Bubbles

Bubbles Burbujas

Susan, formerly known as Bubbles Burbujas/StripperTweets, is a career stripper who started dancing while Clinton was in office. She has a B.A. in English and enjoys playing totally inappropriate obscure music at work. twitter dot com tumblr susaneshepard at gmail dot com


Schedule C and an example of a deductible expense.

Schedule C and an example of a deductible expense.

In the last couple of weeks I’ve read sex workers on Facebook and Twitter talking about the difficulties they had in getting an apartment, qualifying for a car loan, and signing up for health care because they didn’t have any proof of income. “I don’t get paychecks,” the sex worker might say (unless she is an employee), “So how can I prove how much money I make?” I read dancers telling other dancers to get a strip club manager to write a letter estimating what she makes in a week, and while that might work to buy a car at You Work—You Ride! it won’t help with big leasing companies or the bank.

What will help is having a copy of your tax return. Even before you file it, make a copy of your completed return to have on hand for any occasion that requires proof of income. It doesn’t have to be complicated; if you take a look at the Schedule C and panic at all the deduction categories, if you don’t save receipts for anything, if you haven’t filed in years, if you’ve never filed during your sex working career, just remember this: don’t panic. You can do this. All it is is counting money and adding and subtracting it.

Well. And paying it. That part is no fun. But if you’re filing as a self-employed person, you’re supposed to pay quarterly estimated taxes, which is somewhat better than paying one chunk in April, and hey, at least you don’t have to get depressed looking at a deduction on a paycheck every couple of weeks. OK, it’s unpleasant. There’s really nothing less fun to do with your money than send it to the IRS other than using it to pay for car repairs or dental work.

We are not accounting or tax professionals here at Tits and Sass but I, for one, am a career stripper who had her own tax missteps in the past (the part where I pretty much forgot to file the entire time I was in college) (and I was in college for a long time). If I could get straightened out, so can you. Let me be clear that I’m not urging anyone to pay taxes for any other reason than to make their own life easier. I do, however, want to emphasize how it can make your life easier: [READ MORE]

{ 2 comments }

Spring is sprung and so are the customers; once the vernal equinox kicks in, the whole world’s extra horny. So when you’re taking the stage this week, go all out and play these, the sexiest possible songs to strip to. We’ve pulled together the best, can’t-fail, guaranteed to draw customers to the rack picks for your stage sets this week, all of which come from first-or-second-hand experience as actual songs heard in the strip club. Here’s the full playlist on YouTube.

“That Smell,” Lynyrd Skynyrd

When the DJ plays this for you, you know you’ve been tipping him great and he’s trying to send the customers a message that they should get up close and personal.

“She’s Got The Jack,” AC/DC

You want the customers to know you’re up for a good time!

[READ MORE]

{ 4 comments }

via flickr user panavatar

via flickr user panavatar

VICE sent a reporter to Florida to report on the ass shot underground, where not-doctors inject everything from Fix-A-Flat to mineral oil into the buttocks of those seeking a bigger booty. Last week the accompanying documentary debuted online, and it’s worth watching, but be warned that the images of procedures-gone-wrong are horrifying. Reporter Wilbert Cooper talks to Miami-area plastic surgeons and follows Corey Eubanks, who is on probation for charges related to an association with Oneal Ron Morris, “The Duchess,” who had one of her clients die from complications from injections (there is some misgendering of Morris at the beginning of the documentary when Cooper is speaking with a detective about the case). There’s a segment in famous Miami strip club King of Diamonds where Cooper interviews dancers about their procedures and one dancer tells him that she estimates 75% of her coworkers have had some kind of ass augmentation. [READ MORE]

{ 1 comment }

Image via SWOP-Phoenix on Facebook

Image via SWOP-Phoenix on Facebook

We often have cause to complain about media coverage of sex work, but we haven’t had occasion to talk about how good stories can be edited into inadequate ones as they travel from reporter to final outlet. The fate of Jordan Flaherty‘s story about Project ROSE (Reaching Out to the Sexually Exploited) is a great opportunity to look at what happens when a journalist tries to show the public the whole story but is met with resistance from his employer. 

Flaherty traveled to Phoenix in October to cover ROSE and the accompanying protests by SWOP-Phoenix. ROSE is a “concentrated arrest-alternative/intervention program for adult victims of prostitution or sex trafficking.” In practice, it’s mass arrest sweeps during which those taken into custody on prostitution charges are told they can either go through ROSE, starting with a trip to their headquarters at a church, or they can go to jail. And there are problems with the process, ones Flaherty wanted to make sure his finished work represented. Al Jazeera aired a version of his television segment that eliminated key information about ROSE, so Flaherty has made repeated attempts to get a fuller version of his reporting out to the public. He has encountered difficulty in doing so. I spoke with him last week at a time when his story had been posted on Truthout, but as of yesterday, Al Jazeera America has claimed copyright violation, requiring Truthout to remove the story from their site. The story is still available in a couple of other places. Another cut of the television piece is available although it’s not one Flaherty considers complete, either. This written version of the piece as aired is the only one remaining on Al Jazeera America.

Below is an edited Q&A that took place by phone on Monday, January 6th.

How did you first come across Project ROSE?

The issue of the legal treatment of sex workers is something I’ve been following for a while, especially these kinds of programs that say that they’re helping sex workers but are doing mass arrests. These programs have been getting very positive treatment and I was interested in looking at something like that with a more critical eye. When I heard about Project ROSE it just seemed like an example of the way in which people are conflating sex work and trafficking. [READ MORE]

{ 12 comments }

thewayoutA friend sent me this video last week, rightly pegging it as relevant to my interests. The song is “The Way Out” by Porcelain Raft, the performing name of multi-instrumentalist Mauro Remiddi. It is expansive and atmospheric electronic pop that might be a little too downbeat for a packed club but, as in the video, a perfect track for a quiet afternoon shift. The video stars a very capable pole dancer, employs an elegant one-shot format, and has a subdued mood. It’s more Exotica than Showgirls. Its events threatened to upset me, but the story has a satisfyingly dark conclusion. I reached out to director Michael Lawrence to ask him about his process. Watch the video and read our Q&A below. [READ MORE]

{ 2 comments }