Obama really cares about all of you, especially the ones who paid $35,000 for a ticket to have dinner with him (AP Photo/Paul Sakuma)
It’s no secret that politicians are whores—they lie to make you feel good and appreciated, but are always out to make as much money off as many people as possible. So it turns out President Obama is visiting my hometown tonight and getting a bunch of wealthy businessmen to pay for the privilege of having dinner with him. Sound familiar? And don’t fancy escorts call themselves “dining companions” these days anyway? Obama’s not giving it up cheap though, with tickets ranging from $25 to $35,800.
Jacqueline Frances has drawn attention and acclaim with her deceptively simple cartoons of everyday strip club doings. The simplicity of her comics draws you in, and before you know it, you’re seeing men and masculinity from a sex workers’ view that few people can bring themselves to take on consciously. Frances toured last year with her baby-stripper memoir The Beaver Show, and is touring this year with her new project, Striptastic!, a comic book celebration of strippers. She’s traveling the country for the next month and a half on the Sex Witch Tour.
Red: So, early on in Striptastic! you have a great illustration of a woman onstage saying she’s smashing patriarchy, and then you write a bit below that about how stripping is feminist and against patriarchy.
And I wanted to ask if you think it’s that simple, because there are later illustrations of “bad nights,” and one of a girl being groped where the caption is something like, “for every Instagram picture of a stripper with stacks, this is what she had to put up with” (which is WAY TOO REAL). These illustrations hint at a different reality, one where women/strippers don’t have all the power—or much power at all—and the work is a complex negotiations of boundaries with customers for cash and then with management for their respect (or for them to at least act like it) and with some management beggaring dancers before allowing them to leave after a slow night.
So, given these illustrations, I was wondering how you see stripping now, if you still see it as a patriarchy-smashing activity, or if it is in fact just another job with compromises like everything else, or if it can be both. Can it be patriarchy-smashing if the clubs are set up to profit men with as minimal benefit to the dancer as possible? Is a woman with low or no social capital being able to earn a living radical (I think it is!), but can that also co-exist with the fact that she’s able to make this living by working in a space that expressly centers men, male desires, and male conspicuous consumption of female energy, bodies, and services?
And is her work that benefits all these men, is that still smashing patriarchy?
Jacqueline Frances: No, it’s definitely not that simple. We exist within it and all have bills to pay. There are many ways to chip away at and/or smash the patriarchy, and I don’t believe there is one pure and simple way to do it.
Red: What’s your ideal outcome with the book? Are you trying to build stripper solidarity? What would you like to do with that, if that’s your goal? What are your visions?
Jacq: Yeah, I totally want to build stripper solidarity! Hmm, what was my goal with the book? I don’t know—the book kind of just happened organically, I started drawing and I knew that people were disappointed that The Beaver Show wasn’t illustrated—
Red: [laughing] Did you see the review—someone posted a review of The Beaver Show and it was clear they hadn’t even touched it, they describe it as a comic book and I was like, “Mmmm…”
Jacq: No, it’s not! But yeah, there are a lot of typos and it is a baby stripper memoir, it’s how you start. And so I was like, “I guess I should make a book of pictures!”
So I made it, and the survey made it not so much a book about me, more about other people. And I was talking to my mom today, [telling her that] I want it to feel like a yearbook, I want other strippers to open it up and relate to it and be happy about the positive memories and the strength they’ve discovered through stripping and sex work. I really want it to be an artifact for the women who’ve done the work, to celebrate their achievement. And I also want it to be educational for people who don’t do it, but that’s not my MO.
My MO is not teaching dudes, that’s all I do at work all day. I’ll offer some pearls of wisdom, or my zine, How not to be a dick in the strip club, which I just made available on Amazon again, but this is a gift for strippers.
…I’d love to usher in more women telling their stories. I know it’s not safe to come out, I know I have a ton of privilege that makes it safe—stripping is legal, I’m white, I’m educated—I have a lot of privilege that makes it easier to come out, so I want to use that. I want to start a dialogue.
What’s got two thumbs and 93 unregulated strip clubs? This state!
You can’t just take at face value the unofficial slogans of the Portland Chamber of Commerce. “There are more strip clubs per capita than any other city in the country,” “You’re never more than fifteen minutes by foot from a microbrewery,” and “We do too have a professional sports team in one of the major leagues!” That first statement, especially, is one that gets thrown around a lot. A lot a lot, by people who’ve never set foot in a club and yet find it one of the charming defining characteristics of the Rose City. Portland has a strip club culture like nowhere else, complete with its own magazine, celebrities, and scandals.
This week, a curious reader wrote into the city’s Pulitzer-winning alternative paper, Willamette Week, to ask if this is actually true. It is. If, like me, you took issue last summer with Tampa’s claim to this title in every article about the RNC, you’ll be please to see that the WW writer calculated a 1:9,578 ratio for Portland and 1:10,813 for Tampa. That’s a close enough margin to where the two cities could probably trade places on the list depending on the fortunes of a few clubs. It’s unquestionable, though, that Portland is the single easiest place in the U.S. to open a strip club, and that’s what lies at the bottom (lol) of its saturated nudie-bar market.
Like, I had to go strip. I had to go, ‘Oh yeah, you want to fuck me? Oh, yeah, yeah, yeah, let’s go to this hotel,’ and I’d drug ni**as up, and I’d rob them. That’s what I used to do! Nothing was motherfucking handed to me, my ni**a. Nothing.
Full disclosure: I don’t actually care about Cardi B. Nothing that she does or creates is essential to my life and her behavior consistently irritates me. Yes, I’ve bopped along to Bickenhead (a certifiable summertime bop) and her verse on G-Eazy’s No Limit speaks to my shriveled hooker heart, but beyond the music, I don’t care about Cardi B. I didn’t watch her on Love and Hip-Hop (because I don’t acknowledge Mona Scott, unless it’s L&HH: Miami), I didn’t listen to her mixtapes, and I wasn’t actually aware of her existence until Bodak Yellow’s release became a massive cultural event. Since then, I’ve made note of particularly compelling moments in her career as they appear on twitter: past colorist and racist comments, blatant transphobia, defence of her then boyfriend Offset’s homophobia, mockery of a mother with a dead child, constant feuding with Nicki Minaj, etc. Now, I’ve written before about the prevalence of bigotry in the hood and how being “ghetto” is not an excuse for ignorance, so it would be disingenuous of me to defend her past behavior. I won’t do it. So, when I say “leave Cardi B alone”, it’s not about that. It’s about how local jagoffs on the internet took the issue of a sex worker operating on the edges of what’s considered socially acceptable to survive and turned it into a crusade against her which likened her to R.Kelly and Bill Cosby.
On Sunday, March 24, 2019, an old video of the rapper surfaced on twitter, where all discourse goes to die. In the video, Cardi can be heard responding to accusations that she doesn’t deserve her fame or success because she didn’t “work for it.” It’s a filthy lie that sex workers don’t work as hard as or harder than anyone else, and yet that lie lives on because of misogyny, whorephobia, and general stupidity. We don’t get days off. “Down time” is spent in the gym, coding websites, designing ads, engaging in advocacy, and freestyling. We function as surrogate spouses, therapists, and friends. We have to work on our bad days, our bloated days, and our heavy flow days. All we do is work, so kill that lie.
In the video, Cardi starts by saying, “Ni**as must have forgotten the shit that I did to motherfucking survive.” Now, Cardi has a thick accent, clearly influenced by her New York and Latinx roots, so some of the words are difficult to identify with 100% certainty. But it sounds like—and this is the story the internet has decided to run with—she goes on to say that men would approach her at work, ask her to (most likely) break club rules and have sex with them, and go home with her where she would drug them and then rob them. “Like, I had to go strip. I had to go, ‘Oh yeah, you want to fuck me? Oh, yeah, yeah, yeah, let’s go to this hotel,’ and I’d drug ni**as up, and I’d rob them. That’s what I used to do! Nothing was motherfucking handed to me, my ni**a. Nothing.”
I firmly believe that robbing men is just taking reparations for the unending misogynistic and patriarchal bullshit we’re subjected to on a regular basis. I also believe that sex workers should be compensated for their time at all times if you’re asking them to provide labor of any kind. So I don’t care about her lightening the pockets of these men. If we’re being pedantic and dumb, we can acknowledge that drugging and robbing men, either as separate acts or in concert, is illegal. It’s “objectively” wrong. But I still don’t care. To quote MsGizelleMarie, “There’s no rules to survival sex work.” Encouraging clients to drink a little bit more or do another line, taking an extra $20 for cab fare when a john is in the bathroom, calling the police when a client gets too aggressive—we all do what we have to do to stay safe, pay rent, feed our kids, buy our meds, and take care of our parents. Cardi B became a stripper after the loss of her civilian job forced her to live with an abusive ex and drop out of college. That is survival sex work.
There’s no rules to survival sex work… you go based on your instincts at the moment… so for anyone who has a problem with Cardi B and her choices you will never understand the risks that women in the industry take to survive.. its a dangerous game all around.
When your literal life is on the line, the boundaries between the available options and the acceptable options start to blur. If you have never had to choose between food and paying a bill, this is not the place for you to clutch your pearls. This conversation is not the place for you to make yourself heard at the expense of poor, survival sex workers. If you can leave sex work today and find employment tomorrow without having to explain the gaps in your CV because of your education or connections, this is not the time for you to talk about your anecdotal experiences. You don’t have the range or the right to derail this discussion. If you can call the police when a client gets out of line without worrying about being railroaded by ICE, I don’t care about your opinion. I don’t want to know what you women who can openly talk about your sex work careers without losing jobs, respect, or your lives would do in Cardi’s place. Because you have never been in Cardi’s place.
I love Lindsay Lohan. When her issue of Playboy dropped I raced to the corner store to buy it. Who doesn’t love a Disney princess gone porno? In I Know Who Killed Me, released in 2007, Lohan plays a stripper who, through a twist of events, winds up an amputee. When LiLo accepted the role everyone was scandalized, but when she scored her first D.U.I. a few months before the film’s release, it seemed that everyone’s shock about the movie was overshadowed by her lezzie-make-out-drunk-driving-panty-flashing-coke-snorting antics that summer. The film also has quite possibly the worst script ever written. But, I can’t mention this enough, Lindsay Lohan plays an disabled stripper. I don’t know how I waited this long to watch this movie.
Like, I had to go strip. I had to go, ‘Oh yeah, you want to fuck me? Oh, yeah, yeah, yeah, let’s go to this hotel,’ and I’d drug ni**as up, and I’d rob them. That’s what I used to do! Nothing was motherfucking handed to me, my ni**a. Nothing.