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Who Gets Left Out: Respectability Politics Round Table, Part One

September 30, 2013

“Respectability politics” has been a recurring phrase coming up lately in conversations within the sex workers’ rights movement. In discussions on and off the site we’ve had about drug using sex workers, sex workers with disabilities, survival sex workers, etc., we’ve been bumping up against this idea constantly. The Tits and Sass editorial staff decided to bring together a group of veteran sex workers’ rights activists and service providers and ask them how respectability politics ideology affected their work and how we in the movement can best counter these tropes.

How do you define respectability politics? How have respectability politics affected your service work in the sex workers’ rights movement?

Emma Caterine¹: That’s a pretty broad question and Red Umbrella Project (at this time, we have been considering expanding to this role) is not a service provider, but let’s see if I can answer:

Respectability politics is something incredibly tangible in our legislative advocacy efforts. We are effectively told time and time again, although we are on the executive committee of the No Condoms as Evidence Coalition, that we shouldn’t “make it” an issue about folks in the sex trades. Which is a bit perplexing since there are two major populations whom the practice of using condoms as evidence affects in direct regular ways: those profiled as being in the sex trades and those who are in the sex trades. The former is comprised of identities associated with the sex trades both culturally and institutionally: trans women of color, gender variant people of color, low income women, undocumented women, etc. While it is certainly a travesty that these folks are being arrested, harassed, and even physically attacked by the police over carrying condoms, it has been extremely important for us at Red Umbrella to not imply that they are the ones who “do not deserve it,” since that insinuates that those in the sex trades deserve to be subjected to this oppression. Not to mention that the two groups are hardly mutually exclusive.

And it is certainly the attitude and language the decision makers (politicians and other public figures) have adopted when they do come out to support the No Condoms as Evidence bill: it will be prefaced with a “I in no way condone prostitution”, it will be followed by pulling one of the largest stings on clients of sex workers, or any number of methods or statements to absolve themselves of being in any way in support of something that is associated with the sex trades. You do have to buy into it to a certain extent though: I mean I was a well-dressed smiling trans woman who was ever so interested in what a staffer from DA of Nassau County Rice’s office had to say to us. His advice was important to our strategy for getting the legislation passed. But as a member of a peer-based group dedicated to empowering those in the sex trades, there needs to be a balance. Kathleen Rice and I won’t be getting coffee in the near future or posing for a photo op. I didn’t even give this staffer my card when he gave me his because outside of that meeting there is no utility in us interacting and I am not going to pretend there will be for the sake of respect. Because I don’t respect those who throw people in jail that are not only the people I am fighting for but also friends and loved ones. And in my experience confident adherence to your principles garners respect just as often if not more than playing to some idea of respectability.

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TRENCHCOATx.com: Beyond Naughty Words Mad Libs

Bubbles

April 7, 2015

In March, Kayden Kross and Stoya launched TRENCHCOATx.com, a pay-per-scene porn site they describe as “curated smut.” The performer-run and owned site is powered by the vision of its two partners and stands in stark opposition to the search-optimized tube sites that are closing in on monopolizing porn distribution. As Stoya wrote about tube sites, “I believe the worst sorts of capitalists would consider Manwin’s behavior a win of the highest order.” She spoke to us last month shortly after the launch about the origins and intent of TRENCHCOATx and about workers seizing the means.

Stoya: For years, because we were both under contract together at the same company, on set or when we were signing stuff together or just like sitting at a coffee shop, we would do a lot of complaining about, “This is how it should be done, this is what I think would be the right process for having barrier-optional performance choices with regards to safer sex procedures like condoms and dental dams, how adult material should be described,” and our shared distaste for the way it was moving more and more to tags. Kayden described it best as “kindergarten Mad Libs of naughty words.” For years we’ve been both sitting there saying “This is how it should be and it would be perfect and magical!”

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“There Can’t Be Numbers:” An Interview With Laura Agustín, Part 1

Charlotte Shane

August 2, 2011

Upon the publication of her book, Sex at the Margins: Migration, Labor Markets and the Rescue Industry, anthropologist Laura Agustín became a hero to many sex worker activists. Her research cuts through the usual moral hysteria and emotionality invoked by the idea of trafficking to radically revise discussions about migration and sexual labor. Both her blog (linked above) and her book contain rational assessments of an unfair world in which people exercise choice even when they have limited options; where citizens of developing countries, like citizens of developed countries, have an urge to see more of the world; and where a single story cannot usefully articulate the experience of multiple, diverse human beings. When it comes to her approach, she explains, “I am disposed to accept what people tell me, and believe in their ability to interpret their own lives.” She kindly agreed to answer some questions for us about the current state of trafficking laws, what she calls the Rescue Industry, and public (mis)conceptions.

How did you first become interested in the sex industry?

My interest was in the experiences of friends and colleagues in Latin America who wanted to work in Europe. Travelling outside the formal economy meant having very limited choices, and, for women, selling sex and working as live-in maids were practically the only choices. People I knew conversed in a normal way about how to get to Europe and which of the jobs seemed better for them personally. I saw how certain outsiders were focussing on something they called prostitution, but I didn’t understand their anxiety about it. My original question wasn’t about migrants at all but about these people, who wanted to stop others from travelling and stop them from taking jobs they were willing to accept – all in the name of saving them. During my studies I decided that thinking in terms of commercial sex and the sex industry were one way to resist this Rescue ideology.

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For Their Own Good: SWOP-Phoenix’s Campaign Against Diversion Intiatives

Caty Simon

November 12, 2013

Monica Jones with other SWOP-Phoenix members (Photo by Peggy Plews, courtesy of SWOP-Phoenix)

SWOP-Phoenix, a new branch of national sex workers’ rights organization Sex Workers Outreach Project, mounted a campaign this year against the Project ROSE (Reaching Out To The Sexually Exploited) Prostitution Diversion Initiative, in which Phoenix police and students from the Arizona State University School of Social Work team up twice a year to arrest local sex workers who then face criminal charges or a six-month diversion program. After SWOP-Phoenix protested against Project ROSE in May, one of the protest participants was picked up by an undercover officer the following night and taken to the Project ROSE site. The SWOP member, Monica Jones, an accomplished activist and a student who takes courses at the ASU School of Social Work herself, was deemed ineligible for diversion, and now faces up to six months in jail. Fellow Phoenix activists started an indiegogo fundraiser for Jones’ legal defense. I interviewed SWOP-Phoenix member Jaclyn Moskal-Dairman over the course of a week. The following is modified from the Google doc shared between us as an outgrowth of an email interview.

One of your members, Monica Jones, was arrested for “manifestation of prostitution” after participating in the protests against Project Rose. Jones was in the diversion program before, and spoke eloquently about her experience being mistreated there as a trans woman and a student sex worker. Can you tell me more about her case?

We believe Monica was targeted by the Phoenix police department. The evening after she spoke at the protest she was walking to a bar in her neighborhood. She accepted a ride from what turned out to be an undercover cop. He began to solicit her and she warned him he that he should be careful because of the Project ROSE stings that were going on that evening. He kept propositioning her and she asked to be let out of his vehicle. He did not let her out and actually changed lanes so she couldn’t exit the car. She was frightened and thought she was being kidnapped (which she was). She asked him if he was a cop, because she didn’t want to assault an officer. They were pulled over for a “routine traffic stop” and she was placed under arrest for the intent to manifest prostitution.

What was SWOP-Phoenix’s response when you first heard about Project ROSE? What would you say to those who claim that diversion is at least an improvement over wholesale incarceration?

When I heard about Project ROSE through an activist friend I set out to interview the professor at the ASU School of Social Work who spearheaded the initiative, Dr. Dominique Roe-Sepowitz. As a researcher, I tried my best to go into the interview unbiased until I had all of the details. Upon completing the interview I confronted Dr. Roe-Sepowitz about what I felt was wrong with Project ROSE, particularly the inherent contradiction of fighting coercion with coercion. Dr. Roe-Sepowitz explained that the initiative is completely police-driven. The School of Social Work has community organizations meet the apprehended community members at the initiative’s command post at Bethany Bible Church. The arrestees are met with prosecutors, as well as “tour guides,” who are ex-sex workers, and are told that they can have access to hygiene products, a hot meal, clothing, detox, mental healthcare, healthcare, safe housing and more, if they meet the eligibility criteria. After the interview, I compiled the research and met with a couple of activists from the Phoenix Harm Reduction Organization to discuss what we should do about it. They knew some folks from SWOP Tucson (who are incredible and have been supportive and essential in the creation of the Phoenix chapter) and SWOP PHX was formed as an emergency response. We immediately reached out to other activists and organizations, such as members of [immigrant rights organization] Puente and Arizona Prison Watch, and began to strategize. We found out the exact dates of the next stings and began street and internet outreach to inform workers of the impending raids, handing out pamphlets and Know Your Rights information. We also protested outside of the Project ROSE command post, Bethany Bible Church.

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Her Survivor’s Instinct: Paul Frankl on Roxanne

suzyhooker

July 31, 2015

(Screenshot from Roxanne, courtesy of Paul Frankl) — Roxanne and Lily negotiate breakfast. (Still from *Roxanne*, courtesy of Paul Frankl)

Roxanne, a short film about a trans sex worker who reluctantly takes in an abandoned child, was recently selected as a Vimeo Staff Pick and has been accepted at 14 international film festivals, including two Oscar qualifying fests. It will soon be made into a feature film. The following interview was conducted by Sarah and Caty with director Paul Frankl over e-mail.

Roxanne is played by a genderfluid drag queen performer, Miss Cairo. That adds an interesting layer to her portrayal of Roxanne, because a lot of trans workers exist in gender variant spaces. Sarah noted that Roxanne is a character she could actually imagine working alongside her in a trans parlor, and she’s never seen that done on film before. Can you tell us more about this casting choice?

Casting someone of fluid gender was not something I initially set out to do. I auditioned eight trans and genderfluid women (because I knew I wanted someone from the trans community, as an ethical choice), and of them, Cairo was the one I wanted for the role. We then had many discussions around gender (her own and Roxanne’s) and it was her who brought the genderqueer aspect, which I wanted to embrace and thought made a great extra dynamic to the film. Exploring someone as genderfluid is something that’s rarely seen in the media (even less than representations of trans people given the rise in awareness over the last couple of years), and something I think is definitely worth exploring more in film.

Another thing we loved about the short was the way you holistically represented all the aspects of Roxanne’s life—her morning run was given just as much if not more film time as her nightly sex work. In your Hunger TV interview, you stated that, “by pushing the fact that she is a trans sex worker to the background, I hoped to humanise her and make her a character that everyone can relate to.” Why do you think it’s so hard for mainstream audiences to see beyond the label of “trans sex worker” and understand trans workers as whole persons beyond their jobs and gender identities?

I think films can allow people to connect with others on an emotional level, in a way they can’t through many other mediums. This is why it’s a great way to help change attitudes towards trans people and sex workers, because the audience can see their hopes, fears, and daily life—things that we all have—and relate to them. Too often, trans sex workers (and sex workers in general) are presented as victims, crazy, or drug addicts. I wanted to show a trans sex worker who was in control of her life—with her own issues, but ones that don’t revolve around her gender or career. In this way I hoped to be able to change some attitudes towards sex workers of those watching. Hopefully, this can be done more (to a wider audience) with the feature.

We were surprised by Roxanne’s agreement with Lily’s statement that she puts on her makeup to be someone else, rather than telling Lily that the makeup is just part of being the woman she is. In the Hunger TV interview, you also said that “[p]art of the key to the film was differentiating between the light and dark aspects to Roxanne’s life. We wanted to visually separate the day from the night scenes, and show the duality of her life—her real self vs. her masked self…” What is Roxanne’s “masked self”? A common stereotype about trans women holds that they are pretenders to womanhood. How is Roxanne not being her real self when she puts on makeup and displays her femininity?

Her ‘mask’ relates to the glamorous role she feels she has to play on the scene. The line about her “being someone else” when she puts on all the makeup, refers to her playing this glamorous person that doesn’t connect to her daily self—the one you see in the day time, who has interests outside the clubbing scene. It can be lonely to present a beautiful and glamorous person all the time. This is her mask—it has nothing to do with her womanhood or transness. But I think in general, makeup does disguise who you are somewhat—it physically changes the way you look. She feels she has to portray this person in order to get clients, rather than presenting herself as the sensitive, (hurt) person she really is.

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