by Caty and Red
12/9/2013 update: Yesterday, several commenters pointed out that speculating on the author’s trauma history was inappropriate of us. Upon reflection, we agree that this was specious and unnecessary, and apologize deeply for doing so.
Red: I love stripper memoirs; I buy them all indiscriminately and hope for the best. Strippers are like my family, people I love and hate and get driven crazy by but keep returning to. So you know I read Girl, Undressed when I found a copy at Powell’s. And I hated it. When Caty asked if I wanted to co-review it, I got giddy at the idea of sharing my outrage. Is there anything more fun that being righteously furious with a friend?
For those of you who haven’t read it, Girl, Undressed follows Fowler on a dank and seamy voyage, to places only “the ruined” (her term) can sink. She stumbles around early 2000s Manhattan, a weary traveler promising a glimpse at a New York not “vacuum-packed and delivered to your tastefully decorated abodes via HBO… there’ll be a sad lack of shopping expeditions to Bergdorf’s to punctuate each chapter’s end.” In other words, Fowler is not Carrie Bradshaw (but then who is) and I’m also gathering that she’s not writing this for me or her sisters-in-degradation/fellow strippers.
Susan Dewey conducted fieldwork for her academic study at a strip club she calls “Vixens” in a town she calls “Sparksburgh” in the post-industrial economy in upstate New York. She describes interacting with approximately 50 dancers but focuses on a few: Angel, Chantelle, Cinnamon, Diamond, and Star. Some names were changed, but these pseudonyms will sound familiar to anyone who has spent time in a club. The run-down club offers entertainment for working class people in an area with high unemployment. The club is not glamorous but is perceived as the best opportunity in a place of few options, including a few other bars with exotic dancers.
The first chapter opens with a quote from a dancer addressing Dewey: “You grew up like all of us and so you understand.” This context is important because money and socio-economic class are the main topics of the book. The book describes the women’s lives: poor starts in foster care, having children early, low levels of education, little financial or moral family support, economic contraction in the region, unreliable boyfriends and substance use. Dewey’s primary focuses are family and economics, contributing to a small but important body of work (I think of Jo Weldon’s piece in Sex Work Matters) examining the income provided by sex work. In other words, she studies the work rather than the sex. [READ MORE]
The following is an excerpt from the first volume of dancer JA Sapphire’s self-published memoir, Sapphire: Escape. At this point in the book, it’s 1996 and Sapphire has just decided to work as an exotic dancer for the first time. She has escaped from an abusive background and moved to Atlanta from the Eastern Seaboard, and worked a series of jobs, but found herself unable to pay rent, so she made her way to Magic City and has been taken to the dressing room by one of the managers, Nick.
I watch Nick close the door behind him as I place my bag on the table to search for something to wear. I don’t have much. I pull out something that I think is very sexy, something that I bought from the lingerie place in the Phipps Plaza. It’s black, full-lace with thick lace embroidery that covers the real important parts. It has two snaps at the bottom of the crotch, the neck comes up like a turtleneck, and the shoulders are ruffled. I take out a small red pencil and light the tip with a lighter to line my eyelids. I use the black mascara to extend my lashes. I use the black gel called Ampro to smooth my hair’s edges. With curl activator I bring up the waves in my hair. My hair is still cut into a boy-like fade. I pull out some lipstick that cost me about two dollars and paint my lips. I look at my reflection thinking I look great.
I start rubbing my body down with lotion when I notice a medium light-skinned girl with broad shoulders walk in. She’s dressed very conservatively in a white turtleneck, jeans and bootheels. She places her bag on a chair and glances at me but doesn’t speak. She goes in front of the mirror and stares at herself. She has blunt-cut bangs. She untangles the scarf from around her neck and the back of her jet-black hair. I feel that it’s impolite that neither one of us is speaking; therefore, I walk up to her with an extended hand to introduce myself to her.
“Hello,” I say happily. “I am Janel. I’m new here.”
She looks at me disdainfully up and down, then walks out the room. I hear her mumbling to Nick, then laughing. She returns but never says a word. “Excuse me,” I interrupt. “About how much money do you make in here?” She cuts her eyes, looks at me angrily and remains silent. “Excuse me,” I repeat myself. “Do you hear me?” [READ MORE]
This is how it’s done, ladies. (Image via the Tear Off Your Shirt Like Hulk Hogan Facebook page)
Another day, another strip club in a music video that’s too good to be true. Then again, unlike Rihanna’s “Pour It Up,” this one is actually too bad to be true. Today, we bring you Bruno Mars’s video for his new single, “Gorilla.” Apparently Mars and the director, Cameron Duddy, did an “exhaustive amount of research,” and determined that regular strip clubs are just too boring. Duddy said, on record, that they would visit a club and have “one drink and leave.”
Gee, thanks guys. [READ MORE]
Still from the film A League Of Their Own. Remind your customers that there’s no crying in baseball.
It’s that time of year again — the part of the year that I playfully refer to as sports season. For the next few weeks we’ll see an orgy of American sports converge — professional football, college football, preseason basketball, hockey, and of course, the World Series.
Any stripper will tell you that it’s definitely challenging to sell a lap dance when The Big Game is on. The Big Game is like lap dance kryptonite. Sure, you might be standing there in a tiny little spandex outfit but the men on the big screen are also wearing spandex and, well, one must prioritize their spandex preferences. [READ MORE]