Blast From the Past

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Blast From the Past: “Miss Temptation”

“Miss Temptation” is a short story that Kurt Vonnegut originally wrote for the Saturday Evening Post in 1956. You can find it in Welcome to the Monkey House. I read the anthology in high school, but this piece really resonated with me the second time around, oh, twelve years later.

It’s about a soldier who has just returned from serving his country in the Forgotten War. Corporal Fuller has never done well with women, which he credits to his not being good looking or rich enough, and not simply because he’s a jerk. He tells off a beautiful young aspiring actress named Susanna, publicly humiliating her, because he doesn’t like the way she “makes” him feel. He had never met this woman before, yet she incited such a strong reaction that he yelled at her and spent the rest of his day moping and snapping at his mother.

When Exotic Dance Costumes Were Actually Costumes

When I came across (on tumblr) this old photo of a proud stripper, showing off her turquoise fringe satin jacket and the matching chaps that bare her French-cut tan lines, I had to know where and who it came from. These days, Rhonda B-Chaparro, aka Odd Artist, works more with melting and painting found plastic objects, but she used to have a business sewing exotic dance costumes.

Quote of the Week

Only when human sorrows are turned into a toy with glaring colors will baby people become interested–for a while at least. The “righteous” cry against the white slave traffic is such a toy. It serves to amuse the people for a little while, and it will help to create a few more fat political jobs–parasites who stalk about the world as inspectors, investigators, detectives, and so forth.

What is really the cause of the trade in women? Not merely white women, but yellow and black women as well. Exploitation, of course; the merciless Moloch of capitalism that fattens on underpaid labor [… T]hese girls feel, “Why waste your life working for a few shillings a week in a scullery, eighteen hours a day?”

Naturally our reformers say nothing about this cause. They know it well enough, but it doesn’t pay to say anything about it. It is much more profitable to play the Pharisee, to pretend an outraged morality, than to go to the bottom of things.”

From feminist icon Emma Goldman’s bad-ass 1917 response to “white slavery” hysteria.

Blast From The Past: Striptease (1996)

Until several days ago, Striptease was a glaring oversight in my otherwise comprehensive history of sex work film viewing. I thought I should rectify that problem in light of my grousing about Demi Moore’s ham-handed anti-trafficking efforts, so I did. Sort-of. (Halfway through, I had to turn it off. It is unwatchably, un-fun-ly bad.)

Here are the highlights of what I saw before then. They should tell you everything you need to know:

Y’all, Larry Flynt Is Kind Of Creepy.

Did everyone else know this? Have I been in the dark? Apparently so because this interview didn’t seem to make waves at all, but when I read it I got legitimately creeped out by this legitimately creepy portrayal of a man who is, apparently, legitimately creepy.

It’s not even the beginnings as a “hillbilly” or him losing his virginity to a chicken that he later killed. It’s not even his anger at his mom’s alleged promiscuity that creeps me out. OK, that does creep me out, because I never understand how kids know about these things or how they come to the conclusion that it’s something they should be upset about.

This is an interview with well, a shell of a man. From what I have read about Mr. Flynt and his rage and his tantrums and feelings of entitlement, he seems to be all burnt out by this point. A lot of the first part of this centers on a description of him that bears witness to that: “Now he is lolling almost lifelessly in a chair. His head is barely able to look up at mine, and his hand is barely able to reach up to shake mine” or “His face is round and entirely unlined, making him appear to be a gigantic, gnarled baby.” Take your pick. Either way you end up with a huge version of this: