of pressure was on your shoulders to maintain order and balance,” host and creator of the Annual Vagina Pageant, DJ Dick Hennessy, later told me.

20 contestants, 19 of whom were strippers, were vying for the title of Miss Pretty Vagina 2013. Scoring was based on three categories: Stage Talent (20%), Attractiveness (20%) and Vagina Beauty (60%). One young lady, appropriately dressed as a cute (yet clichéd) school girl, was introduced as having never stripped a shift in her life. While I admire the bravery of any woman willing to bare all in an industry competition, I was already dreading watching an amateur “dance.”

Club Rouge and Hennessy had attracted a diverse crowd. Twentysomething bros laughed and drank among well-dressed older men, a pack of women whispered into their hands and pointed at the strippers, and the Old Guy Who Sells Roses was weaving his way through the audience, muttering “Rose for the lady?” Dancer Ari from the Boom Boom Room giggled to me, “I just saw my dentist. He asked me, “How’s everything going? I asked him, “Like, in my mouth?” A fish-faced middle-aged man stood behind the judges, his mouth agape, not moving except to lick his lips every few minutes.

The bartender laughed at me when I asked “Do you serve hot tea?” and instead I settled for ice water with a lemon, dunking in my own smuggled tea bags. Once the contest began, the next four hours were a blur of vaginas and stilettos.