You guys, this was my first time seeing Klute and I am totally sold on it. I was into it pretty much from the first few seconds because I am one of those people who decides whether they will like a film based on the colors and whether they feel “good” to me or not. I’ve been having a green moment of late, and there is so much green in that opening scene! There seems to have been (from what I have gleaned from interior design books from the 70’s) a lot of that happening, the garden in the house thing. It reminded me of this post at Desire To Inspire. I love it. If I didn’t kill plants I’d start a garden!
But I do.
So let’s get into this film, shall we?
The fact that porn workers have always been popular scapegoats for the broadest strokes of politics and media is hardly news for those who work in the sex industry. There are myths claiming pornography leads to violence and there is the historical fact that porn workers have protected our civil rights. Protecting our First Amendment rights is just scratching the surface of sex workers’ contributions to labor and women’s rights movements, among others, since antiquity. Although more is at stake for sex workers than free speech, the passage of FOSTA and SESTA will not only affect us but civilians too, especially in light of the repeal of net neutrality. In a titillating cross-section of lawmaking and scandal, we have on one side Stormy Daniels suing 45 for unlawful payoffs and calling him to account publicly for his associates’ threats against her, and on the other side, legislation that has already silenced common sex workers, with the overlaying intersections of race and class; good whores and bad whores; victims and perpetrators; and misinformation all around.
You might see liberal celebrities championing Daniels, but you won’t see them championing sex workers’ rights.
The Best Little Whorehouse In Texas, based on Larry L. King’s The Whorehouse Papers, was a seminal work of sex work-themed pop culture. The successful 1982 film version of the musical, starring Burt Reynolds and Dolly Parton, included “I Will Always Love You,” a ballad that would later become Whitney Houston’s signature showstopper in The Bodyguard, and “A Lil’ Ole Bitty Pissant Country Place,” a showtune that would become the go-to performance choice of future musical theater strippers across America. Undoubtedly, many young children of the 80s were first introduced to the very idea of prostitution by the film.
But before all that, the Chicken Ranch in La Grange, Texas, was a real place, and a massive news story in 1970s Texas. The brothel was brought down thanks to the, ahem, consumer advocate reporting of Geraldo Rivera precursor Marvin Zindler. During its final days, the Chicken Ranch was run by Edna Milton (later Chadwell), who had started working (yup) at the brothel in the 50s and later bought it for $30,000. The real life Miss Mona said she’d never had an affair with the local sheriff and that their relationship was all business. Somehow, this doesn’t make her story any less interesting.
Edna died this week after sustaining injuries in a car crash last October. Unfortunately, she never published an autobiography, but went on the record whenever she was asked. Although she often said the fictional stories about the Chicken Ranch were sensationalized, it’s hard to imagine her actual story was in any way boring.