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Both A Mother And A Whore

Happy Mothers' Day. (image via Flickr user owly9)
Happy Mothers’ Day. (image via Flickr user owly9)

The illusion of “common sense” and its alleged empirical certainties is one of the the most steadfast means by which we collectively propagate whore stigma. As a recent example, critics lampoon Imtiaz Ali’s short film, Indian Tomorrow, for portraying an economically savvy sex worker. “Prostitutes who rattle off sensex [India’s stock market] figures during sex,” proclaims one critic, “exist only in the world of fantasy art.”

Tacitly deferring to “common sense” as a barometer of a sex workers’ intellect is not only deeply paternalistic, but it also acts as a censor for the kinds of stories we tell as a society. Surprising no sex worker rights advocate, it seems like the only acceptable cultural depictions of sex workers are those that fall in-line with the “common sense” stereotype of harlots as intellectually inferior. Art allows us to envision a better world. If artists are deterred from producing nuanced depictions of sex workers as agents of their own lives, even if these depictions are utopic fantasies, our culture will likewise be deterred from envisioning better circumstances for sex workers.

But this cultural imperative to tell one dimensional stories is limited to the stories of marginalized people like sex workers. Stories that transcend the simplistic theme of victimization are critiqued as dangerous and sexist. This is in spite of Standpoint Feminists themselves claiming that the moral obligation of any society is to tell more stories, not fewer. 

The Happy Hooker (1975)

Aside from having one of the best theme songs in the world, Willie Dynamite being the film with the best so far, The Happy Hooker was also one of the cutest films I’ve watched in a long time.

We’ve been here before, so I don’t need to stress how much I love 70s fashion. I mean, it’s garish sometimes, but so is the austere minimalist stuff Phoebe Philo was selling us a couple of seasons ago, so… I also adore Xaveria Hollander for riding a bike to sessions, because I am a bike-riding sex worker myself.

I suppose this story is pretty normal, right? Lady has a taste for independence and uses sex work to better her life. Lady sees a hole in the market and uses her ability to fill it. This story is cute, even if it’s not groundbreaking. Actually, she’s charming. I think we are supposed to understand that she’s kind of irresistible. I doubted her appeal at the beginning, but afterward I was in love!

Bad Advice From “Ask A Dude”

by smcgee on flickr

At The Hairpin they have this thing where they “Ask a Dude” to give advice on matters of all sorts. Most fall along the lines of “Should I leave this relationship?” or “What does it mean when a guy does this?” type of questions. Last week, though, the featured Dude told a girl that turning a friend into a client by sleeping with him for money was a good idea—forward-thinking, even—and it was horrible advice.

There’s a reason most of us use pseudonyms, screen, and even blur our faces: We don’t want to have relationships with our clients beyond the actual transactional one we will already have. Clients can’t be friends, and friends can’t really be clients in the long run. When you actually know someone and they know you, they anticipate feelings (or you do), but somebody is doing a lot more thinking on the experience than “This is amazing, it feels so good!” In this girl’s case, that would be what her Mom might think and how he can use this as leverage to get more attention from her.

On Backpage

At this point in the SESTApocalypse, as I finally emerge from the paralyzing fog of wtf-wtf-wtf around the death of our business model, we’re all sick of thinking and talking about it. We’re sick of wondering how the hell we’re going to manage, sick of watching high-end workers become paranoiac internet security experts, sick of low-end workers being driven back to the streets. We’re sick unto death of the media requests, media requests in our inboxes but no money, media requests just as blithely uncaring about outing us as always, media requests which cheerfully expect a response that night before the news cycle stops giving a shit about hookers. (Oh, but could you connect us to someone even more abjectly fucked than you? Could they talk to us in between dodging assault as they re-acclimate themselves to the shittiest and most dangerous sort of desperate street-based work? How do you feel about your imminent impoverishment, the obsolescence of your only survival mechanism, and your bleak and possibly nonexistent future?) And when we do accept these media requests and bravely strive to make ourselves understood—when they don’t just quote our snarky emails refusing the most ignorant ones without our permission—we’re sick of the coverage that results, always appearing underneath that sickeningly familiar synecdoche for us, those disembodied legs in thigh high boots leaning over a car under a streetlight.

We’re understandably sick of it all as we attempt to keep body and soul together in this new landscape, but I feel I have to write a eulogy for Backpage.

Alas, poor fucking Backpage. I’m not crying any crocodile tears on your grave—your owners can sit and stew in the hundred charges in their indictments and take that instead of true justice for cynically profiting off a criminalized population—but I will lament what you meant for us.

We’ve lived with you under threat for so long, your demise hardly feels real. From innumerable lawsuits to credit card companies cutting ties with you to Senate hearings to your flagrant strikes for free speech, it seems like something has always been promising to put an end to you. But you persisted.

Personally, I was with Backpage from its murky beginnings to the end of the line. I advertised in a print ad in the back of an alternative weekly back in the aughts when Backpage founders Michael Lacey and Jim Larkin’s company, Village Voice Media, owned a large swathe of those weeklies. I paid $200 every two weeks for that ad, $160 for a week if I couldn’t manage to put together that $200. $200 for 100 characters, briefer than a tweet—no pictures. I had to walk into that newspaper office personally to deliver the cash, forget any concerns about outing (oh, yes, kids, and I walked uphill in the snow, both ways).

It was this crude newspaper model, these back pages only a few escorts could advertise on, which would eventually become the much more accessible Backpage. (Larkin in an internal company document, as quoted in the unsealed Backpage indictments: “We have with the Village Voice probably the longest run of adult content advertising in the United States and it is, like it or not, in our DNA.”) In fact, Lacey and Larkin initially used Backpage’s revenue stream to keep those alternative weeklies alive in a newspaper industry that was failing even then, in the late aughts and early tens. Though, as anti-trafficking discourse intensified nationally, Village Voice Media came under new ownership which denied any connection, financial or otherwise, between their high-minded journalism and Backpage’s taint.

(Though now both independent print journalism and online escort advertisement are dying models, so we have something in common again.)

Men Love It When You Really Glob It On: Sex Work via Futurama

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Futurama: definite contender for “greatest show of all time.” You already know it’s hilarious, but do you also know that it’s actually about sex work? Allow me to demonstrate with a series of GIFs, clips and humorous macros that I am convinced we can all relate to.
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 Few television characters embody the Douche Client more perfectly than Zapp Brannigan. You know the type: massive yet fragile ego that requires constant stroking, weird obsession with own perceived attractiveness, and a stable of skin-crawlingly irritating “seduction” techniques.