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    TRENCHCOATx.com: Beyond Naughty Words Mad Libs

    By
    Bubbles
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    Current offerings on TRENCHCOATx
    Current offerings on TRENCHCOATx

    In March, Kayden Kross and Stoya launched TRENCHCOATx.com, a pay-per-scene porn site they describe as “curated smut.” The performer-run and owned site is powered by the vision of its two partners and stands in stark opposition to the search-optimized tube sites that are closing in on monopolizing porn distribution. As Stoya wrote about tube sites, “I believe the worst sorts of capitalists would consider Manwin’s behavior a win of the highest order.” She spoke to us last month shortly after the launch about the origins and intent of TRENCHCOATx and about workers seizing the means.

    Stoya: For years, because we were both under contract together at the same company, on set or when we were signing stuff together or just like sitting at a coffee shop, we would do a lot of complaining about, “This is how it should be done, this is what I think would be the right process for having barrier-optional performance choices with regards to safer sex procedures like condoms and dental dams, how adult material should be described,” and our shared distaste for the way it was moving more and more to tags. Kayden described it best as “kindergarten Mad Libs of naughty words.” For years we’ve been both sitting there saying “This is how it should be and it would be perfect and magical!”

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    Hot Girls Wanted: Turned On—The Subjects

    By
    Holly Marie
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    I want to believe with all my heart that material can be made about sex workers that doesn’t demonize or belittle us. I want to get the same feeling chefs get while watching Chopped or car enthusiasts feel watching Top Gear UK. Hot Girls Wanted: Turned On is not that feel-good series—there is no perspective through which it is not problematic.

    The show eases you into the material in the first episode with living legend producers Suze Randall and her daughter Holly working on photoshoots and erotic film. The episode focuses on their business practices, how they treat the talent, and their issues with male producers. This segment is the only redeeming portion of the show. Savor the mother-daughter bonding and camaraderie; no warm and fuzzy feelings lie ahead.

    I could give you a blow-by-blow of the other five episodes, but to be perfectly frank, it’s a waste of time. This docu-series is even more harmful than its predecessor, 2015 documentary film Hot Girls Wanted, which covered amateur porn. Creator Rashida Jones and the other people behind this film are not sex workers. In fact, Jones has a long Twitter history of belittling women and out-right slut shaming other celebrities.

     

    The show creators have no experience in sex work and aren’t even close to anyone who uses the sex industry as their main source of income. They use adult film star Lisa Ann as their poster girl, but she has never dealt with stigma the same way transgender performers or performers who are people of color do. In fact, she is apathetic about the plight of more marginalized sex workers.

    The series features screen caps of people surfing cam girl sites. Though these cam performers signed up to be on those platforms, they did not sign up to have their identities exposed on a Netflix documentary. When sex workers on Twitter saw this, they exploded in response, and soon tweets by other sex workers roped into the project revealed further outrages: Not only did HGW:TO reveal screen caps; they showed the legal names of other performers; interviewed workers and agents under false pretenses, insisting the material wasn’t for Hot Girls Wanted; and even used interview footage of someone who’d changed their mind about being involved. Lisa Ann has been less than sympathetic about this, stating on Twitter:

     

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    HIV Scare in the Adult Industry Gives Michael Weinstein Another Chance to Act Like a Hypocrite

    By
    Lorelei Lee
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    istockphoto/Pederk

    On August 29th, my shoot was cancelled, and I had the day off from work because someone in Florida had tested positive for HIV. This is the bizarre result of working in an industry in which we necessarily disclose our sero-status to our coworkers, and negative STI test results are prerequisite for employment.

    A few days later, the performer was retested. Results came up negative this time—a false positive result occurs occasionally when samples are contaminated—and business resumed. However, this latest HIV scare fueled the ongoing debate over mandated condom use and industry safety practices.

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    When Feminism Is A Brand

    By
    Kitty Stryker
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    amalefeministryangosling

    This piece was originally posted by the author on Medium. Content warning: the links in this post lead to articles detailing the rape and sexual assault of sex workers.

    We need to talk about the ever increasing number of men like James Deen who utilize feminism as a marketable identity to cover up their abusive behavior.

    When performer and writer Stoya tweeted that her ex, porn darling James Deen, had ignored her safewords and raped her, I have to admit I wasn’t terribly surprised. As a porn worker, I’d heard rumors that he was not necessarily safe to work with. Another ex-girlfriend, Joanna Angel, tweeted in support of Stoya. As of December 4th, Tori Lux, Ashley Fires, and an anonymous fourth woman have come out with statements on their own experiences of assault from Deen. Kora Peters and Amber Rayne spoke out about how he raped both of them on set on separate occasions. On Wednesday night, Joanna Angel went on the Jason Ellis Show telling the harrowing story of being sexually and physically abused during her long term relationship with Deen. With Nicki Blue coming forward yesterday, at least eight women have now made public statements about Deen sexually assaulting them. Additionally, Lily Labeau told Buzzfeed that Deen physically assaulted her and deliberately used elements from her “no” list while filming, while Bonnie Rotten recalled how he intimidated and ridiculed her on the job. Also notable is this older article in which Deen pushes sexual boundaries with writer Emily Shire during an interview, though this incident did not end with assault. Deen has responded on Instagram and Twitter saying Stoya (and anyone else speaking up) is making “egregious claims” against him, receiving support from his many fans. Kink.com has severed ties with Deen… a bit of a surprise considering their track record. (Nicki Blue noted that Kink.com actively covered up the fact that he raped her during a party at its Kink Castle headquarters.) Evil Angel also stated that it will not to sell any newly created scenes featuring him. And Deen has “voluntarily” resigned from his chairperson position at the Adult Performer Advocacy Committee.

    Stoya’s two tweets gave rise to the hashtag #solidaritywithstoya, and a flurry of people expressing disappointment, shock, and a sense of betrayal. Deen was supposed to be “one of the good guys”—after all, Deen has spent some time cultivating a brand as a male feminist in the porn industry. He’s even actively been a part of Project Consent. He’s mad about racism in the industry. He’s been called “the acceptable face of porn,” hailed as being a male porn star women can feel good about watching because he’s just so ethical.

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    Spoiler Alert: Girlvert by Oriana Small AKA Ashley Blue (2011)

    By
    Kat
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    This is the first book I’ve read that I had to set down because it caused me to have a heaving fit (on two separate occasions, actually). As in, certain muscle groups in my body involuntarily contracted in a desperate attempt to push something that I had read out of my throat. Those were just about the only times I was able to set the book down. Oriana Small really puts it all out there: the good, the bad, and the cheese dick*, letting readers do what they might with the information presented. It’s dark and it’s honest and you’ll never once hear Small refer to any part of her own anatomy as a “ding-ding.”

    It seems that Oriana Small can’t really tell the story of her career as Ashley Blue without also sharing the story of her first love, which she can’t properly include without the cocaine. There’s plenty of coke-fueled drama, so it’s surprising that I enjoyed this book as much as I did; I don’t especially want to read about cokeheads any more than I want to be cornered by them at parties. And yet, I found myself engrossed enough that I opened a rental account at the local porn store. I started with a video from the Girlvert series, the namesake of the book. They’re sort of the XXX equivalent of The Bad Seed.

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