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Chester Brown’s Paying for It

The sex worker rights movement desperately needs more men outing themselves as johns, standing with sex workers, and defending the right for consenting adults to buy and sell sex. But while I was reading Paying For It, a graphic memoir by Canadian john Chester Brown who does just that, I kept thinking one thing: I would never want this guy as a client.

I’m not flattering myself—it’s clear that Brown wouldn’t want me either, since I’m over 20 and don’t offer half hours—but it was hard to set aside that reaction in spite of the fact that 1) I’m in complete agreement with his arguments for decriminalizing prostitution, 2) I loved his citation of the nearly defunct $pread magazine in his appendix and 3) we share an obsession with sex work. But I’m not the only one who finds him abrasive. In the book’s appendix, one of his friends writes, “Chester seems to have a very limited emotional range compared to most people. There does seem to be something wrong with him.” Internet commenters routinely tear him apart, though most have assuredly not read the book, reinforcing how far johns will have to go in order to surmount their own set of stigmas when they are now so easily dismissed as perverts and sociopaths.

Blast From the Past: “Miss Temptation”

“Miss Temptation” is a short story that Kurt Vonnegut originally wrote for the Saturday Evening Post in 1956. You can find it in Welcome to the Monkey House. I read the anthology in high school, but this piece really resonated with me the second time around, oh, twelve years later.

It’s about a soldier who has just returned from serving his country in the Forgotten War. Corporal Fuller has never done well with women, which he credits to his not being good looking or rich enough, and not simply because he’s a jerk. He tells off a beautiful young aspiring actress named Susanna, publicly humiliating her, because he doesn’t like the way she “makes” him feel. He had never met this woman before, yet she incited such a strong reaction that he yelled at her and spent the rest of his day moping and snapping at his mother.

Klute (1971)

You guys, this was my first time seeing Klute and I am totally sold on it. I was into it pretty much from the first few seconds because I am one of those people who decides whether they will like a film based on the colors and whether they feel “good” to me or not. I’ve been having a green moment of late, and there is so much green in that opening scene! There seems to have been (from what I have gleaned from interior design books from the 70’s) a lot of that happening, the garden in the house thing. It reminded me of this post at Desire To Inspire. I love it. If I didn’t kill plants I’d start a garden!

But I do.

So let’s get into this film, shall we?

DuBarry Was a Lady (1943)

Du Barry Was A Lady (1943)

This film! Gene Kelly, Red Skelton, and Lucille Ball (who is a most epic redhead in color, I have to say) star in this musical where a hat check boy busts his head and dreams he is Louis XV, and Lucy is his Madame Du Barry. Sex work is, obviously, never mentioned. I mean, this film was made in 1943 y’all, I’d be expecting quite a lot if I needed them to say she was what she was. But. BUT. Anyone who knows their Ho-story knows that Madame Du Barry was a Courtesan. Courtesans fucked for cash . . . among other things, obviously.

Blast From The Past: Striptease (1996)

Until several days ago, Striptease was a glaring oversight in my otherwise comprehensive history of sex work film viewing. I thought I should rectify that problem in light of my grousing about Demi Moore’s ham-handed anti-trafficking efforts, so I did. Sort-of. (Halfway through, I had to turn it off. It is unwatchably, un-fun-ly bad.)

Here are the highlights of what I saw before then. They should tell you everything you need to know: