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At this point in the SESTApocalypse, as I finally emerge from the paralyzing fog of wtf-wtf-wtf around the death of our business model, we’re all sick of thinking and talking about it. We’re sick of wondering how the hell we’re going to manage, sick of watching high-end workers become paranoiac internet security experts, sick of low-end workers being driven back to the streets. We’re sick unto death of the media requests, media requests in our inboxes but no money, media requests just as blithely uncaring about outing us as always, media requests which cheerfully expect a response that night before the news cycle stops giving a shit about hookers. (Oh, but could you connect us to someone even more abjectly fucked than you? Could they talk to us in between dodging assault as they re-acclimate themselves to the shittiest and most dangerous sort of desperate street-based work? How do you feel about your imminent impoverishment, the obsolescence of your only survival mechanism, and your bleak and possibly nonexistent future?) And when we do accept these media requests and bravely strive to make ourselves understood—when they don’t just quote our snarky emails refusing the most ignorant ones without our permission—we’re sick of the coverage that results, always appearing underneath that sickeningly familiar synecdoche for us, those disembodied legs in thigh high boots leaning over a car under a streetlight.

We’re understandably sick of it all as we attempt to keep body and soul together in this new landscape, but I feel I have to write a eulogy for Backpage.

Alas, poor fucking Backpage. I’m not crying any crocodile tears on your grave—your owners can sit and stew in the hundred charges in their indictments and take that instead of true justice for cynically profiting off a criminalized population—but I will lament what you meant for us.

We’ve lived with you under threat for so long, your demise hardly feels real. From innumerable lawsuits to credit card companies cutting ties with you to Senate hearings to your flagrant strikes for free speech, it seems like something has always been promising to put an end to you. But you persisted.

Personally, I was with Backpage from its murky beginnings to the end of the line. I advertised in a print ad in the back of an alternative weekly back in the aughts when Backpage founders Michael Lacey and Jim Larkin’s company, Village Voice Media, owned a large swathe of those weeklies. I paid $200 every two weeks for that ad, $160 for a week if I couldn’t manage to put together that $200. $200 for 100 characters, briefer than a tweet—no pictures. I had to walk into that newspaper office personally to deliver the cash, forget any concerns about outing (oh, yes, kids, and I walked uphill in the snow, both ways).

It was this crude newspaper model, these back pages only a few escorts could advertise on, which would eventually become the much more accessible Backpage. (Larkin in an internal company document, as quoted in the unsealed Backpage indictments: “We have with the Village Voice probably the longest run of adult content advertising in the United States and it is, like it or not, in our DNA.”) In fact, Lacey and Larkin initially used Backpage’s revenue stream to keep those alternative weeklies alive in a newspaper industry that was failing even then, in the late aughts and early tens. Though, as anti-trafficking discourse intensified nationally, Village Voice Media came under new ownership which denied any connection, financial or otherwise, between their high-minded journalism and Backpage’s taint.

(Though now both independent print journalism and online escort advertisement are dying models, so we have something in common again.)

The Sixth Annual Vagina Beauty Pageant: A Judge’s Notes

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(All photos are courtesy of Hypnox Productions)

NSFW PHOTOS AFTER THE JUMP

It began with a long drive out to Hillsboro, Oregon, also known as BFO, or Butt Fuck Oregon. The spacious parking lot of the Runway Club was already almost full, and I motored past the flashing lights of the #VaginaMobile, to squeeze my tiny car next to a trailer. The sun was setting, and the excited energy was palpable.

It was 9 PM on a recent Thursday, and the stage was set for the world infamous Vagina Beauty Pageant. Runway is a newer club, about a year old, and I was pleased to see that their shift dancers varied in body shape from XXXtina Aguilera-thin to Taystee OITNB thick. Generally, Portland city dancers tend to be slender, white, and tattooed.

Much like all clubs though, the crowd was an even mix of single guys tipping, creepy guys leering, throw in a couple of jealous girlfriends sneering, and plenty of dancers hustling and heel-clacking.

The pageant’s creator, Dick Hennessy, took the stage and announced the rules. As usual, there would be no photography or touching allowed by the audience. Event photographer Hypnox handed a video camera to fellow judge Reed McClintock, at my left, and Vice contributor Susan Shepard readied her cell camera, as did I.

In contrast to last year’s scoring, contestants would be judged in two different ways. Performance scorecards would be held up after each competitor’s performance, visible to all. Privately, we passed index cards marking our score of the performers’ aesthetics. Hennessey devised this method specifically to avoid hurt feelings.

The 7th San Francisco Sex Worker Film and Arts Fest

As a sex worker in San Francisco, I feel pretty spoiled by all the resources and community we have here—not to mention that the stigma feels a little more manageable when half the city is already queer polyamorous pot-smoking Burners. Or middle-age foreign tech nerds, who happen to make great customers.

If you’re a fellow Bay Area sex worker, please take advantage of the fact that we’re lucky enough to have a film and arts festival of our very own.

Tomorrow night marks the first event of the nine-day festival, with a kick-off cabaret show at the St. James Infirmary. Producer Erica Fabulous says that the festival’s main priorities are showcasing the diversity of sex workers and building community, though she hopes it will also open the minds of people who aren’t in the industry.

Visit the website to learn more about the various programs, which will run through May 29.

Gia Paige After Hot Girls Wanted: Turned On

Netflix didn’t give us permission to use this picture but we think it’s fair use.

In a recent interview with Rolling Stone, Hot Girls Wanted: Turned On producer Rashida Jones reflected on the mistakes that were made with the original documentary: “I think that many people within the industry felt like the movie marginalized and further stigmatized sex work, which was not our intention at all.” It’s perplexing to reckon her revelation with the litany of pushback the current iteration of Hot Girls Wanted has received.

Released not even two weeks ago, the latest installment of the Hot Girls Wanted brand is already suffering some harsh criticism and accusations from within the sex industry. Some sex workers have alleged that their content was used without their consent and that they weren’t fully informed of Rashida Jones’ involvement. The Free Speech Coalition even issued a formal denouncement. I reached out to the producers, the film’s media contact, and Herzog & Company for clarification and (by the time of this post, 10AM EST) I still have not heard back.

But they weren’t afraid to talk to Variety! In an interview yesterday, it seems the other two producers may have dialed back their sympathy for marginalized sex workers. “Criticism of the series, she [producer Ronna Gradus] said, is likely fueled by sensitivity over how the industry is often portrayed in mainstream media—and that performers who have spoken out against the show may be doing so because they feel they have to. ‘The industry is very defensive about people coming in and shining a light on the industry and doing stories about it,’ she said, adding, ‘The allegations that have come out are probably the result of pressure they are feeling to stand in solidarity with the industry.’”

Gia Paige is one of the performers featured in the series. Her legal identity was exposed in the series and she alleges that the producers used her footage without her permission after she backed out. She was kind enough to respond to my queries via email.

The Erasure of Maya Angelou’s Sex Work History

A young, beautiful Maya Angelou with Langston Hughes, not long after her career as a sex worker—guess she didn't think his joke was that funny? (Photo via mayaangelou.com)
A young, beautiful Maya Angelou with Langston Hughes, not long after her career as a sex worker—guess she didn’t think his joke was that funny? (Photo via mayaangelou.com)

As Black History Month draws to a close, we thought revisiting Peech’s seminal essay on Maya Angelou would be appropriate. 

Dr. Maya Angelou, American Poet Laureate, most famous for authoring I Know Why The Caged Bird Sings, passed away at age 86 on May 28th, 2014. Her literary agent Helen Brann confirmed the news to press, and thus began a worldwide outpouring of grief. The top trending tag on Twitter was “RIP Maya Angelou” and, at the time of this writing, it is one of four Maya Angelou-related trending hashtags. She is hailed as a national best selling author, a genius, a spiritual God-, Grand-, and mother. She is lauded as everything Black women should aspire to emulate in life. So why is it very few of us know she was a sex worker in her youth? Why is it, even in her death, as in her life, it’s such a guarded secret? Why was this secret kept by seemingly everyone except Dr. Angelou herself?

We can, once again, boil it down to respectability politics and stigma. I am angry about it. I find myself ruminating, considering, wondering: If her work had been talked about as much as her dancing with James Baldwin or even her considerable, commanding, and lovely height of six feet, what would the sex work community look like today? If we had talked about her wonderful compassion for sex workers, how she never looked down on them, and her refusal to be intimidated by invasive and obnoxious questioning about her sex working past, what would sex workers around the world be saying today in memory of her life?

Instead, we read post after post, obituary after tribute, calling her a “pimp” and saying she had “an unsuccessful stint as a prostitute.” The most detailed accounts currently online are making sure to emphasize that she spent a “brief stint,” a “short time” in the sex industry, so as to, without explicit words, solidify the shame they believe she should have felt, the shame we should feel as well. The media uses inflammatory terms to get clicks and to emphasize the terrible and shameful secret that was, in actuality, never a secret at all.

Dr. Angelou herself says she was never ashamed.