A few months ago, I came across an article about Laurenn McCubbin’s recent art show, which featured a variety of sex worker stilettos, in the University of Nevada Las Vegas student newspaper. I recognized her name as the former art director of Kitchen Sink magazine, and the illustrator of Rent Girl, Michelle Tea’s 2004 graphic novel/prostitution memoir.
Laurenn and I have both spent more time in Las Vegas than we’d like to: me in strip clubs hustling for money that’s just not happening in my hometown these days, and her finishing a degree at the University of Nevada. I caught up with her days after she completed her MFA as she was plotting her next move to Duke University, where she’ll be getting a second MFA in Documentary and Experimental Art. On a typically nasty hundred-something-degree afternoon, we sat down to talk about her recent projects, Nevada’s hypocritical politics, and post-Vegas plans.
Audacia Ray, photo courtesy of the Red Umbrella Project
Audacia Ray is perhaps most renowned in the sex workers’ rights movement for her longtime editing of the now sadly defunct $pread magazine. But as a sex workers’ rights movement activist, Audacia has really been everywhere and done everything: blogging for years about her sex working experience as Waking Vixen; publishing her book, Naked on the Internet: Hookups, Downloads, and Cashing In on Internet Sexploration; and working as an adjunct professor of Human Sexuality at Rutgers University as well as for the communications consultant for the Global Network of Sex Work Projects. Amazingly enough, in 2010 she had time to found the Red Umbrella Project, a peer-led, community-based organization that “amplifies the voices of people who have done transactional sex, through media, storytelling, and advocacy programs.” RedUP is now where her creative, media, and advocacy energies lie. Tits and Sass asked her some questions about this project.
In the introduction to the Red Umbrella Project’s writing workshop’s literary journal, Pros(e), Melissa Petro theorizes that sex workers teaching each other the art of storytelling can increase agency because by writing our stories, we can better understand our choices. This kind of storytelling will also hopefully decrease stigma by increasing understanding (rather than bolstering whorephobia like the memoir pieces full of disdain for co-workers, like so many of the sex worker bios out there.) How do you think telling our stories helps sex workers?
One of the Red Umbrella Project mantras is that we believe storytelling is the building block of social change. I think we need to be able to tell our stories and insist on making space for them in the world if we are ever going to make change for ourselves in the world. Our creative programs, especially the Red Umbrella Diaries events, are really the entry point for many people into the RedUP programs. It’s an easy thing to wander into, be curious about, and then hopefully we get sex workers into some of our programs, building their skills and community, while also getting potential allies to care and think more deeply about the many experiences in the sex trades. I think its important for creative expression to be individualized because there are just so many different kinds of experiences that people have doing sex work. It is also important to constantly look at the bigger picture – which sex workers’ stories are being represented and which are not? What experiences are being documented that indicate areas in which our rights are being denied and violated? And to me, the creative work cannot be an end point or a stand alone thing, it has to be linked to greater social change. I want to validate art for arts’ sake, but we’ve got a revolution to do here, and it’s important to link personal storytelling to cultural and policy change. That said, not everyone is an activist, and when sex workers show up at the Diaries or participate in one of our creative programs and feel awesome – that is enough.
Sex workers and allies at the April 9th Amsterdam protest. (Photo by Robin van Lokhuijsen, courtesy of Felicia Anna)
On April 9th, over 200 Amsterdam sex workers and their supporters protested the closing of legal sex businesses in the Red Light District by the city council. The demonstration consisted of a march from the Amsterdam Red Light District to city hall, where the protesters handed a letter to the mayor demanding the reopening of their closed workplaces and the active participation of sex workers in the city’s policy regarding their jobs.
Government officials consider closing down legal work locations for sex workers an effective measure to prevent trafficking because they believe these businesses to be “sensitive to criminal activity” (“criminogeen” in Dutch, a new word invented solely to justify this policy) simply because they are part of the sex industry. Ironically, even local police voiced a preference for reopening the windows in order to keep sex work legal and visible.
The demonstration, the first of its kind in the Netherlands, was facilitated by PROUD, a sex worker-led union that launched earlier this year. The letter they addressed to Mayor Everhard van der Laan, demanding that the city stop closing windows and reopen closed brothels, as well as actively include sex workers in the city’s sex work policy, was signed by nearly a thousand supporters, many of whom are Red Light District sex workers themselves.
The mayor dismissed the sex workers’ concerns by saying that “the war is over,” maintaining that the issue has already been concluded decisively. He asked the protesters, “You tell me in what other city sex workers can demonstrate in these numbers in the streets,” implying that sex workers should be grateful for the rights they already have. He also stated that the city had already decided to close down fewer brothels, though this policy decision was actually motivated by the city council’s desire to lower Project 1012’s 108 million euro budget.
Monica Jones with other SWOP-Phoenix members (Photo by Peggy Plews, courtesy of SWOP-Phoenix)
SWOP-Phoenix, a new branch of national sex workers’ rights organization Sex Workers Outreach Project, mounted a campaign this year against the Project ROSE (Reaching Out To The Sexually Exploited) Prostitution Diversion Initiative, in which Phoenix police and students from the Arizona State University School of Social Work team up twice a year to arrest local sex workers who then face criminal charges or a six-month diversion program. After SWOP-Phoenix protested against Project ROSE in May, one of the protest participants was picked up by an undercover officer the following night and taken to the Project ROSE site. The SWOP member, Monica Jones, an accomplished activist and a student who takes courses at the ASU School of Social Work herself, was deemed ineligible for diversion, and now faces up to six months in jail. Fellow Phoenix activists started an indiegogo fundraiser for Jones’ legal defense. I interviewed SWOP-Phoenix member Jaclyn Moskal-Dairman over the course of a week. The following is modified from the Google doc shared between us as an outgrowth of an email interview.
One of your members, Monica Jones, was arrested for “manifestation of prostitution” after participating in the protests against Project Rose. Jones was in the diversion program before, and spoke eloquently about her experience being mistreated there as a trans woman and a student sex worker. Can you tell me more about her case?
We believe Monica was targeted by the Phoenix police department. The evening after she spoke at the protest she was walking to a bar in her neighborhood. She accepted a ride from what turned out to be an undercover cop. He began to solicit her and she warned him he that he should be careful because of the Project ROSE stings that were going on that evening. He kept propositioning her and she asked to be let out of his vehicle. He did not let her out and actually changed lanes so she couldn’t exit the car. She was frightened and thought she was being kidnapped (which she was). She asked him if he was a cop, because she didn’t want to assault an officer. They were pulled over for a “routine traffic stop” and she was placed under arrest for the intent to manifest prostitution.
What was SWOP-Phoenix’s response when you first heard about Project ROSE? What would you say to those who claim that diversion is at least an improvement over wholesale incarceration?
When I heard about Project ROSE through an activist friend I set out to interview the professor at the ASU School of Social Work who spearheaded the initiative, Dr. Dominique Roe-Sepowitz. As a researcher, I tried my best to go into the interview unbiased until I had all of the details. Upon completing the interview I confronted Dr. Roe-Sepowitz about what I felt was wrong with Project ROSE, particularly the inherent contradiction of fighting coercion with coercion. Dr. Roe-Sepowitz explained that the initiative is completely police-driven. The School of Social Work has community organizations meet the apprehended community members at the initiative’s command post at Bethany Bible Church. The arrestees are met with prosecutors, as well as “tour guides,” who are ex-sex workers, and are told that they can have access to hygiene products, a hot meal, clothing, detox, mental healthcare, healthcare, safe housing and more, if they meet the eligibility criteria. After the interview, I compiled the research and met with a couple of activists from the Phoenix Harm Reduction Organization to discuss what we should do about it. They knew some folks from SWOP Tucson (who are incredible and have been supportive and essential in the creation of the Phoenix chapter) and SWOP PHX was formed as an emergency response. We immediately reached out to other activists and organizations, such as members of [immigrant rights organization] Puente and Arizona Prison Watch, and began to strategize. We found out the exact dates of the next stings and began street and internet outreach to inform workers of the impending raids, handing out pamphlets and Know Your Rights information. We also protested outside of the Project ROSE command post, Bethany Bible Church.
A few months ago, I came across an article about Laurenn McCubbin’s recent art show, which featured a variety of sex worker stilettos, in the University of Nevada Las Vegas student newspaper. I recognized her name as the former art director of Kitchen Sink magazine, and the illustrator of Rent Girl, Michelle Tea’s 2004 graphic novel/prostitution memoir.
