Only when human sorrows are turned into a toy with glaring colors will baby people become interested–for a while at least. The “righteous” cry against the white slave traffic is such a toy. It serves to amuse the people for a little while, and it will help to create a few more fat political jobs–parasites who stalk about the world as inspectors, investigators, detectives, and so forth.
What is really the cause of the trade in women? Not merely white women, but yellow and black women as well. Exploitation, of course; the merciless Moloch of capitalism that fattens on underpaid labor [... T]hese girls feel, “Why waste your life working for a few shillings a week in a scullery, eighteen hours a day?”
Naturally our reformers say nothing about this cause. They know it well enough, but it doesn’t pay to say anything about it. It is much more profitable to play the Pharisee, to pretend an outraged morality, than to go to the bottom of things.”
From feminist icon Emma Goldman’s bad-ass 1917 response to “white slavery” hysteria.
Hustler August 1997
This isn’t so much a blast from the past (although, I was shocked to learn that 1997 was fourteen years ago) as it is déjà vu (no, not the place with the three ugly girls). I randomly came across an old issue of Hustler last week because I had a part in an indie movie that takes place in the nineties and it was a prop. It contains an article written during the first round of stripper employee-status and back wages lawsuits that started in San Francisco, focusing on the legendary Mitchell Brothers O’Farrell Theater.
It was an interesting read despite the opening sentences: “Six nude nymphs rise into the air. Writhing together, they kiss and giggle, licking one anothers’ perfect pussies, nibbling nipples, tickling and fondling pert breasts.” What else do you expect when you have to sandwich something substantial in between a photo editorial of a woman whose “favorite pastimes” are “tanning, exhibitionism, and masturbating” (not that there’s anything wrong with that) and an illustration of Abe Lincoln with a raging boner? I learned a few things, most notably that very little has changed. The independent contractor vs. employee debate is just as relevant as ever. [READ MORE]
When I see a black woman in a filmy something or other, or clutching feathers, or posed elegantly, I have to click whatever it is to see where she came from. That’s what happened when I stumbled onto this story about burlesque dancers in the Motor City on the Metro Timessite. It begins with a line I cannot turn away from: “They called her The Body. She was built like a double order of pancakes — sweet and stacked.” And gets better and better from there. I found myself completely enthralled the entire way through!
I absolutely think burlesque dancers who get paid for their work are sex workers, so to hear these women’s stories is incredibly inspiring. Lottie Graves mentioned that when she traveled, because of her fame, there’d be champagne and flowers in the room…this is something I can deal with. She also mentions that she wasn’t looked down on because “exotic dancing” was “classy.” I imagine the beaded gowns and rhinestone bikinis had something to do with it. Remind me to buy a rhinestone bikini sometime. [READ MORE]
This site from the San Francisco City Clinic is chock full of sexy sex stuff for you to peruse and fall in love with/hate. This includes polls on Best Porn Films and even Best STD Reference in A Film, and a contest for the Best Sex Poster in the past 100 Years, with examples that are sometimes awesome and sometimes kind of hateful (the numerous “Prostitutes Spread Disease” examples). These all seem like things we need to be abreast of, just saying. Examples of awesome hatefulness include the picture to the left.
Because, well, if someone was accusing me sight unseen of having V.D. I’d probably pose like that too…before pouncing on them like a jungle cat. What kind of statistic is that though? 4 out of 5? Really? Did you just poll the bar on the way to work?
When I came across (on tumblr) this old photo of a proud stripper, showing off her turquoise fringe satin jacket and the matching chaps that bare her French-cut tan lines, I had to know where and who it came from. These days, Rhonda B-Chaparro, aka Odd Artist, works more with melting and painting found plastic objects, but she used to have a business sewing exotic dance costumes.