Watching portrayals of sex workers in film and television can be a pretty rough proposition. With the notable exception of “Secret Diary of a Call Girl” (which eventually veered off into some wacky territory of its own) there haven’t been many media depictions of sex workers where we aren’t treated as punchlines or murdered. (Or both, as jokes about hurting and killing prostitutes seem to be prime cannon fodder for network powerhouses like Chuck Lorre and Tina Fey.) It can be a downright depressing experience for a lonely ho looking for a little on-screen validation, so while Blue certainly has its flaws, it is perhaps the closest any scripted series has ever come to treating our lives and our stories with due respect.
Blue tells the story of Blue (neé Francine) a 29 year-old mother moonlighting as an escort to support her teenage son, Josh. (I found it somewhat odd that Blue uses her hooker name in her personal life as well, but to each their own, I suppose.) Blue works a day job at an accounting firm so as not to raise anyone’s suspicions, and has a close relationship with her free-lovin’ Mother (Kathleen Quinlan). The show frames Blue as a woman caught between the burgeoning sexual awakening of her teenage son and the sexual re-awakening of her mother, a single woman in her 50s. Both her son and her mother are content to “give it away,” reveling in sex for its own sake, while Blue is often shown to be the “voice of reason” of sorts, using her sexuality to provide for her family, not simply for her own pleasure.
Prior to the publication of her debut novel, Marie Calloway was best known for the stories “Adrien Brody” and “Jeremy Lin.” There’s been a lot of commentary on the sexual themes in Calloway’s text, but no discussion by sex workers of Calloway’s treatment of her month escorting in London. Charlotte Shane and Caty Simon rushed to fill that void.
Caty: I guess I should start with full disclosure: I have chatted a bit over the past few months with Marie Calloway on the internet and she seems to be really sweet for a literary enfant terrible. But I didn’t know her from Adam when I first read her work in 2011.
Charlotte: I feel strangely protective of her in spite of never having met or corresponded with her. So it’s good to air out our biases.
Caty: I’d like to focus on the parts of her book examining sex work, because otherwise we could be here all day having the same debate that’s consumed the rest of the media about whether she’s a worthless narcissist whose very existence is endemic of essential problems with confessional writing, women and sex, and internet culture, or whether she’s a brave, feminist descendant of Bataille and Jean Rhys, who galvanizes strong responses from her readers because people are uncomfortable with her brilliance and…blah blah blah, you know where this is going.
Charlotte: Right, we’ll stay limited to T&S relevant moments.
Phillip and Elizabeth showing off sex worker skillz with their wig stylings. (Screenshot from The Americans)
Whether we’re dancers or dommes, escorts, cyberworkers, or some combination or variation thereon, we don’t see ourselves on television very often, and when we do, it’s often a balancing act between how disappointingly horrible the portrayal of people who do what we do is, and our excitement that we’re there on screen at all (I’m looking at you, entirety of Satisfaction season three). Wouldn’t it be wonderful to have a show that’s all about sex workers, but puts the lives of sex workers ahead of the work of sex workers? Wouldn’t it be cool to see sex workers managing romantic lives, children, and the ups and downs of a weird job that not a lot of people understand, without the underlying hysteria of “everyone you see is in the process of ruining all that’s good in their lives”? A show that covers jealousy between sex working partners, and violations of trust, and even clients who act out, sometimes violently, without the implicit sentiment behind it all being “well, what did you expect?”
I have good news and bad news for you. You need look no further—The Americans is just what you’ve been waiting for: a wonderful, heavy-hitter cast; gorgeous, tight scripts; a miraculously not-grating commitment to early 80s period production design; overall, a show that has as much effort and love poured into it as a Deadwood or a Twin Peaks. All of this, lavished on an ensemble cast of sex workers from a variety of different backgrounds. And while dead bodies certainly abound, not a single one fits patly into any of the dead hooker tropes that make up the bulk of our representation on television, given that nearly all of the bodies are rendered corpses by our intrepid band of sexually laboring heroes. This is a show about men and women performing professional sexual labor that’s garnering millions of viewers, critical acclaim and has a third season around the corner.
What’s the catch? If the lead couple, Elizabeth and Phillip Jennings (néeNadezhda and Mischa) filed their taxes honestly, they’d list themselves as “spies,” not sex workers—the show opens in 1981, just after Reagan’s election, as the two of them struggle to raise two children who have no idea that their parents are deep-cover Soviet spies. But a huge portion of their work is emotional and intimate labor, as they manufacture both long and short term sexual and romantic connections in service to their calling. In this sense, Phillip and Elizabeth represent the epitome of the “empowered, happy hooker,” working not just for personal fulfillment, but to further a world-changing, patriotic cause. Lest you tune out in understandable boredom at this point, never fear—the viewer doesn’t get even as far as the end of the pilot before this rosy view of sleeping with the enemy is challenged and complicated, as Phillip tries to convince Elizabeth to defect after a mission goes awry and unexpectedly kills a colleague. While the existence of further episodes spoilers the fact that they ultimately stay on task and loyal to their homeland, the debate accurately oracles the murkiness of transactional sex for a cause that characters continue to struggle with as the seasons progress. Like anyone with a difficult job, both Elizabeth and Phillip sometimes fall prey to doubts about the rightness and value of what they’re doing, but even as they grapple privately with their life choices, they publicly keep chugging through their work without faltering, not unlike the way we all manage to finish that call despite dealing with burnout, frustration, or not liking our job in the first place.
Can you say busted? The news articles are entitled “New Mexico Judge Charged with Raping Prostitute.” However, it seems the case isn’t so cut and dried.
In Bernalillo County, Judge Pat Murdoch is apparently well-known and highly respected for serving the 2nd Judicial Circuit Court in New Mexico for 26 years. Allegedly, he met and paid an unidentified woman for sex on at least eight occasions. The woman alleges that on at least two of those incidences, Murdoch “forced himself on her” and also “forcibly performed oral sex on her, despite her objections to oral sex.” After this occurred once, the woman returned for another meeting and secretly taped the next assault, which she then presented to undercover police.
Alisha Walker was just 20 years old when she had to defend herself against a client who was drunk and violent. She was 22 when she was convicted of second degree murder and 15 years in prison for defending both her own life and the life of a friend who was also on the scene. She is now 23 years old and behind bars at Logan Correctional Center in Lincoln, Illinois, seeking new legal representation and awaiting an appeals process.
In January 2014, Alisha Walker and a close friend of hers went to Alan Filan’s house in Orland Park, a Chicago suburb, to do a double session with Filan. Walker had seen Filan at least twice, and she had not screened him through any online resources. Afterwards, Walker told her mother that she immediately knew something was different about Filan this time. He was heavily intoxicated and very aggressive. He insisted that Walker’s friend didn’t look like her photos in the Backpage advertisement. When the two women refused to have unprotected sex with him, he threatened them with a knife. Walker was able to wrestle the knife from Filan and stab him several times, saving her own life and the life of her friend.
Even Alan Filan himself was covered in a veneer of respectability, a seemingly-upstanding community member who taught at Brother Rice Catholic High School. It was easy for the media to portray Filan as a good man, rather than the violent aggressor he was, despite his tendency to be a mean, misogynistic drunk. Our efforts to screen his e-mails revealed multiple accounts of sex workers listing him as a bad client, cautioning against booking sessions with him. Even the articles most sympathetic to his memory recount his casual verbal abuse of the young soccer players whom he coached.
Walker was held in Cook County without bond for over two years while the media sensationalized the death of her attacker with wildly differing accounts of how many stab wounds he’d actually suffered, going so far as to include hesitation marks among the mortal wounds. Accounts of the stab wounds numbered from 10to14 in news articles, though the coroner’s report lists 14 hesitation marks and only two mortally inflicted wounds. Walker’s account of Filan’s drunkenness was confirmed by toxicology reports showing Filan’s blood alcohol content registered at a 0.208 when he was found days after his death.
Filan was remembered as a flawed but lovable man, brutally murdered. Walker, however, was never spoken about as a human being, the devoted big sister and caring and outgoing young woman her mother describes her as. Media outlets covering the story rarely mentioned that she had seen Filan at least twice without incident before he attacked her. Nor did they remark on the fact that she saved her own life and that of another woman’s in the face of Filan’s assault. There were at least 20 Backpage ads printed out on Filan’s desk, but the media often omitted this detail in their stories on the case. Nor did most articles on Walker address rumors that Filan was a habitual client of sex workers, and often (as Chicago sex worker screening sources record) was not respectful of the workers he saw.
Prior to the publication of her debut novel, Marie Calloway was best known for the stories “
Can you say busted? The 