Great Sex Work Moments in Pop Culture History

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Why I Hate Pretty Woman (1990)

So, my apologies for showing up a little late to the Pretty Woman threesome. I hadn’t realized how painful it would be to watch this movie again, and so I had to take it in small bites over the course of the week.

I had already been a hooker for a couple years before I ever saw Pretty Woman  a few months ago. Even before I had seen it though, I’d casually reference it all the time with my friends when we’d make fun of tricks who thought they could be our boyfriends. Yes, I know this happens in real life, and even has happened to a couple of my friends. But it’s never come even close to happening to me, especially not with the kind of guys who’d be into “saving” me.

My boyfriend finally made me watch it one day several months ago, and I was even more grossed out than I had expected.

The film’s one saving grace: Julia Roberts is incredibly, uniquely beautiful. It somewhat mitigates the torture of listening to her slip in and out of an unplaceable generic “tough girl” accent (doesn’t Vivian say once she’s from Georgia? doesn’t sound like it…) and a super lame script. (By the way, drooling over Sasha Grey was the most redeemable part of The Girlfriend Experience, too.)

Some of the things that make me cringe, roll my eyes, or just say “huh?”:

Nothin’ Dirty Going On: “Best Little Whorehouse” Madam Edna Milton Chadwell Dead At 84

The Best Little Whorehouse In Texas, based on Larry L. King’s The Whorehouse Papers, was a seminal work of sex work-themed pop culture. The successful 1982 film version of the musical, starring Burt Reynolds and Dolly Parton, included “I Will Always Love You,” a ballad that would later become Whitney Houston’s signature showstopper in The Bodyguard, and “A Lil’ Ole Bitty Pissant Country Place,” a showtune that would become the go-to performance choice of future musical theater strippers across America. Undoubtedly, many young children of the 80s were first introduced to the very idea of prostitution by the film.

But before all that, the Chicken Ranch in La Grange, Texas, was a real place, and a massive news story in 1970s Texas. The brothel was brought down thanks to the, ahem, consumer advocate reporting of Geraldo Rivera precursor Marvin Zindler. During its final days, the Chicken Ranch was run by Edna Milton (later Chadwell), who had started working (yup) at the brothel in the 50s and later bought it for $30,000. The real life Miss Mona said she’d never had an affair with the local sheriff and that their relationship was all business. Somehow, this doesn’t make her story any less interesting.

Edna died this week after sustaining injuries in a car crash last October. Unfortunately, she never published an autobiography, but went on the record whenever she was asked. Although she often said the fictional stories about the Chicken Ranch were sensationalized, it’s hard to imagine her actual story was in any way boring.

SESTA Vs. Stormy Daniels

(Image via Flickr user Donkeyhotey)

The fact that porn workers have always been popular scapegoats for the broadest strokes of politics and media is hardly news for those who work in the sex industry. There are myths claiming pornography leads to violence and there is the historical fact that porn workers have protected our civil rights. Protecting our First Amendment rights is just scratching the surface of sex workers’ contributions to labor and women’s rights movements, among others, since antiquity. Although more is at stake for sex workers than free speech, the passage of FOSTA and SESTA will not only affect us but civilians too, especially in light of the repeal of net neutrality. In a titillating cross-section of lawmaking and scandal, we have on one side Stormy Daniels suing 45 for unlawful payoffs and calling him to account publicly for his associates’ threats against her, and on the other side, legislation that has already silenced common sex workers, with the overlaying intersections of race and class; good whores and bad whores; victims and perpetrators; and misinformation all around.

You might see liberal celebrities championing Daniels, but you won’t see them championing sex workers’ rights.

Support Hos: Deadpool

Wade Wilson (Ryan Reynolds) proposing to his sex worker girlfriend Vanessa Carslyle (Morena Baccarin) in Deadpool.
Wade Wilson (Ryan Reynolds) proposing to his sex worker girlfriend Vanessa Carlysle (Morena Baccarin) in Deadpool.

When I first saw Deadpool on Valentine’s Day with my civilian partner, I remember leaving the theater on cloud nine, sure that my relationship could withstand anything. The movie made me feel like my job was not an obstacle to be overcome by romantic interests but a core part of me that could be embraced. I remember thinking that Morena Baccarin never had to go back to Joss Whedon to play a laterally whorephobic space courtesan because this film had allowed her to play an amazing sex worker.

I rewatched the film for this review and I have to say that this time it hurt. Watching Vanessa and Wade’s relationship unfurl on screen hit me hard.

Not because it was poorly written, though. Quite the opposite.

My partner and I broke up less than two weeks ago and watching this movie only reminded me of better times. Because Baccarin as Vanessa is awesome and her relationship with the titular hero is everything I have ever wanted from a story about a guy dating a sex worker. And it also represented everything that I wanted from being dated as one, with the addition of bad guys, bullets, and the breaking of the fourth wall.

What The Fuck, Justin Bieber?

image via @1real_diamond
image via @1real_diamond

What the fuck, Justin Bieber, here’s the pile of money you dropped at a strip club in Houston last month.