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Seth MacFarlane Loves Rape Jokes

FamilyGuyOvalOrificeMy generation has seen its share of dysfunctional cartoon characters. Many of us were raised on The Simpsons, which arguably paved the way for South Park. I recall South Park making a huge impression on television and popular culture, even though I wasn’t allowed to watch it when it premiered in 1997. Adults older than I are more likely to associate their adolescence with Beavis and Butthead. All of these shows have incited controversy at some point and all were popular. So it should come as no surprise that another occasionally controversial animated comedy would succeed with the same audience. But oh, it irritates me when people assume that I like Family Guy.

I have never felt comfortable with Seth MacFarlane’s brand of humor. And I’m not alone, judging by the reactions to the multiple gross sexist offenses during his turn hosting the Oscars. There is always something about his jokes that gets under my skin and causes me to consider the implications of certain statements.

For one, there are so many rape jokes.

Channing Tatum Strips; Jason Sudeikis’ Strip Club DJ returns on SNL

Kat and I howled when we saw Jason Sudeikis’ strip club DJ character last year, and he returned to Saturday Night Live this weekend when former male stripper—and current star of Magic Mike, Steven Soderbergh’s male stripper movie—Channing Tatum was the guest host. The show made the most of his background. Tatum’s monologue revolved entirely around his former profession.

Tatum’s opening monologue:

Ladies’ Night at Bongo’s Clown Room:

Bongo’s Clown Room:

I do so appreciate it when comedy finds the funny in strippers without making jokes about our deaths or our emotional damage.

The Playboy Club, or, What You Should Watch Tonight

We begin the show in a kind of POV thing where we go into the club and see Nick Dalton (who I assume is going to be a big deal) get his name up on the board after giving his key to the Bunny in the front door. I am already in love. He has dimples!

 

 

Did 8 Minutes Lie to Sex Workers?

via aetv.com
Kevin Brown (via aetv.com)

UPDATE

5/1/15 Kamylla’s GoFundMe was taken offline and replaced with a Tilt fundraiser, which has also now been closed down. We will update if we hear news of another fundraising effort.

5/3/15 Here’s an updated fundraiser link.

There’s been no shortage of coverage of A&E’s 8 Minutes, the ostensible reality show in which cop-turned-pastor Kevin Brown makes appointments with sex workers and then has the titular amount of time to make a case for them to stop their work. Lane Champagne wrote here in December that

Of all the professions to produce potential sex work interventionists, law enforcement and clergy are at the very top of the Unsuitable list. Behind those two are literally every single other profession, because sex work interventions are vile exercises in the hatred and shaming of sex working individuals and shouldn’t exist.

Supposedly, women who want to leave sex work will be given help. From A&E’s website: “8 Minutes follows Pastor Kevin Brown and his Lives Worth Saving team as they help sex workers and victims of sex trafficking leave their dangerous situations behind to start over.” And how do they do that?

Last week, one woman, who goes by Kamylla, came forward on Twitter to hold the show’s producers accountable for promising her assistance in exchange for her appearance on the show, then leaving her twisting in the wind when she was arrested soon after, having returned to work from economic necessity when they didn’t provide the promised help in exiting the industry.

Kamylla received a call on her work number from the producers of the show, who immediately identified themselves as such (this is in contrast to the premise of the show, which implies that the women believe they are coming to a normal appointment, only to be met by Brown). She agreed to tape a segment for the show, in which she said she wanted help getting out of the business, and after the taping was told she’d soon hear back with more information and assistance.

She never heard back from them, and instead reached out herself, but no meaningful help was to come. Kamylla found herself broke and needing to work again. She posted an ad, using the same number the 8 Minutes producers had contacted her on, and was arrested in a sting. Now she was broke, frightened, and facing criminal charges, and when she reached out for help from 8 Minutes, Brown offered to pray for her.

Support Hos: Westworld (2016)

Thandie Newton as Maeve, the badass robot Black sex working heroine who keeps us invested in this glossy Game of Thrones replacement wannabe.

by Clara and Caty

[Content warning: some discussion of rape. Also, spoiler warning.]

Clara: Westworld is a science fiction western thriller created and produced by Jonathan Nolan and Lisa Joy. JJ Abrams is also a producer, so think Jurassic Park meets Firefly with a dash of Lost. As with its predecessors—Blade Runner. Battlestar Galactica, etc—Westworld uses human-like robots to tell us a story about humanity. Questions like “How do you know you are human?” “What is consciousness?” “What are dreams?” “What are memories?” “How does does your past define you?” “What is free will?” “What is consent?” are asked but not always answered.

The titular Westworld is a Western theme park where life-like robots—”hosts”—act out stories called narratives in a controlled environment for guests of the park. The park is marketed as “life without limits.” The idea is that because the hosts are robots you can do anything you want with them and it doesn’t matter.

While not a show directly about sex work, Westworld in its over-all arc is about the push/pull of market forces between client and worker. It is also about the uprising of a group who is fed up with being used. Sex workers who have to constantly prove their humanity to society and deal with client entitlement every day might find the show reminiscent of their lives.

Caty: I would argue that this show is about sex work. It’s about a separate, disposable class of people who perform reproductive/emotional labor so that guests can enjoy their leisure. The hosts’ very lives are this labor, so they can’t even be compensated for it. And they literally have false consciousness.

As the show reminds us constantly, the hosts’ purpose is to be fucked or hurt, or at the very least to immerse the clients in a fantasy, which sounds like the sex worker job description to a T. In fact, the hosts are the ideal sex workers from a certain client perspective. They are the ultimate pro-subs, who can be beaten, stabbed, strangled, and shot, only to be refurbished, resurrected, and brought back as a clean slate in terms of both their memories and their bodies, ready to take those blows again. They are entirely “authentic,” programmed to believe that the role play they engage the guests in is what is actually happening. If the Westworld story that the guest is indulging in is that Dolores (Evan Rachel Wood), the damsel host, is in love with him, she actually is in love with him.

But what Westworld actually does best is reflect the client mentality—an Entertainment Weekly recapper quipped that the Man In Black (Ed Harris) sounds like “a dork playing Dungeons & Dragons who yells at other players for asking for a bathroom break” when he gets pissed off after some other guests refer to his work in the real world. But to me, he actually sounds like the BDSM client I used to have who would shriek “WE DON’T TALK ABOUT THE MONEY” if I ever said anything which derailed his fantasy of being a scene elder teaching eager young acolyte (unpaid) me about kink.

And who does William (Jimmi Simpson) remind us of most but a stalker regular when he turns (even more) murderous and rapacious after realizing that Dolores doesn’t remember him—that he isn’t special enough to her to override the programming that forces her to forget him after each go-round? At first, he’s a Nice Guy—that trusted reg, the one who believes Dolores is sapient and Not Like All The Other Hosts. He’s Captain-Save-A-Host! But later, after his embittered violence runs roughshod over the park for 30 years, after he assaults Dolores over and over, and then grows “tired” of her like the most jaded hobbyist, Dolores tells him, “I thought you were different, but you’re just like all the rest.”