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Peta Brady’s Ugly Mugs—An Analogy

(Photo by Julie Bates, via Jane Green and sexliesandducttape.)
(Photo by Julie Bates, via Jane Green and sexliesandducttape.)

As a writer, a former sex worker, and someone who has been quite vocal in my writing about the industry, I’ve been approached quite a number of times to write about the play Ugly Mugs by Peta Brady.

I’ve declined each time. Firstly, because I have not seen the play. I’ve only read about it online and read sex workers’ concerns about its content. Secondly, because I wondered how much I could really contribute after reading such powerful and articulate pieces by people such as Jane Green on the subject. But I was asked again, and this time I had just been on the phone to an old friend talking about an incident that happened many years ago. And something inside me clicked, something that made me feel compelled to tell my story.

When I was in high school I had a diary. Like most teenage girls’ diaries it was full of angst and bad poetry, interspersed with observations of the people and situations around me.

I was not a popular girl in school. I had been given the “slut” label very early on and it stuck. I guess, if you were using the vulgar base meaning of the word “slut,” I was one.

I ran around with boys. I liked getting their attention. I was not afraid of sex, sexuality, sexual pleasure, and sexual gratification. I masturbated as often as I could. I watched porn videos and read Playboy magazines.

I was very lucky that despite being shunned and shamed by the “popular kids,” I had a friend, a girl who was pretty much just like me, who shared my obsession with sex and sexuality.

My girlfriend and I would swap my diary back and forth and fill it with our own dirty stories, our fantasies about the different boys (and sometimes girls) that we knew. We would tell our deepest secrets and horniest stories to each other within those pages. We also used it as a way of communicating what others were saying about us. What the rumors were about which girls were going to “fight us” after school. Where they’d said they’d be “waiting for us.” Which boys to stay away from because they were the ones who ran around telling the rest of the school about the things we had done.

It was our little safe haven. Our solidarity. Our secret.

I’m not quite sure how it fell into the wrong hands. I think I had it in my bag at a sleepover party. I don’t know why I would have even taken it with me… but I did. And when I got home the next day I realized it was missing.

Misérable Politics: Why Anne Hathaway Should Go-Away

Image from LesMeanGirls
Image from LesMeanGirls

In last year’s Les Miserables, a movie with a lot of famous people in it that will probably win some Oscars, Anne Hathaway plays Fantine, a single mother struggling to provide for her child. Fantine turns to prostitution in a moment of ultimate desperation, having already sold her hair and teeth—I know I’m not the only hooker whose first response to that was “Wrong order, girl”, but whatever—and she and the audience feel very sad. Then she’s saved, and we feel happy, but then she dies of tuberculosis, and we are sad again. At least she’s not a hooker now though. Phew!

No one is more concerned about Hathaway’s Fantine, however, than Hathaway herself, as evidenced by her various comments during the lead-up to the film’s release. One of the most circulated quotes has Hathaway outlining her research “into the lives of sex slaves, which are just unspeakably harrowing,” and her attempts to “honor” the experiences of women who are “forced to sell sex”:

 I came to the realization that I had been thinking about Fantine as someone who lived in the past, but she doesn’t. She’s living in New York City right now, probably less than a block away.  This injustice exists in our world.  So every day that I was her, I just thought ‘This isn’t an invention. This isn’t me acting. This is me honoring that this pain lives in this world.’ I hope that in all our lifetimes, we see it end.”

Sex Trafficking: A Media Guide

This isn't sex trafficking. (An image used in a campaign for anti-trafficking organization Voices for Dignity, by Flickr user dualflipflop)
This isn’t sex trafficking. (An image used in a campaign for anti-trafficking organization Voices for Dignity, by Flickr user dualdflipflop)

Sex trafficking is when evil men steal little girls from the mall and keep them chained to beds where they are forced to service 100 men a day. Sex trafficking is when you ask your husband to sit in the next room while you see a new client, just in case. Sex trafficking is when a child molester agrees to pay for sex with a hypothetical, nonexistent eight-year-old and then shows up to meet them with duct tape and handcuffs. Sex trafficking is when a client asks for a duo and you book an appointment for yourself and a friend. Sex trafficking is when you “conspire” with your rapist and kidnapper to torture yourself. Sex trafficking is when you place an escort ad online for yourself.

Words mean things. Sex trafficking is a legal term with many different definitions in different states and countries. The legal term has become confused with the common mainstream usage—which tends to involve people being forced into prostitution—and this has led to a lot of confusion all around. As journalists, our job is to be precise with language and provide accurate information to the public. When reporting on sex trafficking, or sex trafficking cases, consider describing what has been alleged or what the statute the person is being charged with actually says—because it rarely refers to people being forced into prostitution.

what purpose did i serve in your life (2013)

mariePrior to the publication of her debut novel, Marie Calloway was best known for the stories “Adrien Brody” and “Jeremy Lin.” There’s been a lot of commentary on the sexual themes in Calloway’s text, but no discussion by sex workers of Calloway’s treatment of her month escorting in London. Charlotte Shane and Caty Simon rushed to fill that void.

Caty: I guess I should start with full disclosure: I have chatted a bit over the past few months with Marie Calloway on the internet and she seems to be really sweet for a literary enfant terrible. But I didn’t know her from Adam when I first read her work in 2011.

Charlotte: I feel strangely protective of her in spite of never having met or corresponded with her. So it’s good to air out our biases.

Caty: I’d like to focus on the parts of her book examining sex work, because otherwise we could be here all day having the same debate that’s consumed the rest of the media about whether she’s a worthless narcissist whose very existence is endemic of essential problems with confessional writing, women and sex, and internet culture, or whether she’s a brave, feminist descendant of Bataille and Jean Rhys, who galvanizes strong responses from her readers because people are uncomfortable with her brilliance and…blah blah blah, you know where this is going.

Charlotte: Right, we’ll stay limited to T&S relevant moments.

Dennis Hof (1946-2018)

The late Dennis Hof with Heidi Fleiss and Ron Jeremy. (photo via the creative commons)

Dennis Hof passed away last week at his Love Ranch brothel after a night of celebrating his 72nd birthday and political campaign. The days following have been filled with an outpouring of discourse about his death, much of which is contentious as people reflect on the so-called legacy Hof left behind. Between his business empire and celebrity fame, Hof exposed the nation to regulated prostitution and Nevada’s brothels in a novel and undeniably impactful way. His celebrity existed within a paradox of tolerance—rural communities in Nevada were often against the brothels, which perhaps itself contributed to his ability to stay in the spotlight. “I’m always looking for a new angle and something funny to keep my name and the name of the Bunny Ranch in the national media,” Hof told the Reno Gazette Journal in 2005.

This quest for the limelight was achieved for some time through exposing legal full-service sex work. However, it recently took a political turn with Hof winning the Republican spring primary for a seat as an assemblyman. His name is to remain on the upcoming November ballot for the Nevada Assembly, and many are saying he is set to win, despite being dead. With him running on a Republican ticket, conservatives are still likely to vote for him so as to ensure a Republican gets appointed to the seat afterwards.

Much of the coverage of his death is fixated around one question that everyone seems to be asking: are his brothels continuing operation, and if so, under whom? Madam Suzette (Suzette Cole) is reported to be receiving Hof’s brothels but, even with the inheritance, the Nevada system has several requirements in place that will need to be met before she can run them legally. In fact, the Love Ranch brothel was shuttered shortly after his death. Hof’s executive assistant, Zack Hames, appears confident in moving forward with the operation of Hof’s brothels, commenting that “it’s business as usual.” Other coverage has focused more on the polarized reactions to his passing, illustrating how while some are celebrating it, others are deeply grieving his loss. This split is highly visible in the sex work community.