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Men Love It When You Really Glob It On: Sex Work via Futurama

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Futurama: definite contender for “greatest show of all time.” You already know it’s hilarious, but do you also know that it’s actually about sex work? Allow me to demonstrate with a series of GIFs, clips and humorous macros that I am convinced we can all relate to.
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 Few television characters embody the Douche Client more perfectly than Zapp Brannigan. You know the type: massive yet fragile ego that requires constant stroking, weird obsession with own perceived attractiveness, and a stable of skin-crawlingly irritating “seduction” techniques.

Satisfaction (2007-2010)

Image via SocialistJazz
Image via SocialistJazz

When I heard about the Showtime Australia drama Satisfaction, set in a swanky Melbourne brothel, I think I elbowed an old lady out of the way to check it out of the library. Yep, library: they take sex work much less negatively in Australia than they do in the United States. It’s legal, although to varying degrees of decriminalization, normalization, and support depending on what state you’re in. West Australia, where I worked, had a variety of irritating laws designed to prevent women from working outside of brothels: they weren’t allowed to hire support staff, like drivers or security, and often had to file taxes in a totally ridiculous way. In Melbourne, across the country in Victoria, sex work is legally licensed and regulated by the state: workers have licenses, regular mandated medical check-ups, and can work independently or through brothels.

Satisfaction is a super swanky TV show about a super swanky brothel, and I absolutely loved it. I’ve never been to a Melbourne brothel, but I have to assume that the glittery hanging curtains, ornate gilt decor, and licensed bar of 232, the Satisfaction home base, are probably not par for the course. They smell more of “movie set designed to make you impressed” rather than “actual working brothel.” The script, though…the script treats sex workers as real human beings, with dignity and respect, facing a variety of issues unrelated to their jobs. Sometimes they hang out together after work; sometimes they have problems unique to sex work; but for large chunks of every episode, the show discusses human dynamics among a group of women who are working for themselves and doing it by choice. There is no coercion here, and the all-too-frequent stereotype we see on US TV (“Debbie couldn’t pay her rent, and now she’s giving blow jobs for crack in some dude’s Pinto!”) is notably, refreshingly absent.

Seth MacFarlane Loves Rape Jokes

FamilyGuyOvalOrificeMy generation has seen its share of dysfunctional cartoon characters. Many of us were raised on The Simpsons, which arguably paved the way for South Park. I recall South Park making a huge impression on television and popular culture, even though I wasn’t allowed to watch it when it premiered in 1997. Adults older than I are more likely to associate their adolescence with Beavis and Butthead. All of these shows have incited controversy at some point and all were popular. So it should come as no surprise that another occasionally controversial animated comedy would succeed with the same audience. But oh, it irritates me when people assume that I like Family Guy.

I have never felt comfortable with Seth MacFarlane’s brand of humor. And I’m not alone, judging by the reactions to the multiple gross sexist offenses during his turn hosting the Oscars. There is always something about his jokes that gets under my skin and causes me to consider the implications of certain statements.

For one, there are so many rape jokes.

Scandal: “Dirty Little Secrets” [2012]

In spite of Kerry Washington’s awe-inspiring beauty, I really wasn’t interested in watching Scandal, a show about a crisis management firm in Washington DC who works to save reputations and careers when damning personal histories are about to come to light. My boyfriend bought it on AppleTV, though, and like the manipulative man he is, played the second episode one night while I was next to him on the couch. And it had hookers in it! So I was all in. The episode begins as several of head honcho Olivia’s (Kerry Washington) employees are clearing a woman’s home of all relevant and incriminating evidence, beating the police by mere seconds. Who is this conservatively-clad woman evading the police? Why, she’s “DC’s finest madam,” and she’s sipping tea at Olivia’s huge, superhero-y work loft, waiting for her client list to be safely delivered back into her hands. 

Something Beautiful You Can Truly Bone: Prostitution For Partnership on Mad Men

TOTAL SPOILER ALERT. If you watch Mad Men but haven’t seen Sunday’s episode yet, you’ve been warned. But the whole wide internet has been talking about this episode all week, so we don’t really know how you don’t know. Despite this being Friday, Charlotte and I couldn’t possible expect you all to get along without hearing what Tits and Sass had to say about “The Other Woman.”

Bubbles: Along with the smoking, racism, Beatles references, and plastic raincoats, the subordinate place of women in the workplace and the home is one of the ways Mad Men reminds viewers it’s set in the Sixties. Last Sunday’s episode, “The Other Woman,” gave each female lead gender-related obstacles: Peggy Olson was thwarted in her efforts to be recognized professionally, Megan Draper had to assert her independence within marriage, and Joan Harris confronted her treatment as an asset to be used to win an account.

Joan turned/was turned out for one very expensive trick in this episode when she agreed to sleep with a sleazy Jaguar dealer—thought to have a crucial say in whether the agency would land the account, and willing to booty call- blackmail the firm —in exchange for a partnership stake in Sterling Cooper Draper Pryce (Harris? Holloway?). The act was revealed in an effective, emotionally manipulative bit of story structure. First we think she didn’t go, as Don Draper stops by her apartment to tell her that 1) he wasn’t in on the partners’ decision to extend the offer to her and 2) it wasn’t worth it (I hoped she’d just look at him and say “I’m not your damn mother, Don,” instead of giving him that maternal “good boy!” pat on the cheek). But then in cutaways, we see he came by after the deal was done. My first reaction was mild panic as I thought “Oh, no, I hope this doesn’t mean she misses out on the payday!” It would be like getting ripped off by a customer/client. And then I thought “Boy, when Sal wouldn’t bang the closet case from Lucky Strike, they didn’t offer him shit, and then they just canned his ass.”

But Joan went through with it and grabbed the brass ring of partnership, which in my opinion is as much of a happy ending as we’re likely to see on this show. Opinions in the weird world of television recapping varied widely, though, and give us a great opportunity to look at some of the tropes that get trotted out whenever people talk about prostitution. Woman’s bodies don’t just belong to their inhabitants, after all. They’re for everyone to have an opinion about! Starting with their value.