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Social Media, Zola, and the Sex Worker Horror Story

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The headline at Jezebel.

By now, you’ve probably heard the story of Zola and her fabled strip trip to Florida with her new friend, Jess. If you haven’t, the story was told in a series of dramatic tweets by Zola, AKA twitter user _zolarmoon. In it, she spins a story that’s so intense and absurd that it’s hard to believe. In sum: she reluctantly agrees to take a work trip with her new pal, Jess, to Florida. Things immediately go wrong in a variety of terrifying ways. Zola’s narration of the journey is flippant and casual. She saw a lot of humor in the events that allegedly occurred.

The series of tweets were so flagrantly wild that they exploded on Twitter—at one point her story was (and still may be) trending worldwide. The story was picked up and regurgitated by your typical new media blogs: Fader, Buzzfeed, Complex, and, Jezebel (the list is still growing). It’s not surprising that Zola’s narrative was embraced so thoughtlessly. It contained the trappings of a good story that the new media elite thrive on, a perverted version of the who-what-where-when-why-how I learned about in journalism school: sexy pictures, nefarious and criminal doings, content that could be quickly mined and embedded, and, uh, Florida.

Sex worker Twitter did not appreciate the Jezebel piece. It triggered a familiar dialogue about the intersection of social media and journalism. What, ethically, is public record? Is Zola’s Twitter account public record? Jia Tolentino, the author of the story, argued that YES, it is. And further, the original tweets themselves had been shared hundreds of timesso who cares? The story went viral. Deal with it.

Reporting on ROSE: A Journalist’s Work In Phoenix

Image via SWOP-Phoenix on Facebook
Image via SWOP-Phoenix on Facebook

We often have cause to complain about media coverage of sex work, but we haven’t had occasion to talk about how good stories can be edited into inadequate ones as they travel from reporter to final outlet. The fate of Jordan Flaherty‘s story about Project ROSE (Reaching Out to the Sexually Exploited) is a great opportunity to look at what happens when a journalist tries to show the public the whole story but is met with resistance from his employer. 

Flaherty traveled to Phoenix in October to cover ROSE and the accompanying protests by SWOP-Phoenix. ROSE is a “concentrated arrest-alternative/intervention program for adult victims of prostitution or sex trafficking.” In practice, it’s mass arrest sweeps during which those taken into custody on prostitution charges are told they can either go through ROSE, starting with a trip to their headquarters at a church, or they can go to jail. And there are problems with the process, ones Flaherty wanted to make sure his finished work represented. Al Jazeera aired a version of his television segment that eliminated key information about ROSE, so Flaherty has made repeated attempts to get a fuller version of his reporting out to the public. He has encountered difficulty in doing so. I spoke with him last week at a time when his story had been posted on Truthout, but as of yesterday, Al Jazeera America has claimed copyright violation, requiring Truthout to remove the story from their site. The story is still available in a couple of other places. Another cut of the television piece is available although it’s not one Flaherty considers complete, either. This written version of the piece as aired is the only one remaining on Al Jazeera America.

Below is an edited Q&A that took place by phone on Monday, January 6th.

How did you first come across Project ROSE?

The issue of the legal treatment of sex workers is something I’ve been following for a while, especially these kinds of programs that say that they’re helping sex workers but are doing mass arrests. These programs have been getting very positive treatment and I was interested in looking at something like that with a more critical eye. When I heard about Project ROSE it just seemed like an example of the way in which people are conflating sex work and trafficking.

Quote of the Week

Like those murdered, we’re not disposable, bad people – we have lives that matter and people that love us. No matter who we are or what we do to make ends meet, we don’t deserve to die – we deserve good lives.

From SWOP-NYC and SWANK’s official statement on the Long Island murders. Read the entire release here.

The Week In Links: March 25

An update on Oregon’s strip club debate, Oregon’s sex-trafficking bills, and Colorado’s john schools.

Care to read about truck drivers’ “commercial sex contacts“?

You should definitely care to watch this inspiring video of Cambodian sex workers and allies marching for rights.

It’s also worth checking out Amanda Marcotte’s commentary on teachers with a sex working past.

Canberra sex workers want changes to the law that will support their safety and privacy. Naturally, anti sex work folks (masquerading as anti sex-trafficking, and putting quotes around “safety for sex workers”) are not okay with that.

Performing artist and sex worker Annie Sprinkle is getting married for the tenth time this Saturday, and you can buy a ticket!

Camille Paglia talks about the recently deceased Elizabeth Taylor’s role as a call girl in Butterfield 8.

And nudists are worried that they’ll suffer if strip club laws restrict public nudity.

Bring your church program for a free pole dancing class near Houston.

What Media Coverage of James Deen’s Assaults Means For Sex Workers

Stoya in 2012 at the AVN awards. (Photo by Michael Dorausch via Flickr)
Stoya in 2012 at the AVN awards. (Photo by Michael Dorausch via Flickr)

Content warning: this piece contains general discussion of rape.

I got a call from a reporter from Mother Jones the other day, her voice nervous. She was one of the many journalists who called the sex worker health clinic I work at, St. James Infirmary, looking for comments about the public sexual assault accusations made against James Deen over the past week.

She told me, “I’m learning about this world from this story, let me know if I say something wrong.” We tried in stops and starts to lay a groundwork of understanding about what Stoya’s tweets meant. It seems hard for people outside the industry to digest this story. This time around, most journalists seem to want to be survivor centered, and they want to be clear that they know a sex worker can be raped. But their understanding of the environment of porn is always one with contracts which, once signed, mean that anything can happen to you. Where all men on set are lurid in their gaze, and the sadistic domination they demonstrate is heartfelt and misogynist. It’s a world view in which porn shoots are a battle field where women try to keep as many of their boundaries up as possible.

For the survivors of James Deen whose stories are told and untold; for the sex workers whose perpetrators used the stigmatized environment of the profession to prey on their vulnerabilities; for the sex workers who have been assaulted and then continued to work, sometimes with the same person who assaulted them, because at that moment that was what they had to do to survive; this news cycle has been hell. The only thing more unrelenting than the new stories of James Deen’s violent misogyny cropping up every day is the understanding that these reports are only the tip of the iceberg, that there will be more stories of his attempts to “break women.”

There is a way in which these revelations are also exhilarating. I’ve never seen such public furor around the assaults of sex workers. It’s left everyone I know drained thinking, talking, or reading about it. Waiting to see what direction the narrative will take—will the news coverage continue to slant in favor of the survivors? What will the consequences be for Deen after the scandal of this story is dusted over by another? Will any long term systems be created to ensure worker safety, and will those be driven by performers themselves or placed on top by an outside enforcement agency?

These questions will take a long time to answer, but what is clear is the deep breath many took after Stoya’s two tweets were posted. It spread across my Twitter feed and it felt like witnessing a spell break. Arabelle Raphael said in an interview with Melissa Gira Grant that, “It was a big relief. Finally, someone had put it out there.”