Books

MARYWEPT_cover300Canadian comic artist Chester Brown is probably the most well-known punter-writer our there. His latest, Mary Wept Over The Feet of Jesus: Prostitution And Religious Obedience In The Bible, is an analysis of the Bible as a graphic novel. (Maybe Brown likes illustration because most clients need pictures in their books.) This review of his newly published book is composed of an edited version of an email and g-chat conversation between Tina Horn and Caty Simon.

Caty: I was surprised by Chester Brown’s Christianity as demonstrated by this book. In its afterword, Brown explicitly identifies himself as a Christian, albeit one focused on mysticism who’s “interested in personally connecting with God, not in imposing my views on anyone else.” His avowed, classic libertarianism in his sex work client graphic novel memoir Paying For It (2011) would’ve had me assume that he was a fervent atheist a la Richard Dawkins. His libertarianism does come up at an interesting point in this book when he puts the words “it’s none of your business how other people spend their money” into Jesus’ mouth when he chides Judas for judging Mary because she spent money on anointing oils for Jesus’ feet rather than on charity.

Tina: Especially when you consider that he ran for Canadian Parliament in the Libertarian Party! This was in the years right before Paying for It came out.

Caty: So he’s actually having Jesus Christ parrot his party politics—that’s ballsy.

Tina: When I was a teenager, I thought Mere Christianity by C.S. Lewis was the shit, because it taught me more about what the Bible actually teaches than most of the aggressive Christian kids at my high school. Mary Wept puts me in mind of C.S. Lewis: a Christian highlighting the hypocrisy of other Christians through rational interpretation of their text.

Caty: When people say that Judeo-Christian values oppose prostitution, it gets me fuming, because it’s a lot more complicated than that. There are plenty of heroic whores in the Bible, and many more Biblical heroines who explicitly had transactional sex at some point in their stories. So I enjoyed how Brown highlights the stories of women like Rahab, the prostitute who sheltered Hebrew spies from discovery when they scouted out the city of Jericho, and Tamar, the woman who whored herself out to her father-in-law in disguise in a complicated plot to expose his hypocrisy. I only wish he’d included the story of badass Judith, the woman who beheaded the general Holofernes as he lay drunkenly asleep in her tent after possibly purchasing her services, ushering the Hebrew army to victory.

Maybe Brown felt like he just couldn’t compete with all the exquisite Renaissance and Baroque era artistic renditions of Judith in her moment of triumph, like this one:

Trophime Bigot's "Judith Cutting Off The Head Of Holofernes" (via Wikimedia)

Trophime Bigot’s “Judith Cutting Off The Head Of Holofernes” (via Wikimedia)

But I think the real reason Brown didn’t include tales like Judith’s is because he seems more focused on outlining these sex work-related Biblical narratives in order to glorify sex workers’ clients. He has a convoluted thesis going about men whoremongering as a transcendent challenge to rigid religious dogma. This ascribes nonexistent significance to an activity which is really morally neutral, and it obscures all these awesome sex working Biblical women in stories which are about them. In a memoir about being a sex work client like Paying for It, centering the client perspective makes sense. But in a book like this, it feels beside the point. I’d love to see how this material would look tackled by a sex worker amateur Biblical scholar/comic book artist.

Tina: The book does explore the subjectivity of the clients more than that of the women. Brown’s reinterpretation of a lot of these stories seems to amount to, “God totally says it’s ok to be a whoremonger!” Which is great, but I would love to see more, “God says it’s totally cool to be a whore!” Not because I personally need the validation, but because undermining Christian values with their own text is a longtime favorite sport of mine.

Caty: So, what do you make of Brown depicting God as some sort of Biblical version of a WWE wrestler? His God is BUILT.

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LVMadam3_Layout 1The Las Vegas Madam: The Escorts, The Clients, The Truth is the tell-all memoir of Jami Rodman, the madam who came to fame by employing former Olympic middle distance runner Suzy Favor Hamilton as a high-end escort. It covers her childhood all the way up through the formation and subsequent closure of the escort agency she started, Haley Heston’s Private Collection.

“Real life is complex. I got lucky, most don’t. This story is for them—the families pulled into the mess, the misplaced mothers, the stolen lives. May tomorrow be a better day.”

From the moment I read those words in the dedication, I had a bad feeling that this book was going to be written more to play to outsiders’ expectations than to advocate for the people Rodman worked with. Her employees were among the highest-earning escorts in the industry. If Rodman believed that even these privileged few qualify as having “stolen lives”, I had a feeling that she and I would have little in common.

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N.B. (2015)

by Mel (AKA Satan) on March 10, 2016 · 1 comment

in Books, Reviews

NB coverI found this line weeks ago.  I can’t remember when I wrote it or what brought it on.  It was isolated on a sheet with other notes, none as dramatic.  ‘I wanted to make strange men touch me.’ When did I want this?  Or rather, when will I stop wanting this?

Nightmare Brunette was originally a blog which Charlotte Shane, long time sex worker blogger and co-founder of Tits and Sass, decided to republish to coincide with the release of her Tinyletter memoir collection, Prostitute Laundry. Now she presents almost the entirety of Nightmare Brunette’s material in book form.

I love the way Shane discusses her customers most of all. She’s very open and honest about how relationships with clients are often blurry, strange things—the good, the bad, and the ambivalent.  There are bits of unexpected humor:

Most amusing of all was her dismounting line: ‘I can’t believe how many times you just made me come!’  Well.  No other woman in the room [would] believe it, either.

I really appreciate that Shane doesn’t write about clients with contempt.  She does discuss their flaws and her sex work-related irritations, but I never get the feeling that she is mocking anyone. Shane also discusses clients who crossed boundaries:

“So what’s the moral of the folktale?  I still can’t figure it out.  Is it that human beings are weak and at the mercy of their own urges?  That curiosity destroys?  That even in great love, it is impossible to refrain from harming others?  I don’t know.  I recognize the truth of it but I could not articulate a lesson beyond that of the importance of respecting someone else’s boundary, even if you don’t understand why that boundary exists.”

While Shane’s Prostitute Laundry focuses less on escorting, and more on the way her personal relationships are evolving and changing, N.B. touches more on the minutiae of sex work.  N.B. feels a bit more open to me, possibly because at the time the material was written, Shane wasn’t out as its author. Since this work was originally on a blog, her voice here feels more personal, like she is trying to hold back less.  This is a conscious choice—in N.B. Shane discusses the delight she sometimes takes in feeling unknowable, and deciding what to reveal and what not to reveal. She ends up sharing quite a lot in these pages. I especially appreciated the frank talk about her abortion.

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(Photo by Alexa Vachon)

(Photo by Alexa Vachon)

Coming Out Like A Porn Star is an anthology edited by award winning indie porn talent and author Jiz Lee consisting of essays by porn performers and industry workers on privacy and disclosure. It was featured by Reason’s‘ Elizabeth Nolan Brown as one of the best sex work books of 2015. Foreworded by renowned Black porn scholar Dr. Mireille Young, the book includes pieces by celebrated porn mainstays such as Stoya and Annie Sprinkle, as well as work by Tits and Sass’ own contributors and interviewees such as Kitty Stryker, Conner Habib, Tobi Hill-Meyer, and Cyd Nova. The collection spans a wide array of porn experiences from writers of color, trans and queer authors, and performers from every branch of the industry. With Lee’s permission, we excerpt two exciting essays by authors who are new to us, “Queen Beloved” by Milcah Halili and “Even Someone Like Me: How I Came Out As A Smut Starlet” by Betty Blac. They both feature stories of the authors communicating with their sex worker writer idols, so we were immediately hooked. [READ MORE]

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THE BEAVER SHOW : BOOK LAUNCH
During my first few years working, I would get my hands on any stripper memoir I could read, obsessed with finding out how other women experienced this bizarre life I ‘d embarked on. I was relieved at finding how common some of my insecurities and struggles were, and occasionally disappointed to discover that none of my thoughts on the business were as original as I had hoped.

The Beaver Show, by Tits and Sass contributor and blogger Jacqueline Frances (AKA Jacq the Stripper), was a reintroduction to my love for stripper lit, and brought with it a sweet nostalgia for my fish-out-of-water feelings as a baby stripper. The book chronicles Jacq’s first days working at clubs in Australia, then follows her to stints in New York City, New Mexico, Alberta, Canada, and Myrtle Beach, S.C. Like me, Jacq goes from feeling confused, clueless, and decidedly like an imposter, to riding the high that comes with early success, to settling with the persistent irritation that I think is unavoidable after you’ve been in the business a few years. She begins the book with a short personal essay she wrote in fifth grade, where she says that her proudest moment to date is dancing onstage in cool costumes. From there, we follow her to her first day at work. [READ MORE]

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