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Why I Hate Pretty Woman (1990)

So, my apologies for showing up a little late to the Pretty Woman threesome. I hadn’t realized how painful it would be to watch this movie again, and so I had to take it in small bites over the course of the week.

I had already been a hooker for a couple years before I ever saw Pretty Woman  a few months ago. Even before I had seen it though, I’d casually reference it all the time with my friends when we’d make fun of tricks who thought they could be our boyfriends. Yes, I know this happens in real life, and even has happened to a couple of my friends. But it’s never come even close to happening to me, especially not with the kind of guys who’d be into “saving” me.

My boyfriend finally made me watch it one day several months ago, and I was even more grossed out than I had expected.

The film’s one saving grace: Julia Roberts is incredibly, uniquely beautiful. It somewhat mitigates the torture of listening to her slip in and out of an unplaceable generic “tough girl” accent (doesn’t Vivian say once she’s from Georgia? doesn’t sound like it…) and a super lame script. (By the way, drooling over Sasha Grey was the most redeemable part of The Girlfriend Experience, too.)

Some of the things that make me cringe, roll my eyes, or just say “huh?”:

Anti-Sex Worker Activists Are Behind #50DollarsNot50Shades

image via 50 Dollars Not Fifty Shades on Facebook
image via 50 Dollars Not Fifty Shades on Facebook

There’s a new campaign circling social media encouraging people to not only look into the abuse and lack of consent within the book Fifty Shades of Grey, but to also boycott the movie, with a philanthropic twist. According to their Facebook page, “#50dollarsnot50shades is a grassroots, women-led campaign, encouraging people to boycott the 50 Shades of Grey movie & give a $50 donation to [a] domestic violence shelter or agency. The money you would have spent on movie tickets and a babysitter or movie tickets, popcorn and drinks will go towards serving victims of abusive relationships like the one glamorized in the 50 Shades series. Hollywood doesn’t need your money; abused women do.”

As someone who not only practices BDSM professionally and personally and dislikes the poor excuse for BDSM erotica that is the Fifty Shades franchise, I thought that this idea was actually quite clever. Instead of supporting a movie and book series whose leading man doesn’t talk about consent with newbie Ana while also meeting all of the signs of being a domestic abuser, why not make a donation to a local women’s shelter for domestic violence? Brilliant.

Or maybe not. The campaign is not as grassroots as it claims, but instead is run by anti-pornography activists. 50 Dollars not 50 Shades is sponsored by the London Abused Women’s Centre (LAWC), the National Center on Sexual Exploitation (NCSE), and Stop Porn Culture. It is also affiliated with PATHS of SaskatchewanAntiPorn.org and Pornography Harms which is apparently part of the NCSE.

Hump! Amateur Porn in Portland

Three strippers and a well-adjusted boyfriend attend the 7th annual Seattle and Portland amateur porn film festival, Hump!. This was Kat and her friend’s first time attending and the second for my man friend and myself. We learned that we never want to see sex to piano music again, that stop-motion animation can be more obscene than real life, and that Kat’s former coworker wasn’t afraid to be penetrated with a knife.

Standing in the long line outside of Portland’s Cinema 21, I was immediately struck by how chipper the crowd was. An equal proportion of mid-twenties to late-thirties men and women chattered excitedly in the rain. I actually stood on my tiptoes to peer down the block, looking for solo older men lurking in the shadows, but didn’t see any. All six Portland showings had completely sold out and the line of hip young people wrapped around the block. Kat overheard a guy tell his girlfriend that they were at the new Harry Potter movie, which didn’t seem unreasonable given the mob of excited people.

Blast From The Past: Striptease (1996)

Until several days ago, Striptease was a glaring oversight in my otherwise comprehensive history of sex work film viewing. I thought I should rectify that problem in light of my grousing about Demi Moore’s ham-handed anti-trafficking efforts, so I did. Sort-of. (Halfway through, I had to turn it off. It is unwatchably, un-fun-ly bad.)

Here are the highlights of what I saw before then. They should tell you everything you need to know:

The Great Happiness Space (2006)

all photos courtesy of the author

One of my favorite male sex worker movies is The Great Happiness Space. The documentary film from 2006 follows the work lives of the staff members of Stylish Club, Rakkyo, one of the top host clubs in Osaka, Japan. The film was shot at a time when male host clubs were becoming more popular and attracting increased media attention. I was interested in the film as I had spent some time between 1998 and 2007 working in hostess clubs in Tokyo.

Friends back home had been indignant when I explained to them the nature of a hostess’ work. By performing a subservient role, they had argued, I was enforcing gender oppression, and shouldn’t I feel bad about that? I was curious to see the flipside, expecting to see a subversion of the gender roles played out in the hostess club where the woman dotes on the male customer. Perhaps I was looking for something to point at to say: Look: it’s OK; the industry caters for women too. I came away from the film thinking more about women in the sex industry, however, than men.