Emperor’s Palm Beach is advertising that they’re taking applications from soon-to-be high school graduates. Seems like a questionable strategy, since another location operated by the same owners was sued for allowing an underage dancer to work. It sounds like the club might be a nice stop for traveling (legal) dancers, though. An article in the Broward-Palm Beach New Times points out that the club’s website offers hotel accommodations and “guaranteed funds.” Of one thing we can be sure: This sign undoubtedly reached more Reddit readers than potential strippers.
When hypnotizing videos of robot strippers went viral recently, the internet was abuzz. (At least it was in my circles, comprised primarily of current/former sex workers and horny writers who never miss an opportunity to crack a Philip K. Dick joke.) People marveled and hypothesized about the potential implications these gyrating mannequins might have on the strip club landscape: Were these robots here to replace ladies who dance for a living? Were men actually like, into this? Should your friendly neighborhood strippers start worrying about being usurped by rechargeable batteries and knees that will never need replacement? It seemed that everyone who encountered this quirky bit of tech-lore was either mesmerized, amused, or vaguely hostile to the idea; but was anyone actually turned on? (Turns out, the answer to all of these questions is basically: not really.)
An old friend with tech media connections was able to score an invite to an exclusive media-only event being held at Sapphire, a major pillar of the Vegas strip club scene. We were lucky enough to check out the robots up close and personal before they make their debut on the CES Expo floor later this week. I spoke with the robots’ creator, Giles Walker, about their inception and how they came to be the most buzzed-about attraction at the biggest tech event of the year.
Despite all of the jokes and speculation about emotionally-stunted nerds in basements building girlfriends for themselves, Walker doesn’t even come close to the socially-awkward engineer I had envisioned. In fact, he’s a British sculptor with deep roots in the London punk and art scenes. With his spiked ear-gauges and cheeky fedora, Walker looks more like the guy who wants to sell you rare Japanese Sex Pistols b-sides on eBay, not the Dr. Frankenstein of sexy late-stage capitalism. An active member of art collective, The Mutoid Waste Company, which erects guerrilla-art installations all over Europe, Walker first began incorporating motors into his found-object sculptures in the mid-1990s using scavenged parts from junkyards. “When I first started I was just a broke punk, you know? I didn’t have $10 in my pocket, so I had to use whatever I could find on the street.” Today, the robots are constructed using mannequin limbs, windshield-wiper motors, a gate-opening motor, and CCTV cameras.
The dancing fembot concept first began to take shape for Walker after the broadcast of an infamous “sexed up” report on British television convincing the nation to go to war in Iraq.At the time, Walker says, “I started noticing these CCTV surveillance cameras on every single street corner in London, it was nuts. And those things are total garbage! They don’t even protect people, they only protect f*ckin’ property!”
I feel nothing but pity for people who don’t “get” Twitter, anyone who has ever rejected me, and most of all, those who missed the 2nd Annual Vagina Beauty Pageant that happened this past week at Club Rouge in Portland, OR. I generally have a strong disdain for gimmicky strip club events and formal exotic dance pageants, but I feel like a child on Boxing Day now. I haven’t been able to get out of bed since realizing that I have to wait an entire year before I get to celebrate again.
I had considered entering when I read that the top vagina gets $500. I wasn’t sure what competing entailed, but felt like I had a solid entry. Plus, I thought maybe I could start charging extra for dances after I flashed customers my blue ribbon* (which I would carry on my person for the rest of my life, ready to show cops who pull me over for speeding, my future husband’s parents, etc). I boasted to a friend that I could win with toilet paper stuck to my junk, which I figure is the vaginal equivalent of doing a one-armed pushup. Ultimately, I was too confused (read: wimpy) to compete, but I did stop by to check it out just for the fresh blog material.
Portland, OR, frequently cited as the U.S. city with the most strip clubs per capita, and an annualvaginabeauty pageant, crowns a Miss Exotic Oregon each year. Local strip club ad rag Exotic (which also publishes a column by Tits and Sass Portland correspondent Elle) hosts the competition, a fine celebration of the strong theatrical elements of Portland stripping. In a town where stage performances are still strongly appreciated, dancers don’t hesitate to augment their pole skills and acrobatics with detailed costuming, stage sets, and choreography.
Sometimes one of them goes even further, bringing a level of emotional commitment and thematic strength to her performance that wouldn’t look out of place at Miss Exotic World. Thanks to my fellow Tits and Sass contributor Kat, I’ve been watching this video in amazement all morning. This is Jordan, who represented downtown’s Golden Dragon at this year’s competition, and her performance is a ten-minute-long tribute to Alanis Morissette. She has two supporting partners in her set, a male dancer playing her lover, and another female dancer he cheats on her with. It’s next-level pageant performance art.