Candida Royalle was born in 1950 to a New York City that, to her, appeared buttoned-up and fucked-up about sex. She left that city, and the world, for good just a few days ago after several years of wrangling with ovarian cancer.
Following in her musician father’s footsteps, Royalle pursued an arts education, funded first by art modeling. The art modeling, in a career path familiar to many sex workers, quickly evolved into nude modeling and eventually into performance in about 25 feature length porn films. “I got into adult movies to support my art habit,” she explained in an August 2014 interview.
After a stop-and-start filmography, punctuated by periods of uncertainty and guilt, she left performing altogether in the hope of making a better pornography for us all by founding her own company, Femme Productions. Her first few years of film-making were particularly interesting, featuring older models; a wide range of body types; severe, “unsexy” shooting techniques; and weird, dystopian plots. Her film Revelations (1993) features a married couple living in a fascist, sex-hating future. The wife finds an old stash of dirty home movies which sexually transform her and ultimately result in her arrest. Royalle spoke frequently about wanting to create pornography that focused on feminine pleasure, and which made space for erotic storytelling that was not clichéd and shallow. Her goal was to create films that women would watch and that partners would watch together.
Over the past few decades, her production company became more successful and branched out into a wide array of sex toys, books, and even a biographical documentary which was in production before Royalle passed away. She was a heartening role model for women who could no longer directly sell their own sexual labor (by choice or necessity), but for whom leaving the industry altogether was not an option.