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On Performing Capitalism

Does your client look like this? (Trade Union Magazine, 1925, via Wikimedia)
Does your client look like this? (Trade Union Magazine, 1925, via Wikimedia)

I recently had a realization about my work after returning from an international trip with one of my sugar daddies. I was only gone for four days, but I felt like I had just spent a month with one of the worst bosses from one of my straight jobs. I was a ball of stress after coming back and needed a week of self-care, copious amounts of cannabis, and many hugs from my lovers in order to recover…oh, and an entire therapy session dedicated to deconstructing the experience. During all this reflection, I realized that my favorite moments from the trip all involved having sex with this man, who is thirty-four years my senior and can only sometimes get an erection. Every other part of the trip, the parts spent providing companionship, left me wanting to roll my eyes hard enough to give me a headache for days. The flight back, where I was forced to sit next to him and entertain him for eight or so hours while also dealing with raging cranky PMS demons, should have earned me an Academy Award. (Or at least a Golden Globe nomination.)

As far as rich and powerful old dudes go, this guy isn’t so bad. He tries to do good, though in my opinion he usually falls short. He is philanthropic, he is liberal, and he considers himself a feminist ally. But like most rich, powerful, liberal-leaning, old, white, philanthropic, self-proclaimed feminist males, he has way too much privilege to actually be a good person. He’s “not like other clients,” but in fact he is pretty much like every other client I have. He’s the type I seem to attract. The sort who is looking for a comparatively young, pretty, outspoken feminist badass to bust his balls…just a little bit. It is very important to him that I am always my most authentic self around him; that I don’t wear makeup unless I want to and that I always share my true opinions about his behavior. Of course, that’s only as long as my “true” opinions are mostly validating, with a smattering of criticism here and there to “keep it real.” He’s never said that in so many words, but I think we all know how it works.

Whenever I travel with him, I always feel a sharp contrast between the upper class lifestyle he leads and the middle class lifestyle I am used to leading. Being his traveling companion is discombobulating because I am a member of the luxury service industry he is exploiting (despite his best intentions), but I am also his partner in that exploitation. I am utilizing his wealth in order to live like him, and thus on the surface I must pretend to enjoy all the luxuries we enjoy together. I must perform capitalism in order to provide the service I’m implicitly selling him. But I empathize more with the numerous maids and waiters and chefs and cashiers and bellboys and masseurs and the other sex/service workers he hires to facilitate his vacation. This performance of consumption without criticism is emotionally exhausting for me, probably the most emotionally exhausting work I have ever done.

One Black Trans Sex Worker’s December 17th

A December 17th collage of Black sex working trans women victims of violence (Image by A Passion, courtesy of A Passion)
A December 17th collage of Black sex working trans women victims of violence (Image by A. Passion, courtesy of A. Passion)

On December 17th, we reflect on the overwhelming reports of violence against sex workers and put together plans of action to rise above it. We experience violence at the hands of law enforcement, clients, pimps and abusive partners, and each other. Though I have never found value in comparing suffering woe for woe, it is my goal to speak only from personal experience. Call it luck or divine intervention, but my life as a sex worker has been relatively charmed. I have flirted with danger, but for the most part I managed to get by unscathed. Physically, that is. It is important to remember that not all scars are visible and that those that are not can sometimes be the deepest and most difficult to heal.

I live the life of a career sex worker who is black, a woman, and transgender. Blacks, women, and transgender people are three marginalized groups, and often the thought of encompassing all three is overbearing. I’ve looked for purpose in the eyes of strangers—whether they sat behind a desk, confused as they dissected my qualifications and wondered about my gender identity, or loomed over me, swollen with the often lethal combination of lust and disgust.

Job discrimination is a form of violence. Denying anyone the right to support themselves legally and then criminalizing the means to which they turn to sustain themselves is inhumane and deplorable. For many of us, sex work is a job of last resort. The fact is that we are rarely given an alternative. Many employers simply will not hire trans workers for fear of losing customers. Another act of violence often overlooked is theft of service, typically defined as “knowingly securing the performance of a service by deception or threat.” When theft of services happens to us, it is rape, and the damage goes beyond the monetary value of what we’ve lost. I have been the victim of both. Like many of us, I considered rape one of many occupational hazards and did nothing about it when it happened to me. How do you report something like this, and to whom?

During my time as a street-based sex worker, I personally witnessed multiple acts of violence. Some girls survived and some didn’t. It was our own Mufasa-esque circle of life, and many of us dealt with it the only we knew how: Not dealing with it at all. To live in fear is to lose money, to lose money is to starve and ultimately become homeless. The key to survival is adaptation. Learn from the violence you experience, but do not succumb to it.

I developed a strict code of conduct for myself, necessary for my survival in the business. No drugs, no excess drinking, never steal, and always use protection. I thought this was enough to shield me from the bulk of the misfortunes that befell so many before me. For a while it did, but as the saying goes, “all good things must come to an end.” I still have issues with thinking of myself as a victim, because I know what happened to me could have been worse. Despite all of what I taught myself, as safe and as smart I thought I was, no matter how much I wanted to believe it would never happen to me, it did.

Four years ago I climbed into a stranger’s car, like I had so many times before. I began to direct him toward a crowded movie theater parking lot which provided the privacy and safety necessary to conduct my business. When I noticed that he was deliberately missing turns, I attempted to open the car door while at a red light. It wouldn’t open from the inside. I turned to look at him and was met with a swift blow to the mouth. I looked up to see the barrel of a pistol. I should’ve been afraid, but I wasn’t. This was not the first time a gun had been in my face. In fact, it was the fourth. I’d never been hit and they usually wanted money, sex, or both. However, I was always able to talk myself out of the situation or escape somehow. What I lacked in strength I certainly made up for in cunning. This time was different.

The Truth Will Come Out: An Interview With Jill Brenneman and Amanda Brooks

Bruises Brenneman sustained from one of the beatings she suffered at the hands of men hired by Isgitt. (Photo by Amanda Brooks via her blog, courtesy of Amanda Brooks and Jill Brenneman)
Bruises on Brenneman’s back from a beating she suffered at the hands of Isgitt’s hired men. (Photo by Amanda Brooks via her blog, courtesy of Amanda Brooks and Jill Brenneman)

Interview co-authored by Josephine and Caty

Content warning—the following contains descriptions of extreme injuries and rape suffered by two sex workers due to a campaign of violence by an abusive client, as well as an account of child abuse.

Jill Brenneman and Amanda Brooks are veterans and heroines of the sex workers’ rights movement.  As a teen, Brenneman suffered years of of brutal abuse in which she was coerced into working as a professional submissive. In the early aughts, Jill made an amazing conversion from membership in the prohibitionist movement to sex workers’ rights activism. She set up SWOP-EAST from the remains of an anti sex work organization she’d led. SWOP-EAST grew to be one of the most vital sex workers’ rights organizations of the era. Brenneman was also a frequent contributor to early sex workers’ rights blogs like Bound Not Gagged.

Amanda Brooks is the acclaimed author of The Internet Escort’s Handbook series, the first one of which she published in 2006. They served as an important resource for escorts advertising online back when there were few other how-to sources on the topic. She was also one of the earliest escort bloggers starting in 2005, writing entries brimming with eloquence and common sense at After Hours.

The two fell off the map recently.

When they returned, we were shocked to read Brooks’ blog post about what they’d endured: a campaign of terror by one of Brooks’ clients, affluent lawyer Percy LaWayne Isgitt. Isgitt—Brenneman and Brooks call him “Pig”—caused both Brenneman and Brooks severe brain injuries when his arrogance and negligence piloting a plane the three of them were in led to a catastrophic “hard landing.” Despite the fact that Brooks was clearly incapacitated and near death, Brenneman had to browbeat Pig into taking her to the hospital the next day. Once Brooks was checked in, Pig fraudulently signed in as her relative and attempted to control her treatment. Despite her still severely injured state, Brooks continued to see Pig as a client for two sessions after her hospitalization, in desperate need of money to pay for medical bills. When she finally tried to break ties with him, he hired people to make threatening phone calls to both women. In response, Brooks went into hiding, so Pig sent men to stalk, rape, and beat Brenneman on a number of occasions, trying to discover Brooks’ location. Neither the police, nor the many medical facilities that misdiagnosed them along the way, nor the personal injury lawyer they hired were any help to the two women against a deranged, abusive man with wealth and social capital.

The injuries Brenneman suffered from the plane crash combined with the injuries she sustained from the attacks led to the fatal exacerbation of her previous medical conditions. Her doctors have told her she has very little time left to live.

This story illustrates the insidious way institutions empower abusers to commit violence against sex workers. The only people they can often rely on in these situations are other sex workers. You can read the original account here and donate to their Giftrocket account using this email address: abrooks2014@hush.com. Donations will be shared equally between them to cover their respective medical costs.

Amanda, you write in your blog post, in reference to Jill’s past abuse:

To those who doubt, her stories are true. They’re things only men would think up and most of the time, it’s the mundane details that stand out the most to both of us. I’ve read stories from so-called trafficking victims who describe ridiculous “Satanic” rituals or elaborate set-ups. The truth is, the men who were Bruce’s [Jill’s captor’s] clients weren’t very bright, in my opinion, and they had a lot of the same stupid fantasies and beliefs that most vanilla clients do—only much darker and violent.

This factor plays into your story of how Pig hurt you both, too. There’s a voyeuristic undertone to the way people listen to stories of abuse. People expect the “elaborate set-ups,” and yet abuse is usually no different than other misbehavior in kind, if not in degree—abusers do it because they want to feel big, or because they care about themselves a lot more than they care about anyone else. How do you think the fact that often stories of abuse are mundane and banal makes it harder for victims to get help?

Jill Brenneman: People don’t want to believe the mundane stories, they want to believe the exotic stories. Like a wife who gets hit. Unless she’s put in the hospital, no one cares. Or she returns home because she has children. But the trafficking victim imported from Estonia gets all the attention.

Amanda Brooks: Because they’re too believable or not dramatic enough. [Pig] raped me twice, yet it’s not something most people acknowledge as rape. It even took me a while to realize that it was rape, despite how I felt about it. People like to parse situations down to the point where the only way it’s “real” is if it’s outlandish.

Jill, you were held captive by a sadist for three years in your teens, and forced to endure unimaginable abuse. As an adult you returned to sex work voluntarily to make a living, and then you went through this ordeal with Amanda at Pig’s hands. What unusual problems have you faced as a sex working abuse survivor? What can we do as a movement to make things better for the abuse survivors among us?

Jill: The ordeal that Amanda went through made me livid and still does.

Working as an abuse survivor led me to more abuse. I learned from [my captor and abuser] Bruce in the 80’s. Bruce was a cliche master sadist. There was never a sense of love or affection between him and I. I was an object. I did what I was was told. I was taught how to relate to clients. I overapplied this training as an adult. I willingly went back to work as a professional submissive. This was a place that I did not belong. Despite there being a 19 year gap between [my captivity and going back to] sex work, I did not belong in sex work —especially as a professional submissive. I needed the money to pay for very expensive subcutaneous blood thinners because of a clotting disorder. I needed to pay the rent, the car payment, food, care for the dog, etc. I took the work that came. I started off with two old pictures of myself, no website, no reviews, and took some pro-sub clients to make money when it was tight. I did not belong in sex work. I was still far too impacted from previous abuse to be doing it but I had no choice, I needed the money.

The most important thing the movement needs to do is work on decriminalization so that we have options.

Amanda: The movement truly doesn’t have the power to deal with this, unfortunately. Until the laws are changed, we never will.

YER ART SUX: ‘ART WHORE’ by Ryder Ripps

Ryder Ripps (photo via his Facebook page) Can we use this? Is it considered a part of the public domain?
Behold, the prototypical art bro: Ryder Ripps. (photo via Ripps’ Facebook)

Juniper Fleming co-wrote this with Tits and Sass co-editors Caty Simon and Josephine. Josephine and Caty discuss the project and media reaction and Juniper analyzes the project video.

Juniper is an artist and writer living in New York. Attaining her BFA from the School of Visual Arts in 2014, she was the recipient of a Deutscher Akademischer Austauschdienst (DAAD) Fellowship in 2013. She has shown her work internationally, and has been published in such places as Dear Dave and Make/Shift Magazine.

JOSEPHINE: It was Salvador Dali who famously said, “Those who do not want to imitate anything, produce nothing.” Perhaps New York-based artist Ryder Ripps was considering those words when the Ace Hotel in Manhattan brought him in as a one night artist-in-residence and provided him with a free night’s stay and $50 for supplies. Ripps decided to outsource his work to a couple of sensual massage workers from Craigslist and dubbed the results ART WHORE.

An internet controversy ensued; bloggers and critics accused Ripps of exploitation and ignorance. Ripps posits that he was actually making a point about exploitation. See, he did not feel fairly compensated for his work so, obviously, the “creative” thing would be to make someone else do it! Ripps was paid nothing for his work, in fact, at the end of it, he said he’d actually lost money after paying the workers for their labor. In essence: Ripps felt exploited by Ace Hotel, so he exploited someone else in an effort to emphasize his own exploitation. I think? Whoa. That’s deep. Mind blown.

His narcissism is so meta.

It gets better with Ripps’ oh-so-eloquent defense of the labor provided by the massage workers for ART WHORE: “Because good art is like good sex.” Got it. Sex workers making good art is very similar to sex workers making good sex, and good art is like good sex so, see, this whole project makes perfect sense. You just don’t understand.

“Whore” Is A Good Place To Start

(Photo by Flickr user elasticsoul)
(Photo by Flickr user elasticsoul)

When I was just a teeny tiny bottle of airplane-ready champagne, I was called a whore by a boy in my middle school science class for having the audacity to own breasts and opinions at the same time,while only being willing to share the latter. Once I got to college, men started to call me a whore in the streets when I refused their advances and they called me one even more loudly when I taught myself not to allow their presence to register on my face. I was called a whore by clients more often when I would refuse certain services, but not when I would provide them willingly. But since you could put a pair of eyeglasses on a calcified ostrich turd and its opinion would have as much gravity as those of boys, strange men, and clients, these words never especially bothered me.

I’ve always been peripherally aware of the importance of reappropriating the language of sex work but never felt I really had skin in the game until I felt how badly “whore” burns from certain tongues and with certain intentions. Since “whore” was thrown around my whole life as shorthand for “woman who does things I don’t like,” I never felt especially connected to it as it related to sex work, even when doing sex work that reflected the most literal understanding of the word. I’ve even been known to say things like, “Um, sex workers are dying out there. Does it really matter what we call ourselves?” I’m aware now that starting a sentence with “um” reflects fluency in Sanctimonious Cunt more than it reflects nuanced understanding of the issues sex workers face. Forgive me, I was an unsophisticated bottle of André at the time, a mere shadow of the Dom Perignon White Gold Jeroboam I am today. But back to being a whore.

In late July, a man who claimed to love me and who had never taken issue with my profession before called me a “whore” to my face. He told others I was a “whore” when he needed to discredit me as quickly and mercilessly as possible. Prior to our falling out, my work in the adult industry had been something that concerned him only when I reported pushed boundaries or feelings of regret and insecurity. He was supportive and sometimes downright titillated, insisting on christening my new work outfits by getting lap dances in them before anyone else did. I happily obliged because I loved him and got to choose my own soundtrack. When things quickly deteriorated and I feared for his new girlfriend, I warned her about malicious and dishonest behaviors of his which I thought she should be aware of.

His first line of defense to her was my work and it was his first line of offense against me. Obviously, he had been driven to threaten me with violence because I was a deranged stripper that thought he loved me; he just had to set me straight. The very idea was ludicrous, loving a sex worker. When he used whore stigma against me, it was to explain why he never wanted monogamy with me and how I had always been just a source of fucked up sex and that all his stated affections had been part of a game designed to entertain himself.