5/22: THIS WAS A FABRICATION. WE ARE DEEPLY SORRY, ESPECIALLY TO OUR READERS WHO ARE SEX WORKING WOMEN OF COLOR, AND TO THE WOMAN WHOSE PHOTOGRAPH WAS USED FRAUDULENTLY. SEX WORKER COLLECTIVE FUND LYSISTRATA HAS STATED IT WILL RETURN ANY DONATIONS GIVEN TO THEM FOR THIS. LILY FURY IS A FORMER CONTRIBUTOR, AS WERE HER INVENTED PERSONAS OF COLOR, “HARMONY” AND “BAMBI”, AND WE APOLOGIZE FOR GIVING HER A PLATFORM TO FURTHER HER FRAUD AND RACIST POLITICAL POSTURING. WE CONDEMN HER ABSOLUTELY.
On the night of May 15th, immigrant sex worker activist and Tits and Sass contributor Bambi and longtime Tits and Sass contributor and sex worker activist Lily Fury were raped and then arrested by an NYPD undercover cop posing as a client. He called himself “Thomas Carvan” and referred to a provider by the name of “Lucy Luxe” to vouch for him as a reference. Fury was held for five days until she was released on her own recognizance on the 19th. Bambi was held in Rikers without bail for 8 days, until this evening. Tits and Sass will continue to report on this story throughout the week. In the meantime, if you’d like to donate to Bambi’s legal defense, you can donate via her friend Harmony Ortiz through her Facebook profile, as well.
In the face of increasing media interest and consistent pressure from sex worker activists, A&E has deleted the website for 8 Minutes from its site and pulled the next episode, which was scheduled to air this Thursday night. Tits and Sass left a message with the show’s publicist (and even spelled out the name of this blog), so if they choose to reply we will update this post. (Edit: the website has re-appeared sans video.)
On Sunday, reporter and sex worker activist Alana Massey spoke to On The Media about the A&E docudrama in which cop-turned-pastor Kevin Brown tries to convince sex workers to leave the business by offering them help getting out. The show is pure artifice. Supposedly, Brown poses as a client, calls workers to make an appointment, and then once they are in the room (outfitted with hidden cameras, Brown wearing a clumsy earpiece to communicate with his “team”), he has 8 minutes to make his case. In reality, the show was scripted, and producers identified themselves to workers to explain the setup and offer them compensation at filming. The premise was as much a sham as the offer of help, which took the form of phone numbers for counseling centers and hotlines rather than housing and job assistance.
Before the show’s premiere, Massey wrote about the show for the New Republic. “Any attempt to coerce them out of sex work in the absence of viable work alternatives is an invitation to starve.” In her On The Media appearance, she said that everything that sex workers had been saying about the show had proved true: Not only did it further an unhelpful and sensational narrative that all sex workers were victims, it failed to actually come through with meaningful help for those who wanted to leave the business and possibly put them at higher risk of arrest.
An unholy mix of gentrification and trafficking hysteria created the perfect political climate to allow law enforcement to shutter several New Orleans strip clubs, leaving scores of dancers unemployed. The Bourbon Alliance of Responsible Entertainers rapidly sprung into action; they disrupted the mayor’s press conference and organized the Unemployment March the following night, which drew national attention. I talked to them about the situation in NOLA, their strategy, and their future plans.
So, to start, what is BARE? How long has BARE existed and what kind of activism does BARE do?
Lindsey: BARE is the Bourbon Alliance of Responsible Entertainers. We are an organization run by strippers, for strippers. I started coming to meetings a few months ago, but some of our members have been at this since the Trick or Treat raids of 2015. What we do first and foremost is provide a voice that’s been previously underexposed during the city’s assault on strip clubs: the voice of actual strippers. We’re attempting to work with city officials to influence policies and decisions that affect us. Outside of that, we really just want to foster community among dancers and show the people who don’t understand us that we are valuable members of the New Orleans community. During our first ever charity tip drive, participating dancers donated all of their tips from a Friday night’s work to a women’s shelter. Strippers literally paid that shelter’s rent for six months!
Lyn Archer: I arrived in New Orleans after being laid off from two seasonal jobs in a row, one in secretarial work and one in hospitality. I was on unemployment and got a job cocktail-waitressing at a Larry Flynt drag club. One night, a few weeks before Christmas, the club closed without notice and let everyone go. That’s when I saw how quickly fortunes could reverse on Bourbon Street and how little protection there is for workers. My first week on Bourbon, I was the likely the only stripper that didn’t realize that Operation Trick or Treat had just happened. I entered a work environment where strippers were scared, mgmt was over-vigilant, and customers were scarce. Everyone seemed confused about “the rules.” I later learned that’s because what’s written into the city code about “lewd and lascivious conduct” is different than state law and different than federal law. But these supposed “anti-trafficking” efforts are a collaboration of badges. Undercover agents from many offices move through the clubs. I began researching and writing on this for my column in Antigravity, called “Light Work.” I began to see how a feedback loop between press, law enforcement, self-styled “anti-trafficking” groups and civic policymakers can cause so much destruction for people they haven’t even considered. The club I started at was the first to close. The club was inside a building that was the house Confederate president Jefferson Davis lived in. The house I live in was the home of a Confederate general. We are working against, while inside-of, unfolding histories that are deeply, deeply violent. The more I learn about the history of sex worker resistance in New Orleans, the more I know this fight is lifetimes old and will replicate itself if we do not end it entirely.
This week, after an informal request from a law enforcement officer, Visa and MasterCard announced that they would no longer let their cards be used to process payments to Backpage.com, the most widely used site for adult advertising in the United States. American Express had already pulled out earlier in the year. This leaves Bitcoin and prepaid Vanilla Visa gift cards as the only ways to pay for advertising on the site.
Like many ostensible anti-trafficking efforts, this will do very little to actually affect human trafficking. It will, however, impact free speech, and serve to make many sex workers’ lives more difficult.
Stormy Daniels’ performance in Columbus, Ohio last week wasn’t the first to get interrupted by a vice squad.
On April 18, her performance in Detroit was also paid a visit by the Detroit Police Department Vice Squad. They appeared between her first and second performance, shortly after the majority of journalists had already left to file their coverage. From my seat at the center of the second level, I witnessed a swath of officers travel across the club. There were approximately 15-25 of them, all of them wearing black gear, and a few had their entire faces hidden under balaclavas.
I talked to Mary, a local dancer, who was also there as a patron: “They quietly came in, but were rolling like ten deep. They walked around to tables and asked if we were working and to see ID if we were. We didn’t have any dancers at our table so they quickly left us alone. After they went around doing that, a few of them remained posted up by the front door entrance. I noticed a few of the dancers leaving, but I’m not sure exactly why. I didn’t see anyone be arrested or anything but I’m not sure if tickets were given out. I left at about 11[PM] before Stormy’s [second] stage performance. But when I left the cops were still there.”
Had any reporters stuck around, I’d like to think they would have had some questions for the vice cops. What are you doing? Who gave you this order? Why are there so many of you?