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You’ve Got Problems: George Takei

150463_637864889576301_2061639033_nFamous for being helmsman Hikaru Sulu of the USS Enterprise in the original Star Trek series, actor and author George Takei is America’s clever gay grandfather. Takei currently plays to an audience of thousands via social media and is known for quotable and insightful Facebook and Twitter posts on everything from politics to gender issues to cute animal macros. On April 2nd, George alienated a decent amount of his followers when he posted this meme.

As a mother, wife, and child, I was annoyed and almost a little hurt.

My 54-year-old mother sat nearby, her eyes deep in her Catherine Crier book. We had stayed up late despite her return flight being early in the morning. I was rubbing my wrists in anxiousness, set back from the laptop when she glanced over. I turned the screen toward her.

“Who posted that?”

“George Takei.”

“The actor?”

“Yeah. He posts a lot of stuff, but nothing like this usually.”

“Weird.”

“Mom, how does that make you feel? That society says you’re a failure? That I’m a failure?”

A very long pause.

“Well, it doesn’t make me feel good.”

Beauty is in the Eye of the Beerholder

I am 28 years old. I am 5’4″. I weigh 155, about—I actually have not weighed myself for years, but I have worn the same dress size since I was fourteen years old. I figure as long as my clothes fit, there is no need to keep track of my actual weight. I ride my bike everywhere I go. I am energetic and I rarely feel like my body holds me back. I eat what I want and most of what I want is healthy. However, I do think life is too short to not eat a goddamn piece of cheesecake if I want it.

I hate validating myself in this way, but I feel I need to tell you these details because apparently I’m “fat.” And definitely too “fat” to be a stripper.

Having gotten my start stripping at the Lusty Lady in San Francisco, I moved to Portland for a totally separate job. Eventually, I started working at a couple of places on the outskirts of town. I hadn’t even worn heels for over a year, so I figured I would keep a low profile while I got my strength back. As I gained confidence, I contacted a booking agent. She had me do an audition shift at a club where she was short a girl that day. When she stopped by to see me dance, she told me I was too heavy to work in one of the clubs she booked for, but there didn’t seem to be any complaints at the one I auditioned at, so she would schedule me there. I worked there for six weeks. I made pretty good money (even though I was only given day shifts) and I got along with everyone. The clientele was right up my alley: middle-aged white guys. They dig my style, the music I dance to, and my body (especially the fact that I don’t shave all my pubes off!) and I was happy.

Then one week I just wasn’t on the schedule. Then the next week I wasn’t on the schedule. So I called to ask why I had basically been fired. Apparently, a “customer complained” about how I looked. I have my doubts about if that’s true, but even if a customer did complain, would they have taken a skinny girl off the schedule?

The Tedium of Trans Sex Work

asarahtransmisogynycomingAs a trans woman doing full-service sex work, I’ve found that my work provides sharp and unrelenting insight into how men sexualize and fetishize trans women. This phenomenon isn’t unique to trans women in sex work, of course. But these attitudes define my experience of the industry in profoundly different ways to those of non-trans women in the industry.

There is not much about trading sex for money that inherently bothers me, and the usual challenges of the industry, such as the income instability, are things that I can deal with. So I find that this often makes me particularly sour about just how much the added impact of transmisogyny changes my whole experience of the industry. Clients who treat me remotely like they would a cis woman are easy as pie. The sad reality is that, sticking this out in the long term, those clients tend to be few and far between, and with my average clients, the day-to-day weirdness and unpleasantness of those bookings drains on me something fierce. I’m lucky in that I’m surrounded by lovely friends in the industry, but almost all of them are cis, and this side of my experience can be quite difficult for them to understand.

Trans women are sexualized in bizarre and frequently contradictory ways. We are so often seen as disgusting, even monstrous, but simultaneously considered desirable in the most shameful and mysterious of ways. As a civilian trans woman, this was just a depressing reality of life that I could avoid where possible. But as a sex worker, it fundamentally defines my experience on a daily basis.

My clients rarely see me for the sorts of reasons they might seek out an escort who wasn’t a trans woman. They want some kind of once-in-a-lifetime bucket list sexual experience, have no idea what that is, and expect that you’ll be able to provide it—because that’s what they think trans women are there for. I know this is also a common complaint among cis fetish workers: clients who show up with a vague fantasy that they’re too scared to communicate, expecting you to magically work out what it is. I know they, at least, know how maddening those bookings are. However, when the fetish property concerned is your mere existence, I cannot under-emphasize how dehumanizing that can get.

A cis friend of mine made this tongue-in-cheek observation: “I think all I need to do is turn up and actually touch a dick and I’ve done an amazing job”. When I think of the psychological workout nearly every single booking I do takes, I find myself wishing “Oh, if only.”

I Couldn’t Do It: Jeff and Sarah

("Lost Balloon" by Ann Marshall, via Flickr and the Creative Commons)
via Flickr user Ann Marshall Art

Content warning—the following contains descriptions of underage sex work and an adult fantasizing about sexual activity with a pre-teenage child.

I don’t know how I started seeing Jeff. I can’t remember meeting him, or what the first session was like, or what he looked like in clothes. I just remember when it turned.

Jeff was a big money client for me at the time. It was my first year as a pro-domme and I worked in the sketchiest dungeon in town. Jeff would book me out for the entire night, freeing me from having to charm individual clients during meet and greets and guaranteeing me enough cash to cover my rent. He was easy too: the session was almost entirely verbal and consisted of my languishing on a velvet padded throne and rattling staccato words at him while hoovering lines of cocaine off the mirror in my Chanel compact. He would sit at my feet, cross-legged and hunched over, slavishly masturbating and smoking poorly rolled joints. He requested that I wear street clothes during one of our early sessions. I returned to the room, minus the latex, in what I had arrived at work in: platform boots, skintight ripped up jeans, and a tube top. I could tell he was hoping for something different, and he came to our next appointment with a small plastic shopping bag.

After I took Jeff’s money and dutifully handed it over to the biker who ran the place, I went into the dressing room to inspect the contents of the bag: a very small pair of shorts and a very small camisole, both in the lightest shade of pink, made of waffle knit cotton. There was a second where I wanted to sit down and cry. I was never molested as a child, but for some reason introducing the specter of childhood into an S&M session disturbed me more than anything else I did at work. From my first day on the job, I had a preternatural ability to perform acts of severe subjugation without being affected by them. I could fist a guy’s ass, piss in his mouth, beat him until he bled, and it didn’t touch me. It didn’t disgust me or traumatize me or make me feel much of anything aside from the intoxication of desire and the masturbatory pleasure of receiving the cash. But the kid stuff fucked with me. Calling it “age play,” the euphemism of choice in BDSM circles creeped me out even more. I didn’t ever want to be called Mommy and I didn’t ever want to play a little girl. Even though I was just seventeen, technically under the age of legality for sex work in New York, I felt like an adult at work, and I wanted to keep it like that.

An Open Letter From A Detroit Extras Girl

by user wootam! on Flickr
by user wootam! on Flickr

This is one of three responses to Josephine’s “An Open Letter to the Extras Girl” that we’ll be running this week. First up is M, a dancer who, like Josephine, works in Detroit.

On a sweltering August afternoon in 2012, I walked through the impossibly heavy glass doors of the glitziest strip club in Detroit. I had done copious amounts of research on the strip clubs in the area, spending nearly a month scouring reviews online and taking trips to clubs in the area. This particular club was the shiniest and it was filled with executives, physicians and lawyers. Promises of riches sparkled like the strobe lights overhead. Even though I had never stripped before, I forged ahead, fearless. Go big or go home, that was my motto.

Looking back, I was somewhat naïve. I had no particular urgency to my sales pitch. I was simultaneously working my “normal” job and stripping. It wasn’t as though I couldn’t pay my bills. So I started with the thought that I would only dance, no extras whatsoever. Perhaps I was conceited enough to think that my pretty face, tight body, and educated mind would be enough to make me money. Unfortunately that notion was completely false.