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Blue (2012)

Free from the constraints of network and cable television, the web series has been long touted as the next big thing in entertainment: Content intended for distribution online can be cheaply produced and avoid the ratings system entirely. Without time slots to fill, they can also range in length from feature films to a series of vignettes. Such is the format for Blue, 12 six-to-eight-minute episodes directed by Rodrigo Garcia in a collection of stories about women on the WIGS YouTube channel.

Blue (Julia Stiles) is a young, single mother of a highly gifted 13-year-old son, Josh (Uriah Shelton). She also works a bland office job during the day—but that’s not all. For a few hours a week, Blue—get this—turns tricks for an escort agency in order to make ends meet! Clearly, that, in and of itself, is enough to carry a story, so go on, YouTube viewers! Proceed to be riveted by these edgy topics, filled with flat performances, static characters, and painfully awkward dialogue.

Fast Girl: A Life Spent Running From Madness (2015)

afastgirlSuzy Favor Hamilton’s autobiography, Fast Girl: A Life Spent Running From Madness, catalogs the Olympic runner’s experience with mental illness, her career shift from professional mid-distance running to high-end escorting, and her eventual outing and diagnosis as bipolar. Following the birth of her daughter and her retirement from running, Favor Hamilton found her career path fraught and unsatisfactory, its travails amplified by her growing problems with postpartum depression and bipolar. Eventually, the media outed her as a sex worker, exacerbating her struggles.

From growing up picked on by her bipolar brother in small town Wisconsin, to her love/hate relationship with the athletic talent she built into a career, and the way that relationship shaped her psyche and primed her for sex work, Fast Girl covers a wide range of material. It is also one of the more honest memoirs I’ve seen on the day-to-day struggle of being bipolar, and how the disorder can escalate.

I’ve been diagnosed with bipolar disorder and other mental illnesses. My thoughts upon reading the book were filtered through my own experiences with the illness: some of these ideas may seem strange if you haven’t lived with bipolar disorder, or lived with someone who copes with it.

In my experience, an important thing to understand about living with bipolar disorder is that it doesn’t always make sense to those who don’t suffer from the disease. Triggers might be minor, like someone looking at you wrong. You might never find out exactly what association triggered your most recent bipolar episode. Sometimes you do know exactly what the trigger is, but even when you know, you can’t really stop it, only remind yourself your perceptions aren’t reflecting reality.

At times, bipolar made my work in a strip club a hell in which I was irrationally afraid of accepting drinks, terrified that every customer was laughing at me. It made me second guess every moment so thoroughly that suicide sometimes felt like a logical post-shift endeavor. At its worst, this illness makes me question everything about myself: my agency, my sanity, my humanity, my very perceptions. My body and mind became communal property- things for others to manage without my input, sometimes overriding my preferences.

Accepting treatment for a mental illness like bipolar can feel like a violation to me. I have to accept that it’s not about me, it’s about what people around me want for me. Maybe I want it, too, but accepting that treatment means accepting I won’t be the arbiter of what’s “right” for myself. That is left to the family members who can no longer handle my outbursts, or the doctor who thinks that no matter how I feel now, it’s worth reaching for something even better by shifting the med dosages, even at the risk of the new doses making me sick.

That level of outside authority is one that women who’ve grown up in a patriarchal society are already used to. We’ve had it enforced from birth that our wishes and agency are second to the men around us, second to our families, second to the comfort of our community, etc. Favor Hamilton’s story is rife with that conflict, even in instances unconnected with her mental health or sex work. From the other department’s coach in college who videotaped her breasts as she ran, with no negative consequences; to the coach who dictated her sex life after her marriage; to the spectators and competitors who claimed her main talent was her beauty; to her dad’s pushiness and embarrassment in response to her swimsuit calendar modeling, the list goes on and on.

Why I Hate Pretty Woman (1990)

So, my apologies for showing up a little late to the Pretty Woman threesome. I hadn’t realized how painful it would be to watch this movie again, and so I had to take it in small bites over the course of the week.

I had already been a hooker for a couple years before I ever saw Pretty Woman  a few months ago. Even before I had seen it though, I’d casually reference it all the time with my friends when we’d make fun of tricks who thought they could be our boyfriends. Yes, I know this happens in real life, and even has happened to a couple of my friends. But it’s never come even close to happening to me, especially not with the kind of guys who’d be into “saving” me.

My boyfriend finally made me watch it one day several months ago, and I was even more grossed out than I had expected.

The film’s one saving grace: Julia Roberts is incredibly, uniquely beautiful. It somewhat mitigates the torture of listening to her slip in and out of an unplaceable generic “tough girl” accent (doesn’t Vivian say once she’s from Georgia? doesn’t sound like it…) and a super lame script. (By the way, drooling over Sasha Grey was the most redeemable part of The Girlfriend Experience, too.)

Some of the things that make me cringe, roll my eyes, or just say “huh?”:

Tina Fey Hates Sex Workers: Part One of Infinity

Location on Long Island where the bodies of four women who worked as prostitutes were found

Y’all catch that joke on 30 Rock a couple of weeks (S05E13) ago? Jack Donaghy is in his office, mourning the change in GE ownership. “This is where we used to hold retirement parties. The balcony below is probably still littered with stripper bones.” HAR.

One of the reasons sex workers become politicized is to make ourselves visible as real people to decrease our chances of being easy victims of violent crimes in a society where we are considered lesser members. Jokes like this (and Tina Fey looooves to write stripper jokes*) are one of the constant small ways sex workers are dehumanized to the public. Cracks about dead ones are less funny in light of the women’s remains that were found on Long Island.

Fey is beloved by a lot of women for modeling success in a male-dominated field, which makes her rage towards other women come off as bitter and unreasonable. You know what’s harder than being a rich white woman in Hollywood who gets called crazy because men don’t want to fuck you (hey, you still get to complain about it in The New Yorker)? Having your humanity denied because you are the woman they do want to fuck.

* “I love to play strippers and to imitate them,” says Fey. “I love using that idea for comedy, but the idea of actually going there? I feel like we all need to be better than that. That industry needs to die, by all of us being a little bit better than that.” Vanity Fair, January 2009

Meet The Fokkens (2011)

(Screenshot from "Meet the Fokkens")
(Screenshot from Meet the Fokkens)

Meet the Fokkens, a 2011 documentary directed by Gabriëlle Provaas and Rob Schröde, follows the lives of Martine and Louise Fokkens, 69-year-old twins who have spent many years as full service sex workers in Amsterdam’s red light district. At the time of filming, Martine was still working, albeit reluctantly, while Louise had been retired for two years because of her arthritis. Though the documentary’s main focus is the sisters’ careers as prostitutes, we also see their homes, meet their friends, and hear pieces of their personal histories.

In addition to its focus on a fascinating topic, Meet the Fokkens also presents a charming aesthetic experience. The movie involves many scenes of the Fokkens sisters in matching outfits, and at least one of those outfits is primarily pink! Louise brings her Chihuahua with her everywhere she goes. Even if nothing else in this movie caught my attention—which is not the case—the matching outfits and Chihuahua would have been enough to enchant me. But, happily, Meet the Fokkens is as intellectually engaging as it is, well, precious. The film does more than skim the surface—it delves into sexuality and labor through the exploration of the lives of these two women.