suzyhooker

Suzy Hooker

Suzy Hooker is the collective byline for any T&S contributor who wishes to remain anonymous for a particular post.


Alisha Walker. (Courtesy of Sherri Chatman)

Alisha Walker (Courtesy of Sherri Chatman)

by Brit Schulte and Cathryn Berarovich of the Support Ho(s)e Collective 

Alisha Walker was just 20 years old when she had to defend herself against a client who was drunk and violent. She was 22 when she was convicted of second degree murder and 15 years in prison for defending both her own life and the life of a friend who was also on the scene. She is now 23 years old and behind bars at Logan Correctional Center in Lincoln, Illinois, seeking new legal representation and awaiting an appeals process.

In January 2014, Alisha Walker and a close friend of hers went to Alan Filan’s house in Orland Park, a Chicago suburb, to do a double session with Filan. Walker had seen Filan at least twice, and she had not screened him through any online resources. Afterwards, Walker told her mother that she immediately knew something was different about Filan this time. He was heavily intoxicated and very aggressive. He insisted that Walker’s friend didn’t look like her photos in the Backpage advertisement. When the two women refused to have unprotected sex with him, he threatened them with a knife. Walker was able to wrestle the knife from Filan and stab him several times, saving her own life and the life of her friend.

Alisha Walker, like many of us, comes from an average working class family, while her clients, like Filan, are mostly well-off and well-connected. Filan’s brother William Filan is a high-paid lobbyist whose clients have included the city of Chicago and JP Morgan Chase. His sister Denise Filan is a judge in the third subcircuit of Cook County.

Even Alan Filan himself was covered in a veneer of respectability, a seemingly-upstanding community member who taught at Brother Rice Catholic High School. It was easy for the media to portray Filan as a good man, rather than the violent aggressor he was, despite his tendency to be a mean, misogynistic drunk. Our efforts to screen his e-mails revealed multiple accounts of sex workers listing him as a bad client, cautioning against booking sessions with him. Even the articles most sympathetic to his memory recount his casual verbal abuse of the young soccer players whom he coached.

Walker was held in Cook County without bond for over two years while the media sensationalized the death of her attacker with wildly differing accounts of how many stab wounds he’d actually suffered, going so far as to include hesitation marks among the mortal wounds. Accounts of the stab wounds numbered from 10 to 14 in news articles, though the coroner’s report lists 14 hesitation marks and only two mortally inflicted wounds. Walker’s account of Filan’s drunkenness was confirmed by toxicology reports showing Filan’s blood alcohol content registered at a 0.208 when he was found days after his death.

Filan was remembered as a flawed but lovable man, brutally murdered. Walker, however, was never spoken about as a human being, the devoted big sister and caring and outgoing young woman her mother describes her as. Media outlets covering the story rarely mentioned that she had seen Filan at least twice without incident before he attacked her. Nor did they remark on the fact that she saved her own life and that of another woman’s in the face of Filan’s assault. There were at least 20 Backpage ads printed out on Filan’s desk, but the media often omitted this detail in their stories on the case. Nor did most articles on Walker address rumors that Filan was a habitual client of sex workers, and often (as Chicago sex worker screening sources record) was not respectful of the workers he saw.

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MARYWEPT_cover300Canadian comic artist Chester Brown is probably the most well-known punter-writer our there. His latest, Mary Wept Over The Feet of Jesus: Prostitution And Religious Obedience In The Bible, is an analysis of the Bible as a graphic novel. (Maybe Brown likes illustration because most clients need pictures in their books.) This review of his newly published book is composed of an edited version of an email and g-chat conversation between Tina Horn and Caty Simon.

Caty: I was surprised by Chester Brown’s Christianity as demonstrated by this book. In its afterword, Brown explicitly identifies himself as a Christian, albeit one focused on mysticism who’s “interested in personally connecting with God, not in imposing my views on anyone else.” His avowed, classic libertarianism in his sex work client graphic novel memoir Paying For It (2011) would’ve had me assume that he was a fervent atheist a la Richard Dawkins. His libertarianism does come up at an interesting point in this book when he puts the words “it’s none of your business how other people spend their money” into Jesus’ mouth when he chides Judas about not judging Mary for spending money on anointing oils for Jesus’ feet rather than on charity.

Tina: Especially when you consider that he ran for Canadian Parliament in the Libertarian Party! This was in the years right before Paying for It came out.

Caty: So he’s actually having Jesus Christ parrot his party politics—that’s ballsy.

Tina: When I was a teenager, I thought Mere Christianity by C.S. Lewis was the shit, because it taught me more about what the Bible actually teaches than most of the aggressive Christian kids at my high school. Mary Wept puts me in mind of C.S. Lewis: a Christian highlighting the hypocrisy of other Christians through rational interpretation of their text.

Caty: When people say that Judeo-Christian values oppose prostitution, it gets me fuming, because it’s a lot more complicated than that. There are plenty of heroic whores in the Bible, and many more Biblical heroines who explicitly had transactional sex at some point in their stories. So I enjoyed how Brown highlights the stories of women like Rahab, the prostitute who sheltered Hebrew spies from discovery when they scouted out the city of Jericho, and Tamar, the woman who whored herself out to her father-in-law in disguise in a complicated plot to expose his hypocrisy. I only wish he’d included the story of badass Judith, the woman who beheaded the general Holofernes as he lay drunkenly asleep in her tent after possibly purchasing her services, ushering the Hebrew army to victory.

Maybe Brown felt like he just couldn’t compete with all the exquisite Renaissance and Baroque era artistic renditions of Judith in her moment of triumph, like this one:

Trophime Bigot's "Judith Cutting Off The Head Of Holofernes" (via Wikimedia)

Trophime Bigot’s “Judith Cutting Off The Head Of Holofernes” (via Wikimedia)

But I think the real reason Brown didn’t include tales like Judith’s is because he seems more focused on outlining these sex work-related Biblical narratives in order to glorify sex workers’ clients. He has a convoluted thesis going about men whoremongering as a transcendent challenge to rigid religious dogma. This ascribes nonexistent significance to an activity which is really morally neutral, and it obscures all these awesome sex working Biblical women in stories which are about them. In a memoir about being a sex work client like Paying for It, centering the client perspective makes sense. But in a book like this, it feels beside the point. I’d love to see how this material would look tackled by a sex worker amateur Biblical scholar/comic book artist.

Tina: The book does explore the subjectivity of the clients more than that of the women. Brown’s reinterpretation of a lot of these stories seems to amount to, “God totally says it’s ok to be a whoremonger!” Which is great, but I would love to see more, “God says it’s totally cool to be a whore!” Not because I personally need the validation, but because undermining Christian values with their own text is a longtime favorite sport of mine.

Caty: So, what do you make of Brown depicting God as some sort of Biblical version of a WWE wrestler? His God is BUILT.

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Those two biblical lovebirds, Ruth and Boaz. (image via the New York Public Library Digital Collection)

Those two biblical lovebirds, Ruth and Boaz. (image via the New York Public Library Digital Collection)

Dear Tits and Sass,

I’m 28 and I’ve been a stripper for almost seven years. The last couple have definitely been the hardest, but the most profitable. I’ve created a life better than I could have imagined for myself before I started dancing—riding horses at nationally rated jumping shows, buying a house, driving a nice car, zero student debt and actual time to go to college as an adult, traveling to marathons and going on luxury vacations often, eating healthy food, and more. I wake up every day to a life I love, good friends, my pups. I’ve spent the single years doing my own thing.

I’m ready for and really want a partner. I haven’t dated in almost five years, save for a month of dating an impotent obese man. My 65-year-old customers probably have exponentially more sex than I do. Dear God, I want a steady flow of conversation that doesn’t involve being paid, and holy cow I would love a steady supply of dick before my vagina dries out like the Sahara. Online dating was a big fail on one free site and two paid sites—the few dates I had were either okay and didn’t work out, or sucked. I choose not to date customers of the club I work for as a personal boundary. I’m not so much into casual sex, but the few partners I’ve tried have led me to believe that I’m an unsatisfying-penis magnet.

It’s gotten to the point where even thinking about dating really sucks, and makes me unhappy for days when someone brings up the idea. It seems like as soon as I reveal my job, guys either flee or do the “trophying” thing until it quickly gets old for them. Recently, a friend wanted to introduce me to her boyfriend’s attractive pal. When I asked her if she’d told him about my job, she said she and her boyfriend would wait for me to tell him.

I feel like I’m tricking someone into a date with me if I don’t come with a huge red flag, a scarlet “S,” and some infamous Jaws-esque warning music. I don’t want to quit my job, and I’m not apologetic about what I do, but it does seem to be a big deal to men who aren’t meth addicts, have all their teeth, and live indoors. I don’t think it’s fair if they’re set up on an outing with me if they’re being…um, tricked. I’d want to know if someone was setting me up with someone that had a pretty big possible dealbreaker.

My question is: How in the fuck do I start dating again? Do I tell prospective gentlemen about my job, and when? Should my friend tell this man about my job before he decides whether he would like an outing with me? Do I lie entirely for as long as I can, despite my work being at obvious hours, and the stilettos and g-string laundry that litter my house? How long do I lie? Do I really have to wait another six-to-sever years (quittin’ time) before men will take me seriously as a partner?

Sincerely,
Calloused Masturbation Hand [READ MORE]

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kimg0989

Stripper, Florida. Paying my tax to the Supreme Leader, who typically peels off the large notes and leave the singles for litter. Mommy’s haul from a weekend of dancing, supplemented by drug money from a home mycology project. A total of $1121 dollars, which I was benevolently given permission to use toward new tires and brake pads.—Lexi

Sex workers, submit pictures of your furballs and funds here.

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(Photo by Alexa Vachon)

(Photo by Alexa Vachon)

Coming Out Like A Porn Star is an anthology edited by award winning indie porn talent and author Jiz Lee consisting of essays by porn performers and industry workers on privacy and disclosure. It was featured by Reason’s‘ Elizabeth Nolan Brown as one of the best sex work books of 2015. Foreworded by renowned Black porn scholar Dr. Mireille Young, the book includes pieces by celebrated porn mainstays such as Stoya and Annie Sprinkle, as well as work by Tits and Sass’ own contributors and interviewees such as Kitty Stryker, Conner Habib, Tobi Hill-Meyer, and Cyd Nova. The collection spans a wide array of porn experiences from writers of color, trans and queer authors, and performers from every branch of the industry. With Lee’s permission, we excerpt two exciting essays by authors who are new to us, “Queen Beloved” by Milcah Halili and “Even Someone Like Me: How I Came Out As A Smut Starlet” by Betty Blac. They both feature stories of the authors communicating with their sex worker writer idols, so we were immediately hooked. [READ MORE]

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