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Sex Work and Storytelling at “Sex and Justice”

Sex and the State: Registries, Rights and Punishment Panel. L-R: Joseph Fischel, Deon Haywood, Roger Lancaster & Maurice Tomlinson All photos by author

Long ago before I had ever begun to use the term “sex work” or could even have guessed at what aå Sex and Justice conference would entail, I began processing my experiences in sex/work by telling my story. For a long time I kept that story in the place where I had left it: journals, then later in an edited and now-forgotten anonymous blog. I open up about parts of it here and there and I wonder, and worry, about the consequence of being completely open and honest and telling the whole story in a place that is not private or anonymous.

I went to the Sex and Justice conference in Ann Arbor to try to figure out what it is about sex that invites regulation and criminalization. More and more, however, I began to focus on the act of telling stories about sex (particularly when criminal law is a part of it): the consequences, obligations, and complications of telling something that is personal and yours alone. Speaker after speaker, in the context of “sex and justice,” had something to say about sex workers telling the truth of their experience.

At the first plenary (Sex and the State: Registries, Rights and Punishment) Deon Haywood, executive director of Louisiana’s Women With a Vision had 10 minutes to talk about her group’s successful “NO Justice” campaign. The campaign had successfully overturned a 19th century “Crimes Against Nature” law, which required people who offered oral or anal sex for money to register as sex offenders—disproportionately affecting poor women, people of color and trans individuals.

The Price of Knowledge: Discrimination Against Sex Workers In Academia

(Image via plasticdollheads.com, courtesy of Gemma Ahearne)
(Image via plasticdollheads.com, courtesy of Gemma Ahearne)

This essay is based on research interviews I conducted with current and former sex workers who are undergraduate or graduate students at universities across the globe. Their names and other identifying information have been changed.

I am subject to the capricious whims of my patriarch, a pimp of sorts, the man who decides the parameters of my labor. He is benevolent; soothing my insecurities with promises of better pay and better working conditions, someday. Things will improve, he promises. Someday, I will be able to keep what I earn, I’ll have adequate health care, and I’ll be treated as my patriarch’s equal. But first, I must pledge my allegiance to indentured servitude despite its accompaniment of crushing debt. I must allow for my assimilation into an exploitative system for a mere chance at cultural capital. I must sell my body and mind for the privilege that comes with letters after my name. I love my patriarch, though—he punctually answers e-mails and often praises my free labor. He plies me with booze to show his affection and, as evidenced by his gentle hazing, clearly favors me.

I am, of course, an academic.

There has been much ado about sex workers in academia lately. Noah Berlatsky wrote about the the value of sex worker led research in academia at the Pacific Standard; Livemint covered groundbreaking new research on Asian sex workers, HIV, and violence recently released in collaboration with regional sex workers’ rights organizations; and Lime Jello articulated the problems of studying sex workers here at Tits and Sass. Of course, there has always been immense curiosity, gross fetishization, and erratic speculation surrounding those of us who dabble in both the realms of the body and the mind. And true to my liberal art discipline’s form, I think it all says something larger about society.

I started working in the sex industry a great while ago and while my relationship to the sex industry has morphed after all these years—from an idealized notion of “liberation” in my younger days to a sense of disdain for and annoyance with the work—I still see myself as a sex worker first and an academic second.

It was pure happenstance that I fell into academia at all. By the time I learned what graduate school was, I’d worked as an independent escort and stripper for years. Upon being accepted to a Ph.D. program, it felt only natural for me to write about the situations and spaces which I occupied. The impetus for my academic curiosity was never about “access”—in fact, I find the concept of “accessing hard to reach populations” exploitative and condescending. I’ve always been one for internal exploration over armchair ethnography that privileges “the sociologist’s gaze.” There’s very little one can know about the world while rejecting self-reflection with the impunity of a toddler. All this to say, I study my precise social location: the experiences of sex workers in academia.

World Leaders: An East Asian Sex Worker Round Table

Mariko Passion, from "Colonizer Fantasy" series (Photo by Alex Safron, copyright Mariko Passion 2010)
Mariko Passion, from the “Colonizer Fantasy” series (Photo by Alex Safron, copyright Mariko Passion 2010)

Participants: Ho Lee Fuk 1, Nada 2, Christian Vega3, and Kate Zen; moderated by Mariko Passion

We at Tits and Sass wanted to run a series on racial fetishization in sex work. We were interested in questions like “What is it like for sex workers of color to labor in an industry where customers’ racist attitudes are often allowed to run rampant and may even be encouraged by management or workers themselves as a way to generate more income?” “How does your race shape the way you create and market your work persona?” “Are there advantages as well as disadvantages to being of color and working in the sex industry?” Mariko took this idea, found participants, and ran with it, creating an East Asian sex worker round table. We’d also love to hear from non-Asian sex workers of color on their fetishization in the sex trade and how they cope with it, capitalize on it, and rise above it.

Note from Mariko: This is just one roundtable. No social justice lens was used to select the voices heard here, and to be transparent, all the participants have a four year degree and all except one are part of pretty exclusive circles of global activism and First World/class privileged cisgendered folks. This post is not meant to be THE voice of East Asian sex workers, just an interesting, well voiced snapshot.

What are some racialized marketing techniques you have experimented with in your sex work?

Ho Lee Fuk: My ad did say Asian, and I had a full face pic, but it was both to advertise my race and to warn off clients who weren’t seeking [an] Asian [provider]. Of the great and minor disappointments in life, there’s nothing like getting dim sum when you really want lasagna.

Nada: I just try to be myself, I don’t put ASIAN ASIAN ASIAN everywhere.

Kate Zen: Oh, I market it consciously. Especially here in Quebec, where there are fewer Asians around.

Ho Lee Fuk: There are like four male sex workers in the whole East Bay (location, location, location!), and I was the only Asian. Which meant I didn’t have to compete with these muscle girls with nine inch cocks working in SF. I was kind of the prettiest dish on the knick-knacks table at the church bazaar.

What is one scene involving Asian race play that you refuse to do? What is your criteria for rejection?

Kate Zen: I’m kind of ashamed to say that I don’t have a strong criteria for rejection. If you pay me enough money, most dominant roles are fair game, since it’s all clearly pretend to me anyways. I feel that my client’s personal ignorance is his own problem. I don’t usually make it my job to educate him. However, I don’t often switch or play submissive roles, which is more often the Asian stereotype—so sometimes, just by insisting on a dominant role in every scene, I feel that I am rejecting many Asian stereotypes. In fact, it’s a relief that I can say: “Hey Mom! I’m not exactly a doctor like you wanted, but sometimes, I still get to wear a stethoscope!”

Nada: I refused to be a yoga teacher. I think it is the worst kind of appropriation in the West. But don’t worry—I only apply this criteria to my own actions. I understand everyone will do what they need to in their own lives.

I Couldn’t Do It: Jeff and Sarah

("Lost Balloon" by Ann Marshall, via Flickr and the Creative Commons)
via Flickr user Ann Marshall Art

Content warning—the following contains descriptions of underage sex work and an adult fantasizing about sexual activity with a pre-teenage child.

I don’t know how I started seeing Jeff. I can’t remember meeting him, or what the first session was like, or what he looked like in clothes. I just remember when it turned.

Jeff was a big money client for me at the time. It was my first year as a pro-domme and I worked in the sketchiest dungeon in town. Jeff would book me out for the entire night, freeing me from having to charm individual clients during meet and greets and guaranteeing me enough cash to cover my rent. He was easy too: the session was almost entirely verbal and consisted of my languishing on a velvet padded throne and rattling staccato words at him while hoovering lines of cocaine off the mirror in my Chanel compact. He would sit at my feet, cross-legged and hunched over, slavishly masturbating and smoking poorly rolled joints. He requested that I wear street clothes during one of our early sessions. I returned to the room, minus the latex, in what I had arrived at work in: platform boots, skintight ripped up jeans, and a tube top. I could tell he was hoping for something different, and he came to our next appointment with a small plastic shopping bag.

After I took Jeff’s money and dutifully handed it over to the biker who ran the place, I went into the dressing room to inspect the contents of the bag: a very small pair of shorts and a very small camisole, both in the lightest shade of pink, made of waffle knit cotton. There was a second where I wanted to sit down and cry. I was never molested as a child, but for some reason introducing the specter of childhood into an S&M session disturbed me more than anything else I did at work. From my first day on the job, I had a preternatural ability to perform acts of severe subjugation without being affected by them. I could fist a guy’s ass, piss in his mouth, beat him until he bled, and it didn’t touch me. It didn’t disgust me or traumatize me or make me feel much of anything aside from the intoxication of desire and the masturbatory pleasure of receiving the cash. But the kid stuff fucked with me. Calling it “age play,” the euphemism of choice in BDSM circles creeped me out even more. I didn’t ever want to be called Mommy and I didn’t ever want to play a little girl. Even though I was just seventeen, technically under the age of legality for sex work in New York, I felt like an adult at work, and I wanted to keep it like that.

Letter From An Extras Girl: If It’s So Easy, Why Haven’t You Done It?

barcode panties

Once you start down the dark path, forever will it dominate your destiny, consume you it will.—Yoda

Hola Hater,

Thanks for the helpful suggestions in “An Open Letter to the Extras Girl.” You know, for telling me how to do my job. Don’t take it personally if I ignore them. This is business, girl, and if you can’t wrap your head around what we—you and I—actually do for a living, it’s no problem of mine.

I know times are tough. This recession settled in on the whole country and it’s not going away anytime soon. I’ve been at this job long enough to know that the legendary monsoons of cash in the aughts—when girls could flash a titty and a smile and walk out with one large in their pockets—aren’t coming back. If you want to ply your craft and still turn a profit, sucking and fucking is going to be part of the deal, eventually.