Blast From the Past

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Quote of the Week

Only when human sorrows are turned into a toy with glaring colors will baby people become interested–for a while at least. The “righteous” cry against the white slave traffic is such a toy. It serves to amuse the people for a little while, and it will help to create a few more fat political jobs–parasites who stalk about the world as inspectors, investigators, detectives, and so forth.

What is really the cause of the trade in women? Not merely white women, but yellow and black women as well. Exploitation, of course; the merciless Moloch of capitalism that fattens on underpaid labor [… T]hese girls feel, “Why waste your life working for a few shillings a week in a scullery, eighteen hours a day?”

Naturally our reformers say nothing about this cause. They know it well enough, but it doesn’t pay to say anything about it. It is much more profitable to play the Pharisee, to pretend an outraged morality, than to go to the bottom of things.”

From feminist icon Emma Goldman’s bad-ass 1917 response to “white slavery” hysteria.

Blast From the Past: “Miss Temptation”

“Miss Temptation” is a short story that Kurt Vonnegut originally wrote for the Saturday Evening Post in 1956. You can find it in Welcome to the Monkey House. I read the anthology in high school, but this piece really resonated with me the second time around, oh, twelve years later.

It’s about a soldier who has just returned from serving his country in the Forgotten War. Corporal Fuller has never done well with women, which he credits to his not being good looking or rich enough, and not simply because he’s a jerk. He tells off a beautiful young aspiring actress named Susanna, publicly humiliating her, because he doesn’t like the way she “makes” him feel. He had never met this woman before, yet she incited such a strong reaction that he yelled at her and spent the rest of his day moping and snapping at his mother.

DuBarry Was a Lady (1943)

Du Barry Was A Lady (1943)

This film! Gene Kelly, Red Skelton, and Lucille Ball (who is a most epic redhead in color, I have to say) star in this musical where a hat check boy busts his head and dreams he is Louis XV, and Lucy is his Madame Du Barry. Sex work is, obviously, never mentioned. I mean, this film was made in 1943 y’all, I’d be expecting quite a lot if I needed them to say she was what she was. But. BUT. Anyone who knows their Ho-story knows that Madame Du Barry was a Courtesan. Courtesans fucked for cash . . . among other things, obviously.

Motor City Strippers!

When I see a black woman in a filmy something or other, or clutching feathers, or posed elegantly, I have to click whatever it is to see where she came from. That’s what happened when I stumbled onto this story about burlesque dancers in the Motor City on the Metro Timessite. It begins with a line I cannot turn away from: “They called her The Body. She was built like a double order of pancakes — sweet and stacked.” And gets better and better from there. I found myself completely enthralled the entire way through!

I absolutely think burlesque dancers who get paid for their work are sex workers, so to hear these women’s stories is incredibly inspiring. Lottie Graves mentioned that when she traveled, because of her fame, there’d be champagne and flowers in the room…this is something I can deal with. She also mentions that she wasn’t looked down on because “exotic dancing” was “classy.” I imagine the beaded gowns and rhinestone bikinis had something to do with it. Remind me to buy a rhinestone bikini sometime.

Blast From The Past: Striptease (1996)

Until several days ago, Striptease was a glaring oversight in my otherwise comprehensive history of sex work film viewing. I thought I should rectify that problem in light of my grousing about Demi Moore’s ham-handed anti-trafficking efforts, so I did. Sort-of. (Halfway through, I had to turn it off. It is unwatchably, un-fun-ly bad.)

Here are the highlights of what I saw before then. They should tell you everything you need to know: