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Two Excerpts From Coming Out Like A Porn Star

(Photo by Alexa Vachon)
(Photo by Alexa Vachon)

Coming Out Like A Porn Star is an anthology edited by award winning indie porn talent and author Jiz Lee consisting of essays by porn performers and industry workers on privacy and disclosure. It was featured by Reason’s‘ Elizabeth Nolan Brown as one of the best sex work books of 2015. Foreworded by renowned Black porn scholar Dr. Mireille Young, the book includes pieces by celebrated porn mainstays such as Stoya and Annie Sprinkle, as well as work by Tits and Sass’ own contributors and interviewees such as Kitty Stryker, Conner Habib, Tobi Hill-Meyer, and Cyd Nova. The collection spans a wide array of porn experiences from writers of color, trans and queer authors, and performers from every branch of the industry. With Lee’s permission, we excerpt two exciting essays by authors who are new to us, “Queen Beloved” by Milcah Halili and “Even Someone Like Me: How I Came Out As A Smut Starlet” by Betty Blac. They both feature stories of the authors communicating with their sex worker writer idols, so we were immediately hooked.

Madison Young on MILF-hood

photo by Malia Schlaefer

Porn performer, director and sex educator Madison Young is busier than ever. Her company, Madison Young Productions, plans to release three films by the end of the year, she has a new live performance piece in the works, and a handful  of upcoming sexuality workshops to teach. For almost 10 years now, she’s been running Femina Potens, a San Francisco multimedia art gallery dedicated to work from queer, transgendered and female artists. She also maintains (and is currently expanding) the Feminist Porn Network, a collection of sexy, queer-friendly and sex-positive porn sites. I’m sure I’m forgetting a half dozen other groundbreaking projects—but Madison’s main gig these days is raising her daughter Emma, who was born in early March.

“I definitely have my hands full and sticky with the goodness of art and sex … along with a little breast milk and baby spit up,” she tells me. With Mother’s Day this weekend, it seemed like the perfect time to chat with one of the most inspirational mamas around. 

I’m The Sex Worker Who Was Outed As Hugo Schwyzer’s Sexting Partner

This post was removed at the author’s request.

Nothing To Sneeze At

From what I can tell, a sneeze fetish is more about the journey than the destination. While you may consider face covering an action that stops the spreading of germs, to a fetishist you’re hiding all the subtle intricacies of pre-sneeze face. I don’t completely relate, but I do enjoy a good sneeze as much as the next person. Or rather, I get filled with rage when I’m about to sneeze and some jerkoff thinks it’s funny to yell “bananas!” and sabotage me. (I imagine that’s the closest I’ll ever come to understanding the phenomenon that is “blue balls.”)

Don’t Hit Women Or Whores: Whorephobic Domestic Violence and Its Discontents

War Machine's rationalizations (Screenshot of War Machine's tweet)
War Machine’s tweeted rationalizations—note the number of retweets and favorites (Screenshot of War Machine’s Twitter feed)

“Don’t hit women or whores” reads an oh-so-helpful comment under one of the many reports of the brutal assault and attempted rape of porn actress and dancer Christy Mack by her ex partner, War Machine (formerly known as John Koppenhaver), this past week. And that’s one of the nice ones. Most of the not-nice ones start with “what did you expect?” and get worse from there. Koppenhaver himself seems to see his role in the attack as a tragic victim of fate, a “cursed” man who had hoped to be engaged to the woman he broke up with in May, whose house he broke into in August.

While, in the face of the graphic and horrific story that Mack released, Koppenhaver’s view seems woefully out of touch with reality, the truth is, he’s right to predict sympathy for himself. Assaulting a sex worker, especially one that you once deigned to be in a relationship with, is viewed as pretty understandable. Just by watching TV or using the internet (ever), how many hundreds of jokes and not-jokes did Koppenhaver encounter excusing and encouraging him to do just that? It might be tempting, for the sake of our views on the state of humanity, to label his on-the-run tweets as a disingenuous ploy for public understanding, but I believe it is the less likely explanation of the two. What reason have we to believe that Koppenhaver was special, that he was somehow immune to the prevailing cultural narrative about the worth of those who do sex work? Why wouldn’t he think of himself as a lamentable casualty of an unfair system?