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Why The #NYCStripperStrike Is So Relevant And So Long Overdue

(Via @NYCStripperStrike Instagram account)

A slightly different version of this piece was originally posted on Akynos’ blog, blackheaux, on November 8th

A personal history of being a Black stripper

It’s about fucking time! That’s all I can say about this stripper strike organizing.

I am excited to see more and more gentlemen’s club/exotic dancers taking this business seriously enough to take matters into their own hands. I think for far too long those of us in the adult entertainment industry have gotten engulfed in the socially acceptable invalidation of stripping as actual work, so that we’ve allowed ourselves to neglect so many of the labor violations, discrimination, and downright illegal actions by management, patrons, and staff that just couldn’t fly in other legal businesses.

I remember seeing dancers getting sexually and physically assaulted by patrons, while the bouncers employed because our naked bodies afforded them that job would do absolutely NOTHING. I recall one time a patron ejaculated on my ass as I gave him a standing lap dance at the bar. I went to the bouncer on duty at the time. He shrugged his shoulders and dismissed me.

The male staff who were employed by the club as stage managers or bouncers were also known to sexually violate us. Although they were employed by the same space we all occupied at the same damn time, they felt they were entitled to free feels and who knows what else from the dancers. If it was a nice day, they’d just insult you for even working in such a grimy industry.

Then there was the highway robbery in fees the club would charge the dancers who were coming in there to work—i.e., bring the establishment business. When I was in the game in the 90s, house fees were only just being implemented. They went from $5 to $20 in what seemed a matter of weeks.

Public perception often shapes law and policy, and vice versa. Without legal precedent or social acceptance we become prey to shoddy business practices.

I was 17 years old when I entered the clubs. I started with Al’s Mr. Wedge in the Bronx. It was the club I worked at exclusively then for a few reasons: Another club, The Goat, was closed by the time I got in the game. And besides, the legendary talk around this club sounded as if it was just too much for my bougie ass. For some reason, I just didn’t like Golden Lady, because its size and structure intimidated me.

And all my attempts at auditioning at clubs like Sue’s Rendezvous and whatever the name of the juice bar near Dyre Ave proved fruitless. I was too dark.

I recall once I went into Sue’s with a friend of mine, this mixed chic by the name of Jackie. Tall, light skinned, sorta looking like a young Mariah Carey, she was half White and Black. I went into Sue’s with her with the confidence that I would be allowed to dance in another club and increase my chances of making money. Young and naive, it didn’t dawn on me that when they told me Jackie could audition and I couldn’t it was the result of discrimination against my complexion.

Jackie ended up working at the high-end clubs in the city. Me and my Black ass had to keep it gutter and stay where they were not too picky.

I want people to stop being surprised that racism, colorism, and other biases against womxn (and Black people/or anyone with “dark” skin) exist. Determining who is worthy of making a living can be as superficial as how far from Whiteness they appear to be.

This shit is real.

Racism is real.

And colorism is also as fuckin real. The world is not existing in a post-racial/post-colorism mindset. It will never ever be like that. Now with racist humans writing code, even algorithms are becoming racially biased.

Leave Cardi Alone

Like, I had to go strip. I had to go, ‘Oh yeah, you want to fuck me? Oh, yeah, yeah, yeah, let’s go to this hotel,’ and I’d drug ni**as up, and I’d rob them. That’s what I used to do! Nothing was motherfucking handed to me, my ni**a. Nothing.

Full disclosure: I don’t actually care about Cardi B. Nothing that she does or creates is essential to my life and her behavior consistently irritates me. Yes, I’ve bopped along to Bickenhead (a certifiable summertime bop) and her verse on G-Eazy’s No Limit speaks to my shriveled hooker heart, but beyond the music, I don’t care about Cardi B. I didn’t watch her on Love and Hip-Hop (because I don’t acknowledge Mona Scott, unless it’s L&HH: Miami), I didn’t listen to her mixtapes, and I wasn’t actually aware of her existence until Bodak Yellow’s release became a massive cultural event. Since then, I’ve made note of particularly compelling moments in her career as they appear on twitter: past colorist and racist comments, blatant transphobia, defence of her then boyfriend Offset’s homophobia, mockery of a mother with a dead child, constant feuding with Nicki Minaj, etc. Now, I’ve written before about the prevalence of bigotry in the hood and how being “ghetto” is not an excuse for ignorance, so it would be disingenuous of me to defend her past behavior. I won’t do it. So, when I say “leave Cardi B alone”, it’s not about that. It’s about how local jagoffs on the internet took the issue of a sex worker operating on the edges of what’s considered socially acceptable to survive and turned it into a crusade against her which likened her to R.Kelly and Bill Cosby.

On Sunday, March 24, 2019, an old video of the rapper surfaced on twitter, where all discourse goes to die. In the video, Cardi can be heard responding to accusations that she doesn’t deserve her fame or success because she didn’t “work for it.” It’s a filthy lie that sex workers don’t work as hard as or harder than anyone else, and yet that lie lives on because of misogyny, whorephobia, and general stupidity. We don’t get days off. “Down time” is spent in the gym, coding websites, designing ads, engaging in advocacy, and freestyling. We function as surrogate spouses, therapists, and friends. We have to work on our bad days, our bloated days, and our heavy flow days. All we do is work, so kill that lie.

In the video, Cardi starts by saying, “Ni**as must have forgotten the shit that I did to motherfucking survive.” Now, Cardi has a thick accent, clearly influenced by her New York and Latinx roots, so some of the words are difficult to identify with 100% certainty. But it sounds like—and this is the story the internet has decided to run with—she goes on to say that men would approach her at work, ask her to (most likely) break club rules and have sex with them, and go home with her where she would drug them and then rob them. “Like, I had to go strip. I had to go, ‘Oh yeah, you want to fuck me? Oh, yeah, yeah, yeah, let’s go to this hotel,’ and I’d drug ni**as up, and I’d rob them. That’s what I used to do! Nothing was motherfucking handed to me, my ni**a. Nothing.”

I firmly believe that robbing men is just taking reparations for the unending misogynistic and patriarchal bullshit we’re subjected to on a regular basis. I also believe that sex workers should be compensated for their time at all times if you’re asking them to provide labor of any kind. So I don’t care about her lightening the pockets of these men. If we’re being pedantic and dumb, we can acknowledge that drugging and robbing men, either as separate acts or in concert, is illegal. It’s “objectively” wrong. But I still don’t care. To quote MsGizelleMarie, “There’s no rules to survival sex work.” Encouraging clients to drink a little bit more or do another line, taking an extra $20 for cab fare when a john is in the bathroom, calling the police when a client gets too aggressive—we all do what we have to do to stay safe, pay rent, feed our kids, buy our meds, and take care of our parents. Cardi B became a stripper after the loss of her civilian job forced her to live with an abusive ex and drop out of college. That is survival sex work.

When your literal life is on the line, the boundaries between the available options and the acceptable options start to blur. If you have never had to choose between food and paying a bill, this is not the place for you to clutch your pearls. This conversation is not the place for you to make yourself heard at the expense of poor, survival sex workers. If you can leave sex work today and find employment tomorrow without having to explain the gaps in your CV because of your education or connections, this is not the time for you to talk about your anecdotal experiences. You don’t have the range or the right to derail this discussion. If you can call the police when a client gets out of line without worrying about being railroaded by ICE, I don’t care about your opinion. I don’t want to know what you women who can openly talk about your sex work careers without losing jobs, respect, or your lives would do in Cardi’s place. Because you have never been in Cardi’s place.

Quote of the Week

We’re engaging in sex work, as a form of economic survival, but also as a form of validation. We have got to address this. We have got to talk about what it’s like getting up in the morning, catching the train or bus to school or work and that ride is tense because you’re the subject of giggles and whispers. […]

Or if you are passable, how you’re still not well received in your community. But then you have a sexual experience with Rahim from next door. He’s telling you you’re good enough and he’ll also pay. Suddenly you’re a commodity. You’re wanted.

Danielle King at Colorlines on being young, black, and trans in Washington DC.

Pole Dancing Doesn’t Make You A Stripper, Twerking Doesn’t Make You Black

image via @darth
image via @darth

Chanel: When thinking about Miley’s horrible performance at the VMAs, I let out a big sigh. Where do I begin? There was so much wrong with her performance. It wasn’t tasteful or well-choreographed. I wasn’t expecting her to slip back into her role as Hannah Montana and give the VMAs a sweet and boring show, but I sure wasn’t expecting that.

As strippers, we perform on stage for one to three songs per set. Sometimes routines are choreographed well to music and other times it’s short and sweet and then it’s over. When it comes to twerking, it’s about more than just having a big round booty. I’ve seen white women and black women and every color in between shake it well on stage. There’s no huge thought process behind it but it’s hard when you don’t know what you’re doing, just like any other dance move. When (most) strippers shake it, we know it’s for entertainment, so it should be good which can mean extra tips on stage and off stage in terms of lapdance sales. When Miley shakes it, it’s because she’s trying to shock us with her uncoordinated hip wiggles. She’s not like the strippers in her song lyrics. I’ve seen those women, and they are much better than she will ever be.

The show was much like her video, complete with human accessories. I wasn’t shocked that there were big booty black women dancing on stage with her. It wouldn’t be the first time people have accessorized with black women (or women of any race) for entertainment. Countless hip-hop and rap videos use black heavy-bottomed women as accessories. As a black mixed woman, I’m offended by Miley’s choice to do this. I’m not sure what she’s trying to prove or say by hiring black women to act as her friends in the “We Can’t Stop” video and on the VMAs. It’s more than the bad pancake booty twerking. It’s the selected parts of black culture she attempted to portray though her song and dance. There’s more to black and hip-hop/rap culture than what she is picking apart and glorifying. She only glorifies ideas from the way black and hip hop/rap culture is portrayed in the media—grills, twerking, big butts, getting high, being surrounded by hot women and acquiring money. Her performance and song lyrics show that she is completely unaware of what actually defines black and rap/hip hop culture.

October 22nd And After: The Movement Against Police Violence And Black Sex Workers

The author in a selfie with the Red Umbrella Project team. (Photo courtesy of Cherno Biko)
The author in a selfie with the Red Umbrella Project team. (Photo courtesy of Cherno Biko)

Every year since 1995, thousands of people all over the world have joined forces in an effort to end police brutality, repression, and the criminalization of our lives. In America, yesterday, October 22nd, has become known as the National Day to End Police Brutality. These efforts were launched by the Revolutionary Communist Party, USA and have historically focused on violence perpetrated against men.

As the developer of the hashtag #BlackTransLivesMatter and a national partner of the larger #BlackLivesMatter network, I must point out that the violence against folks like us manifests in many different ways and hits black cis and trans women the hardest.