Race

Home Race

October 22nd And After: The Movement Against Police Violence And Black Sex Workers

The author in a selfie with the Red Umbrella Project team. (Photo courtesy of Cherno Biko)
The author in a selfie with the Red Umbrella Project team. (Photo courtesy of Cherno Biko)

Every year since 1995, thousands of people all over the world have joined forces in an effort to end police brutality, repression, and the criminalization of our lives. In America, yesterday, October 22nd, has become known as the National Day to End Police Brutality. These efforts were launched by the Revolutionary Communist Party, USA and have historically focused on violence perpetrated against men.

As the developer of the hashtag #BlackTransLivesMatter and a national partner of the larger #BlackLivesMatter network, I must point out that the violence against folks like us manifests in many different ways and hits black cis and trans women the hardest.

Naked Music Monday: Beyoncé Shows Us Blackness, Unapologetically



Beyonce’s “Formation” can be described with two words: unapologetically black.

Images of black babies sporting their natural hair, lyrics such as “I got hot sauce in my bag (swag)”, and Beyonce atop a sinking New Orleans police car in what appears to be the wreckage of Katrina are what make that description a snug fit.

The scene that made tears well up in my eyes, however, was at 3:45 – a little black boy in a hoodie, clearly an homage to Trayvon Martin, dances, carefree and passionately, being,well, unapologetically black. But here’s the catch; he does this in front of a line of police officers, all standing at ease. When he finishes and throws his hands up gymnast-style, their hands fly up in surrender. This scene is immediately followed by footage of graffiti that reads:“Stop shooting us.”

Last night, Beyonce went even further. She made history when she brought this imagery to one of the most widely watched television events of the year: the Super Bowl 50 Half Time Show. Her live performance of “Formation” continued the theme of unapologetic blackness. Her costume was a tribute to one of the greatest performers in history, Michael Jackson, and her dancers mirrored the attire of the Black Panther army.

The line in the song that hits home the hardest for me as a black sex worker is “always stay gracious/ the best revenge is your paper.” It’s reminiscent of Missy Elliot’s “Work It,” where she spat, “get that cash/ whether it’s 9 to 5 or shaking your ass.” It acknowledges us black sex workers in a way we usually don’t experience in our community. Beyoncé has alluded to sex work positively before in lines such as “a diva is a female version of a hustler.” She’s come a long way from the rampant whorephobia in her earlier work (side eyeing “Nasty Girl” here).

Why The #NYCStripperStrike Is So Relevant And So Long Overdue

(Via @NYCStripperStrike Instagram account)

A slightly different version of this piece was originally posted on Akynos’ blog, blackheaux, on November 8th

A personal history of being a Black stripper

It’s about fucking time! That’s all I can say about this stripper strike organizing.

I am excited to see more and more gentlemen’s club/exotic dancers taking this business seriously enough to take matters into their own hands. I think for far too long those of us in the adult entertainment industry have gotten engulfed in the socially acceptable invalidation of stripping as actual work, so that we’ve allowed ourselves to neglect so many of the labor violations, discrimination, and downright illegal actions by management, patrons, and staff that just couldn’t fly in other legal businesses.

I remember seeing dancers getting sexually and physically assaulted by patrons, while the bouncers employed because our naked bodies afforded them that job would do absolutely NOTHING. I recall one time a patron ejaculated on my ass as I gave him a standing lap dance at the bar. I went to the bouncer on duty at the time. He shrugged his shoulders and dismissed me.

The male staff who were employed by the club as stage managers or bouncers were also known to sexually violate us. Although they were employed by the same space we all occupied at the same damn time, they felt they were entitled to free feels and who knows what else from the dancers. If it was a nice day, they’d just insult you for even working in such a grimy industry.

Then there was the highway robbery in fees the club would charge the dancers who were coming in there to work—i.e., bring the establishment business. When I was in the game in the 90s, house fees were only just being implemented. They went from $5 to $20 in what seemed a matter of weeks.

Public perception often shapes law and policy, and vice versa. Without legal precedent or social acceptance we become prey to shoddy business practices.

I was 17 years old when I entered the clubs. I started with Al’s Mr. Wedge in the Bronx. It was the club I worked at exclusively then for a few reasons: Another club, The Goat, was closed by the time I got in the game. And besides, the legendary talk around this club sounded as if it was just too much for my bougie ass. For some reason, I just didn’t like Golden Lady, because its size and structure intimidated me.

And all my attempts at auditioning at clubs like Sue’s Rendezvous and whatever the name of the juice bar near Dyre Ave proved fruitless. I was too dark.

I recall once I went into Sue’s with a friend of mine, this mixed chic by the name of Jackie. Tall, light skinned, sorta looking like a young Mariah Carey, she was half White and Black. I went into Sue’s with her with the confidence that I would be allowed to dance in another club and increase my chances of making money. Young and naive, it didn’t dawn on me that when they told me Jackie could audition and I couldn’t it was the result of discrimination against my complexion.

Jackie ended up working at the high-end clubs in the city. Me and my Black ass had to keep it gutter and stay where they were not too picky.

I want people to stop being surprised that racism, colorism, and other biases against womxn (and Black people/or anyone with “dark” skin) exist. Determining who is worthy of making a living can be as superficial as how far from Whiteness they appear to be.

This shit is real.

Racism is real.

And colorism is also as fuckin real. The world is not existing in a post-racial/post-colorism mindset. It will never ever be like that. Now with racist humans writing code, even algorithms are becoming racially biased.

What I Do Know: The Colonial Evisceration of Cindy Gladue

Medicines at a Justice for Cindy Gladue Rally in Ontario. (Photo via Ariel Smith)
Medicines at a Justice for Cindy Gladue Rally in Ontario. (Photo by Naomi Sayers)

Content warning: This piece contains references to rape, murder, violence against Indigenous women (especially Indigenous sex workers), and other disturbing material.

When I told my boyfriend that I was going to write an article about Cindy Gladue and the epidemic of missing and murdered Indigenous women (MMIW), he reminded me that I should keep my bundle and medicines close to me. My elders tell me that all important activities should be entered into with good intentions and that the medicines help with this by providing strength and clarity of purpose. With that in mind, I made sure I took a moment to smudge and put out a tobacco offering before sitting down to write this. I know that writing about this is vital but it is also emotionally difficult for me. It is hard to describe through words the visceral sickening grief that I feel when I think about what was done to Cindy Gladue.

Cindy Gladue was a Nehiyaw Iskwew (Cree woman), like me. She had dropped out of high school, like me. She had worked in the sex trade, on the streets, like me. She had experienced a lot of violence and trauma in her life, like me.

On June 22nd, Cindy Gladue was found dead, naked, and covered in blood in a bathtub at the Yellowhead Inn in Edmonton, Alberta. She had bled to death from an 11cm wound on her vaginal wall. She was 36 years old.

A semi-truck driver named Bradley Barton was arrested and put on trial for her murder. Crown prosecutors argued that Cindy’s death was caused by Barton inserting a sharp object into her vagina. Barton claimed that Cindy’s vagina had been injured from him aggressively fisting her during consensual “rough sex.” Either way, Barton left the motel room for work the next morning, knowing that Cindy was in the bathtub bleeding profusely. He didn’t call 911 until hours later and lied to the police at first, saying he didn’t even know Cindy.

On March 18th, 2015 a Jury of 11 people, 9 men and 2 women acquitted Barton of first-degree murder and decided not to convict him of the lesser charge of manslaughter. There were no Native people on the jury.

Prostitution Laws: Protecting Canada’s Crackers Since 1867

(Art by Michif/Cree artist Erin Konsmo)
(Art by Michif/Cree artist Erin Konsmo)

The stated legislative objectives of the prostitution laws that the Canadian Supreme Court recently struck down in Bedford v. Canada were the prevention of public nuisances and the exploitation of prostitutes. However, upon closer examination of the history of these laws, their real objectives become transparent. Canada’s anti-prostitution laws were really there to protect society’s whiteness/maleness. As such, these laws were disproportionately applied to racialized and indigenized bodies. Thus, to understand what the Bedford decision means for Indigenous sex workers is to understand the essence of colonialism and the history of Canada’s anti-prostitution laws.

On December 20, 2013, Canada’s Supreme Court found the following laws relating to prostitution unconstitutional:

  • the bawdy house offense, (which prohibits keeping and being an inmate of or found in a bawdy house);
  • the living on the avails offense (which prohibits living in whole or in part on the earnings of prostitutes); and
  • the communicating offense (which prohibits communicating in a public place for the purpose of engaging in prostitution or obtaining the sexual services of a prostitute). 1

Black Marxist scholar Frantz Fanon best defines colonialism in his seminal work Wretched of the Earth. Fanon writes that  “[t]he colonized world is a world divided in two” and that colonialism “is the entire conquest of land and people.” In other words, colonialism is the complete domination and exploitation of Indigenous lands, bodies and identities (and not the fun kind of domination). When colonialism is incorporated into this discussion, the racial undertones within the laws, their application, and objectives are revealed.