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Tits and Sass Stands With Black Lives Matter

Two members of a George Floyd protest on 14th & U Streets in Washington D.C. yesterday, 5/29/2020. (Photo by George Livingston via Flickr)

UPDATED FROM 2016: Four years later, Tits and Sass and the sex worker community reiterate our alliance with the Black Lives Matter movement and all communities of color protesting the police nationally. We have updated the list of fundraisers below through which you can demonstrate support.

Twitter user @Chateau_Cat has compiled an ever-growing list of bail funds. Click here to access it.

There’s also a city-by-city guide in Paper Magazine on how to support people protesting against the police where you are.

And here is yet another list of local bail funds and legal help, which we originally saw tweeted on Lysistrata MCCF’s account. We’re unsure whom to credit for this one—please claim it if it’s yours.

Update on 6/1/2020: Finally, Reclaim the Block has created this list of grassroots Minneapolis organizations who haven’t gotten as many donations as some, but who are keeping their communities afloat and need help.

Update on 6/2/2020, International Whores Day and Blackout Tuesday: This is a comprehensive National Bail Fund Network approved list of bail funds for protesters across the country.

Fundraisers for Black sex workers as well as other sex workers of color affected by police violence and incarceration

Fund for Alisha Walker, and a resource list by Support Ho(s)e on how you can support her and her community inside Decatur Prison.

SWOP Behind Bars offers a variety of ways to donate to incarcerated sex workers, with Amazon wishlists, jail libraries, and scholarship funds being among the many options, as well as a direct donation towards their work.

Update on 6/2: Finally, this is a spreadsheet Twitter user @daemonderriere created out of Caty Simon’s original thread listing sex worker mutual aid funds for COVID-19 relief monies—many of the sex workers these funds serve are criminalized Black sex workers and sex workers of color.

Memorial fundraisers for Black people killed by the police

George Floyd’s memorial fund, organized by his brother

A fundraiser to support Ahmaud Arbery’s mother, organized by his friend—#irunwithmaud

A fundraiser to cover grief counseling and funeral and burial expenses for Tony Mcdade’s family, designated to his mother. This one was just created an hour or two ago and could particularly use some help.

Update on 6/6/2020: This is a fundraiser for Breonna Taylor’s family. Yesterday would have been her 27th birthday. #SayHerName

Miscellaneous

Survived & Punished is a national coalition dedicated to supporting people—most often women of color—who have been incarcerated for surviving domestic or sexual violence. You can donate to them here.

Please add any additional fundraisers in the comments and share this list far and wide.

Pole Dancing Doesn’t Make You A Stripper, Twerking Doesn’t Make You Black

image via @darth
image via @darth

Chanel: When thinking about Miley’s horrible performance at the VMAs, I let out a big sigh. Where do I begin? There was so much wrong with her performance. It wasn’t tasteful or well-choreographed. I wasn’t expecting her to slip back into her role as Hannah Montana and give the VMAs a sweet and boring show, but I sure wasn’t expecting that.

As strippers, we perform on stage for one to three songs per set. Sometimes routines are choreographed well to music and other times it’s short and sweet and then it’s over. When it comes to twerking, it’s about more than just having a big round booty. I’ve seen white women and black women and every color in between shake it well on stage. There’s no huge thought process behind it but it’s hard when you don’t know what you’re doing, just like any other dance move. When (most) strippers shake it, we know it’s for entertainment, so it should be good which can mean extra tips on stage and off stage in terms of lapdance sales. When Miley shakes it, it’s because she’s trying to shock us with her uncoordinated hip wiggles. She’s not like the strippers in her song lyrics. I’ve seen those women, and they are much better than she will ever be.

The show was much like her video, complete with human accessories. I wasn’t shocked that there were big booty black women dancing on stage with her. It wouldn’t be the first time people have accessorized with black women (or women of any race) for entertainment. Countless hip-hop and rap videos use black heavy-bottomed women as accessories. As a black mixed woman, I’m offended by Miley’s choice to do this. I’m not sure what she’s trying to prove or say by hiring black women to act as her friends in the “We Can’t Stop” video and on the VMAs. It’s more than the bad pancake booty twerking. It’s the selected parts of black culture she attempted to portray though her song and dance. There’s more to black and hip-hop/rap culture than what she is picking apart and glorifying. She only glorifies ideas from the way black and hip hop/rap culture is portrayed in the media—grills, twerking, big butts, getting high, being surrounded by hot women and acquiring money. Her performance and song lyrics show that she is completely unaware of what actually defines black and rap/hip hop culture.

Call #FreeBambi What You Like, It’s Racism

Lily Fury, a former Tits and Sass contributor, who fabricated several sex working women of color personas for her personal gain. (Still via Youtube)

Editor’s note: All references to “Bambi” and “#FreeBambi” below only refer to Lily Fury’s fictitious and stolen persona. There is a real Bambi out there who deserves our respect and consideration. 

It’s 3:45 PM Eastern Standard Time and, thankfully, I’m off work from my job at a grocery store—this means, just like on any given, average day off, I’d be able to enjoy my day how I would like: writing, playing X Box, binge watching Netflix, whatever floats my boat, really. That was my plan today—until I clicked around online to find out more about #FreeBambi and if we had enough extra money in our checking account to be able to donate today.

Listen: for over 15 years now, I’ve been involved in the sex trades in one way or another. For the last three years, although I’ve been officially retired from sex work, I still write, think, and talk about it often. I donate quietly and as often as I can to whatever crowdfund or offering plate passing I see on social media or hear about from friends. I send and receive plenty of love from friends who are or have been in the business. In short, it’s very much still a part of my life and, if I were to have talked to you yesterday, “it will always be a part of my life,” is absolutely something I would have said—with no trace of irony present.

I loved sex work. I loved how I was able, while living with PTSD and depression, to provide for myself and have a life. I loved how I was able to choose when I could work and not worry about being terminated or written up if I called in sick—hell, there’s no calling in sick in sex work, there’s just… not working today. I loved being able to work as far as my energy would take me while still honoring my body and spirit—and also knowing if I didn’t have it in me, it was ok. I loved it—and still some days miss it. I miss working hard, making my own rules, setting my own boundaries, and using the tool of my desirability (as perceived by others) to craft a life for myself. It feels funny now, to say “I loved sex work.” I never thought I would say that, but here at 37 years old, it rings true and authentic for me—and it’s an important part of what I’m about to say next, because I did truly love the work of it.

What I never loved and have never made bones about is, well, pretty much everything else. I never loved the sex of it, the struggle and poverty, the sexism, the weight (and fat) shame and abuse, the open and safe space for pedophiles and predators, the lies and lying, the homophobia and discrimination, or the racism, gaslighting about racism, and justification of racism of it. I never loved being part of an industry where I knew that, simply because of the arbitrary, human notion of race, I would never be able to live the full life I’d dreamed of in that space. I figured out through talking with other Black and Latina sex working friends—this wasn’t an imaginary ship I was sailing, and I wasn’t alone in it. We were all together in it: full service girls who were turned away from brothels because “We already have a Black girl,” or dancers who, no matter how high they flew in tricks or how hard they twerked on the floor, could rarely (unless they were in a predominantly urban space and a wealthy party showed up—which is once in a very blue moon) make enough money to afford paying nightly/weekly fees to work at the clubs. Full service outside girls who dealt with rapes and sexual assaults by cops—knowing they could never report because they would never be believed (or worse, they’d be targeted later) because Black women are often considered both hypersexual and undesirable and, thus, un-rape-able. I never loved those parts of it, and today, while we talk about racism, the sex industry, and Black women who are sex workers, we need to talk about how #FreeBambi has a role in it.

October 22nd And After: The Movement Against Police Violence And Black Sex Workers

The author in a selfie with the Red Umbrella Project team. (Photo courtesy of Cherno Biko)
The author in a selfie with the Red Umbrella Project team. (Photo courtesy of Cherno Biko)

Every year since 1995, thousands of people all over the world have joined forces in an effort to end police brutality, repression, and the criminalization of our lives. In America, yesterday, October 22nd, has become known as the National Day to End Police Brutality. These efforts were launched by the Revolutionary Communist Party, USA and have historically focused on violence perpetrated against men.

As the developer of the hashtag #BlackTransLivesMatter and a national partner of the larger #BlackLivesMatter network, I must point out that the violence against folks like us manifests in many different ways and hits black cis and trans women the hardest.