I want to believe with all my heart that material can be made about sex workers that doesn’t demonize or belittle us. I want to get the same feeling chefs get while watching Chopped or car enthusiasts feel watching Top Gear UK. Hot Girls Wanted: Turned On is not that feel-good series—there is no perspective through which it is not problematic.

The show eases you into the material in the first episode with living legend producers Suze Randall and her daughter Holly working on photoshoots and erotic film. The episode focuses on their business practices, how they treat the talent, and their issues with male producers. This segment is the only redeeming portion of the show. Savor the mother-daughter bonding and camaraderie; no warm and fuzzy feelings lie ahead.

I could give you a blow-by-blow of the other five episodes, but to be perfectly frank, it’s a waste of time. This docu-series is even more harmful than its predecessor, 2015 documentary film Hot Girls Wanted, which covered amateur porn. Creator Rashida Jones and the other people behind this film are not sex workers. In fact, Jones has a long Twitter history of belittling women and out-right slut shaming other celebrities.

 

The show creators have no experience in sex work and aren’t even close to anyone who uses the sex industry as their main source of income. They use adult film star Lisa Ann as their poster girl, but she has never dealt with stigma the same way transgender performers or performers who are people of color do. In fact, she is apathetic about the plight of more marginalized sex workers.

The series features screen caps of people surfing cam girl sites. Though these cam performers signed up to be on those platforms, they did not sign up to have their identities exposed on a Netflix documentary. When sex workers on Twitter saw this, they exploded in response, and soon tweets by other sex workers roped into the project revealed further outrages: Not only did HGW:TO reveal screen caps; they showed the legal names of other performers; interviewed workers and agents under false pretenses, insisting the material wasn’t for Hot Girls Wanted; and even used interview footage of someone who’d changed their mind about being involved. Lisa Ann has been less than sympathetic about this, stating on Twitter:

 

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Netflix didn’t give us permission to use this picture but we think it’s fair use.

In a recent interview with Rolling Stone, Hot Girls Wanted: Turned On producer Rashida Jones reflected on the mistakes that were made with the original documentary: “I think that many people within the industry felt like the movie marginalized and further stigmatized sex work, which was not our intention at all.” It’s perplexing to reckon her revelation with the litany of pushback the current iteration of Hot Girls Wanted has received.

Released not even two weeks ago, the latest installment of the Hot Girls Wanted brand is already suffering some harsh criticism and accusations from within the sex industry. Some sex workers have alleged that their content was used without their consent and that they weren’t fully informed of Rashida Jones’ involvement. The Free Speech Coalition even issued a formal denouncement. I reached out to the producers, the film’s media contact, and Herzog & Company for clarification and (by the time of this post, 10AM EST) I still have not heard back.

But they weren’t afraid to talk to Variety! In an interview yesterday, it seems the other two producers may have dialed back their sympathy for marginalized sex workers. “Criticism of the series, she [producer Ronna Gradus] said, is likely fueled by sensitivity over how the industry is often portrayed in mainstream media—and that performers who have spoken out against the show may be doing so because they feel they have to. ‘The industry is very defensive about people coming in and shining a light on the industry and doing stories about it,’ she said, adding, ‘The allegations that have come out are probably the result of pressure they are feeling to stand in solidarity with the industry.’”

Gia Paige is one of the performers featured in the series. Her legal identity was exposed in the series and she alleges that the producers used her footage without her permission after she backed out. She was kind enough to respond to my queries via email. [READ MORE]

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(Photo by Pierre Galin via Flickr)

Yes, I saw the coverage earlier this month on pregnant Nevada brothel worker Summer Sebastian blogging about enjoying a few months at work at the Bunny Ranch while her (former) millionaire partner watches their beautiful twins at home.

No, I didn’t get the promised message of empowerment and normalization or a real heart-to-heart on what it’s like to be a mother and a sex worker.

This woman lives in a fantasy world where she’s the personal star of her own little reality show. She has safeguards, privileges, incentives, and motivations that even the most successful of us more marginalized sex workers lack.

I’m not going to applaud her for working full-service during her pregnancy and sharing it with the world, because she isn’t sharing it for me.

We don’t even need to talk about any risks posed to her baby because, let’s be real, she has the security of open access to medical care, stable housing and food, security personnel protecting her at her legal brothel, virtually no risk of being blackmailed or arrested, andmost invaluable to every pregnant personshe has a solid system of support in other workers. Sex work is lonely and isolating by nature and having a tribe physically present is a vital resource that we should all have access to.

This woman has access to literally anything in the world that a pregnant hooker could ever need.  

Including a platform. [READ MORE]

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“A 16-year old-white girl from Monterey? Wolf Blitzer is gonna saddle that up.” Abigail (Kathryn Newton) contemplates auctioning off her virginity for charity in Big Little Lies.

[Content warning: this piece includes general discussion of rape and domestic violence.]

Maybe every rich little white girl should auction off her virginity in support of Amnesty International, the way Abigail Carlson (Kathryn Newton), teenage daughter of HBO’s Big Little Lies protagonist Madeline Mackenzie, proposes to do.

Abigail’s plot line gained little more than an eye-roll in popular analysis lauding the mini-series as a vision of female solidarity telling a vital story about abuse. Initially, I would tend to agree that Abigail’s pursuit of justice for child sex slaves is nothing more than a pulpy side-line trotted out for shock value. After all, Big Little Lies is famed prime time soap opera producer David E. Kelley’s project. And, as the perennially popular Law & Order: SVU franchise demonstrates, narratives exploiting child sex trafficking victims are reliable fodder for ratings.

But Big Little Lies deserves a more subtle read. Everything about it is meticulously intentional, from the melancholy pop soundtrack to the pristine landscape of the surf, suggesting sinister undercurrents to all that is pretty on the surface of the idyllic Monterrey community setting. The show was adapted from a book of the same name by Liane Moriarty published in 2014. Kelley was necessarily selective about which elements from the 460-page novel made it to television. Notably, Bonnie Carlson’s backstory 1 was not included in the series, nor was there a broader exploration of her character development as there was in the book. Her identity was also changed from a white woman in the novel to a Black woman in the series—the only significant Black character in the series—and the setting was relocated from Australia in the book to the upper-class U.S. coastal community of Monterey on-screen. Rather than treating these as auteurial afterthoughts, these changes are better understood as instrumental choices in adapting the central point of the work for television.

[Spoilers after the jump]

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Schedule C and an example of a deductible expense.

Schedule C and an example of a deductible expense.

The filing deadline for your IRS tax return is Tuesday, April 18. You can file for an automatic extension with this form.

In the last couple of weeks I’ve read sex workers on Facebook and Twitter talking about the difficulties they had in getting an apartment, qualifying for a car loan, and signing up for health care because they didn’t have any proof of income. “I don’t get paychecks,” the sex worker might say (unless she is an employee), “So how can I prove how much money I make?” I read dancers telling other dancers to get a strip club manager to write a letter estimating what she makes in a week, and while that might work to buy a car at You Work—You Ride! it won’t help with big leasing companies or the bank.

What will help is having a copy of your tax return. Even before you file it, make a copy of your completed return to have on hand for any occasion that requires proof of income. It doesn’t have to be complicated; if you take a look at the Schedule C and panic at all the deduction categories, if you don’t save receipts for anything, if you haven’t filed in years, if you’ve never filed during your sex working career, just remember this: don’t panic. You can do this. All it is is counting money and adding and subtracting it.

Well. And paying it. That part is no fun. But if you’re filing as a self-employed person, you’re supposed to pay quarterly estimated taxes, which is somewhat better than paying one chunk in April, and hey, at least you don’t have to get depressed looking at a deduction on a paycheck every couple of weeks. OK, it’s unpleasant. There’s really nothing less fun to do with your money than send it to the IRS other than using it to pay for car repairs or dental work.

We are not accounting or tax professionals here at Tits and Sass but I, for one, am a career stripper who had her own tax missteps in the past (the part where I pretty much forgot to file the entire time I was in college) (and I was in college for a long time). If I could get straightened out, so can you. Let me be clear that I’m not urging anyone to pay taxes for any other reason than to make their own life easier. I do, however, want to emphasize how it can make your life easier: [READ MORE]

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