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Let’s Talk About Pretty Woman (1990)

Editors Note:
There’s no sex work film as iconic as Pretty Woman, which is why we needed a total of three Tits and Sass-ers to tackle it. We figured we might as well start today, on Richard Gere’s birthday, with Bettie’s thoughts on the highest profile hooker with a heart of gold, followed by Charlotte’s take on Gere’s turn as provider instead of client in American Gigolo, and ending with an anonymous escort’s rebuke to the world Pretty Woman presents. Is there something about Vivian and Edward that still needs to be said after all that? Feel free to leave your own PW thoughts in the comments.

I have to admit, I’m not really a fan of Pretty Woman anymore. I used to be, before I started working. Now, though…

But it’s not because it’s an awful film. Indeed, it’s probably because it’s so good that I find it abhorrent. Even writing this review about it is getting on my nerves. That’s how far I’d like to stay from it at this point.

So, the story (as you all know) goes like this: Woman is a prostitute. Woman gives guy directions and ends up in his hotel room doing what prostitutes do when they are working. Guy’s kind of a dick…or socially awkward, whichever works for you, so he decides that instead of spending the week alone and perhaps trying to get another woman to spend time with him, he’ll just have Woman stay, for $3,000 and use of his credit cards. Woman thinks that’s swell. They spend time together (after she goes through a transformation the likes of Audrey Hepburn in My Fair Lady…or Sabrina, without the trip to Paris) They fall in love.

The last scene where he’s on the white limo with the rose in his mouth is just, ugh. My nerves are bad. Why didn’t he use the Esprit SE? I would totally fall for a dude in one of those.

Nothin’ Dirty Going On: “Best Little Whorehouse” Madam Edna Milton Chadwell Dead At 84

The Best Little Whorehouse In Texas, based on Larry L. King’s The Whorehouse Papers, was a seminal work of sex work-themed pop culture. The successful 1982 film version of the musical, starring Burt Reynolds and Dolly Parton, included “I Will Always Love You,” a ballad that would later become Whitney Houston’s signature showstopper in The Bodyguard, and “A Lil’ Ole Bitty Pissant Country Place,” a showtune that would become the go-to performance choice of future musical theater strippers across America. Undoubtedly, many young children of the 80s were first introduced to the very idea of prostitution by the film.

But before all that, the Chicken Ranch in La Grange, Texas, was a real place, and a massive news story in 1970s Texas. The brothel was brought down thanks to the, ahem, consumer advocate reporting of Geraldo Rivera precursor Marvin Zindler. During its final days, the Chicken Ranch was run by Edna Milton (later Chadwell), who had started working (yup) at the brothel in the 50s and later bought it for $30,000. The real life Miss Mona said she’d never had an affair with the local sheriff and that their relationship was all business. Somehow, this doesn’t make her story any less interesting.

Edna died this week after sustaining injuries in a car crash last October. Unfortunately, she never published an autobiography, but went on the record whenever she was asked. Although she often said the fictional stories about the Chicken Ranch were sensationalized, it’s hard to imagine her actual story was in any way boring.

Motor City Strippers!

When I see a black woman in a filmy something or other, or clutching feathers, or posed elegantly, I have to click whatever it is to see where she came from. That’s what happened when I stumbled onto this story about burlesque dancers in the Motor City on the Metro Timessite. It begins with a line I cannot turn away from: “They called her The Body. She was built like a double order of pancakes — sweet and stacked.” And gets better and better from there. I found myself completely enthralled the entire way through!

I absolutely think burlesque dancers who get paid for their work are sex workers, so to hear these women’s stories is incredibly inspiring. Lottie Graves mentioned that when she traveled, because of her fame, there’d be champagne and flowers in the room…this is something I can deal with. She also mentions that she wasn’t looked down on because “exotic dancing” was “classy.” I imagine the beaded gowns and rhinestone bikinis had something to do with it. Remind me to buy a rhinestone bikini sometime.

Happy Birthday Valerie Solanas

Valerie Solanas

If she were still alive, radical feminist author and prostitute Valerie Solanas would celebrate her 75th birthday today. Instead, she died of pneumonia at a seedy Tenderloin hotel while she was a streetwalker in the late ’80s. If you’re not familiar, Solanas was most famous for the attempted murder of Andy Warhol in 1968 after he both rejected and lost the script for a play she had written and asked him to produce. The play, Up Your Ass, was discovered again after Solanas’ death and finally made it to the stage in 2000.

What I love her most for, though, is the SCUM manifesto, her 1968 anti-capitalism and anti-patriarchy treatise, which advocates for male gendercide and the establishment of an all-female society. Most of her readers today consider her advocacy of mass murder to be satire—Solanas has stated that it was not to be taken literally, but this was after she was imprisoned and institutionalized multiple times, so who really knows.

The Happy Hooker (1975)

Aside from having one of the best theme songs in the world, Willie Dynamite being the film with the best so far, The Happy Hooker was also one of the cutest films I’ve watched in a long time.

We’ve been here before, so I don’t need to stress how much I love 70s fashion. I mean, it’s garish sometimes, but so is the austere minimalist stuff Phoebe Philo was selling us a couple of seasons ago, so… I also adore Xaveria Hollander for riding a bike to sessions, because I am a bike-riding sex worker myself.

I suppose this story is pretty normal, right? Lady has a taste for independence and uses sex work to better her life. Lady sees a hole in the market and uses her ability to fill it. This story is cute, even if it’s not groundbreaking. Actually, she’s charming. I think we are supposed to understand that she’s kind of irresistible. I doubted her appeal at the beginning, but afterward I was in love!