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A Tunnel, Not A Door: Exiting Conditioned, Generational Sex Work

One of Lime Jello's ancestors?  (Image via Wikipedia Commons)
One of Lime Jello’s ancestors? (Image via Wikipedia Commons)

This piece is adapted from a December 17th speech the author gave this year.

“You’re so lazy, you’ll never be anything but a whore. And you won’t even be a good whore because nobody wants to fuck a girl with a book in front of her face.”

When I was about twelve, as I lay on my bed reading, my father walked into my bedroom. When he saw me reclining and reading, that was what he told me. Funny thing, though: the student schtick really sells. Clients like to think they’re “funding” something worthwhile, like my education and not my drug habit. (I have both.)

My point is this: entry into and tenure in the sex industry is both constrained and conditioned by personal, historical and socio-economic contexts. In the movement, we talk about constraint whenever we talk about poverty. I think we avoid talking about conditioning, however, lest we reinforce stereotypes about hookers who were abused as children. But I don’t believe I became a sex worker by accident. I think I was conditioned, and I want to talk about it.

No Such Thing As A Free Colonic

My favorite aunt almost died a few weeks ago due to a burst colon, and it got me thinking about my own colon health. It was my birthday week and I’ve been eating so many fried things and drinking too much and eating birthday cake off of girls’ titties. As a result, my body just feels NUTS. I could use a little digestive fresh start, so I decided to schedule a colonic.

I googled “colonics,” and didn’t read much about any of the places, just picked one that wasn’t too far from my house. I showed up a few minutes early and was greeted by an extremely friendly bulldagger, which I’ve always taken to be a good sign. She gave me an intake form to fill out. Under “occupation,” I just put “dancer.” Such a handy euphemism when you don’t feel the need to LIE, but would rather not write “stripper.” I finished the rest of the form, gave the clipboard back to the friendly dyke, and sat back down in the waiting room.

A few minutes later I was greeted by a different butch dyke, who led me back to the irrigation room. She went over my intake form. “What kind of dancer are you?”

“A stripper.”

She lowered her artsy eyeglasses and peered over them at me in a meaningful way, like someone on TV who has realized that their terrible suspicions have been proven true. After several seconds of silence, she announced, “Well. You’re not going to pay for your colonic today.”

Outcasts Among Outcasts: Drug-Using Sex Workers in the Sex Workers’ Rights Movement, Part 2

The madam of an opium den relaxing into a nod—note that is she is unbothered by clients as she does so. (One of a series of photographs by Hungarian photojournalist Brassaï taken in Paris in the early 1930s.)
The madam of an opium den relaxing into a nod—note that is she is unbothered by clients as she does so. (One of a series of photographs by Hungarian photojournalist Brassaï taken in Paris in the early 1930s.)

(You can find part one of this discussion here)

Caty: I’ve seen former drug-using sex workers like Kate Holden write that trading sex for drugs directly with a dealer was “just tacky,” and in my shallow, callow early years as a heroin-using escort, I often said the same thing. But the real reason I’ve avoided doing this for a decade, with one exception, is that I’m terrified to have the power dynamic between possibly withdrawing user and dope holding dealer client be that starkly clear. I can safely retreat into the farcical mask of my privilege when with my escorting clients, I can advertise as an “ex-Ivy League activist and escort” on my Backpage ad, leveraging those respectability politics for all the profit they’re worth, and within that pretense, I can be as primly outraged as a Victorian maiden with her honor insulted when these clients ask for a BBJ. I can’t maintain that pose shaking and sniffing in some dealer’s living room.

I remember the one time I did trade a blowjob for three bags, early in my dope career. I remember his limp cock in the condom, the way he grimly surveyed my grimy, slovenly SRO room, how he said, concerned, that I should do the bags first, so then I had to do them in front of him even though I wasn’t sick yet and all I wanted was to enjoy the dope after he’d gone and I had my solitude returned. I know it could’ve been much worse, but I’d never felt so exposed, so confirmed as all the stereotypes about junkies whores.

Then there was the part where I had to awkwardly encounter him every once in a while for years after that—and that’s another thing, trading a session directly for dope means that one has to break the common rule escorts make about not seeing people that know their real name, people who are part of their social circles, as clients.

Social Media, Zola, and the Sex Worker Horror Story

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The headline at Jezebel.

By now, you’ve probably heard the story of Zola and her fabled strip trip to Florida with her new friend, Jess. If you haven’t, the story was told in a series of dramatic tweets by Zola, AKA twitter user _zolarmoon. In it, she spins a story that’s so intense and absurd that it’s hard to believe. In sum: she reluctantly agrees to take a work trip with her new pal, Jess, to Florida. Things immediately go wrong in a variety of terrifying ways. Zola’s narration of the journey is flippant and casual. She saw a lot of humor in the events that allegedly occurred.

The series of tweets were so flagrantly wild that they exploded on Twitter—at one point her story was (and still may be) trending worldwide. The story was picked up and regurgitated by your typical new media blogs: Fader, Buzzfeed, Complex, and, Jezebel (the list is still growing). It’s not surprising that Zola’s narrative was embraced so thoughtlessly. It contained the trappings of a good story that the new media elite thrive on, a perverted version of the who-what-where-when-why-how I learned about in journalism school: sexy pictures, nefarious and criminal doings, content that could be quickly mined and embedded, and, uh, Florida.

Sex worker Twitter did not appreciate the Jezebel piece. It triggered a familiar dialogue about the intersection of social media and journalism. What, ethically, is public record? Is Zola’s Twitter account public record? Jia Tolentino, the author of the story, argued that YES, it is. And further, the original tweets themselves had been shared hundreds of timesso who cares? The story went viral. Deal with it.

Your Story Already Sucks: An Open Letter To Tourist Journalists

Oh, hello there. It’s such a surprise to run into you here, Clueless Journalist Who Successfully Pitched an Article About Prostitutes Which You Have No Idea How to Actually Deliver. I know how much you hate to do even the most basic amount of research about the huge, knotty subject you’ve cavalierly decided to tackle, so it’s refreshing that you’ve deigned to stop by Tits and Sass. I’ve been involved in the sex industry for about 9 years, which means I’ve had plenty of time to collect examples of the emails you send to solicit my time and expertise in order to support your own career, and boy, are they compelling. Time and time again, before even doing fifteen minutes of self-education, you get straight to the interview solicitation. Why try to learn on your own when there will surely be a bevy of call girls dying to tell you everything you need to know for free, right?

Here are the all the important points to include if you want to make it clear right away that you’re completely unqualified to say anything on the subject of prostitution.

1) You don’t want to “demonize” me. Color me impressed. We all know that famous aphorism about how good intentions reliably pave the way to magnificent results, so the ability to not hate me is the only credential you need in order to earn my trust. Plus, it’s federal law that journalists, like cops, have to tell you the truth if they’ve not got your best interests at heart, so I’m sufficiently reassured that you mean exactly what you say.